EXCLUSIVE: David Carr steps down and Melena Ryzik steps in as the new lead writer starting December 1st of The New York Times‘ “Carpetbagger” awards season blog covering the Oscar, Golden Globes, Sundance Film Festival, and other movie campaigns. She is a general assignment culture reporter who chronicles NYC life for The New York Times‘ “UrbanEye”, which is a video series and daily email events guide. Ryzik will also continue the Carpetbagger video series, which Carr launched on NYTimes.com. (Remember this one? NYT’s David Carr May Have Lost His Mind) Additional reporting for the blog will come from several other NYT journalists, including LA-based Michael Cieply and Brooks Barnes. The UrbanEye video series will go on hiatus during Carpetbagger season; the UrbanEye e-mails will continue. So, after four seasons on the Red Carpet, David Carr who originated the blog now retires his tuxedo. These days, the media columnist and general assignment reporter primarily blogs for the NYT‘s “Media Decoder”.
So now the question is whether the “Carpetbagger” blog can be franchised. Its name was not only a play on Carr’s but also captured the notion of a NYC elitist coming to Los Angeles to poke fun at the film folks. His first year, Carr had a naive take on all thing Hollywood. But by the last year, he was as jaded as the rest of us. What never changed was Carr’s obvious delight in being treated like a celebrity by the movie PR machine, including at The New York Times which benefited advertising-wise from Oscar buzz. Carr was great for the blog, and the blog was great for Carr. Can Ryzik duplicate his success?






Wow. I didn’t credit the Times with the brains and the balls to give it to someone like Ryzik. I’m looking forward to that. Always liked her videos and writing.
Good riddance.
No, Ryzick is a hack who recycles her own “trend” pieces. Pieces that are usually at least 3 months behind the trend.
Ryzik has some size 14 EEE’s to fill…Loved Carr’s take on the town. Gonna miss the ‘tude he brought.
David Carr’s insight and wit will be sorely missed.
David Carr’s “wit and insight” ???
Miss the attitude?
Are you kidding?.
He never met a mogul he didnt like.
He dropped names…
He always told how important he was.
Did he ever have an exclusive story?
Carpetbagger? Just shows the NYT “gets” cool. This never made sense …nor was it watchable. I remember the raincoat but no attitude beyond it.
the NY Times becomes less relevant every day.
personally, I thought Carr’s column was really underinformed. All attitude, with little to back it up.
Swan Song, I must not let your comment go unchecked. If the New York Times becomes — in your words — “less relevant” every day, may I ask what IS becoming “more relevant”?
The Perez Hilton blog?
Gawker?
Huffington Post?
The truth is that those who would be so quick to supplant journalistic institutions such as the New York Times fail to realize that plenty of the blogs and websites that exist today — and thrive, I might add — do so because they riff with snarky abandon on stories that first appeared in — you guessed it — traditional media. Without dinosaurs like the New York Times these new kids on the block would be staring at their pierced navels.
Newspaper wise in America, the New York Times is the best we’ve got, its shortcomings (Jayson Blair, Judith Miller, etc) notwithstanding. The NYT and Wall Street Journal, hands down.
Even as great as Nikki is, her job would be less interesting — and I’m sure she would agree — with no New York Times to cover some aspects of the entertainment industry, whether we are talking about incisive Hollywood profiles by Lynn Hirschberg or the once-passable coverage by Bernard Weintraub.
Finally, if Carr was “underinformed” and “all attitude” as you say can you direct me to how YOU would have proposed he cover the Oscars better or other aspects of the entertainment business?
I mean, the Jimmy Breslin rule of columnists — and writers everywhere — is this: Don’t be boring! He certainly wasn’t boring, nor was he charged with being the chronicler of stentorian dispatches from LaLa Land. His editors wanted his take, just like the want Maureen Dowd, with her verbal contortionist tricks, literary allusions and clever puns, not to sound like, well, James Reston or Nicholas Kristof.
Ok, I am stepping off my soap box now.