I’m shocked by the incredibly long and in-depth and unsurvivable story and video (see below) from today’s Boston Globe about David Kirkpatrick, the ex-Hollywood mogul who once upon a time was a big deal at Disney and Paramount until his 1991 firing which brought a smile to the face of a long list of enemies back then. I found him to be a prick of the first order. But I had no idea he’d come to such a miserable end in Massachusetts by dreaming big, promising big, and then failing big for a $650M “Hollywood East”. According to the newspaper, he lost virtually all of his wealth over the last decade, and had been reduced to making small-time videos — “Merry Christmas Babies’’ sold 23 copies — and had found Jesus when his sad saga started. The Globe article begins:
David P. Kirkpatrick seemed to relish the role of big-shot Hollywood insider as he briefed state development officials about his bold plan to challenge Tinseltown at its own game.
And the former head of Paramount Motion Pictures certainly sounded like the right man to build a huge movie and TV studio in Massachusetts. He talked about how he helped bring “Forrest Gump’’ to life. He casually referred to Brad Pitt and Jennifer Aniston as “the kids.’’
By the time Kirkpatrick left that first meeting in August 2006, state officials were practically ready to break out the champagne, according to two people who were there. A few months later, the state dangled the prospect of more than $100 million in tax breaks and other benefits to Kirkpatrick’s team.
So began one of the most buzz-generating projects in recent state history, a $650 million plan to build 14 sound stages and a virtual entertainment city in the woods of Plymouth, making Massachusetts the production center for countless movies and TV shows. Plymouth officials have scrambled to help Plymouth Rock Studios create the 2,000 studio-related jobs the company predicts, while people mobbed job fairs to chase their dream of making it in show business.
But a look behind the breathtaking vision of Plymouth Rock Studios reveals a project marred by over-the-top claims, broken promises, legal infighting, and the chronic lack of one crucial ingredient: money.
A Globe Spotlight Team investigation has found that, despite their cultivated image of Hollywood know-how and deep pockets, Kirkpatrick and his oft-changing cast of partners never obtained nearly the resources to build one of the world’s biggest studios. Members of Kirkpatrick’s group have been sued at least 11 times in the past three years by writers, investors, consultants, and others who say they weren’t fully paid. Kirkpatrick and his various collaborators were so desperate for funds that they turned to dubious sources for help, including a convicted embezzler and an obscure Florida financier whose former business partners were recently sentenced to prison.
Editor-in-Chief Nikki Finke - tip her here.







He was always nice to me.
All I remember about Kirkpatrick was when he fired me from a low level job at Paramount many years ago. He wasn’t nice to be around then and it sounds like he hasn’t changed much. As for his religious enlightenment, I’m not buying. Good to see yet another confirmation that the karmic wheel never stops turning.
Even for Hollywood, this is a pretty unbelievable tale. I like it because it’s fascinating, there are rogue-ish characters, and it shows how people can be talked into just about anything if you sell them a “dream”. I don’t think it should be considered a scandal though, because there isn’t any mention of drugs or sex.
One liner: Put a fourteen-stage facility in Plymouth, Mass. while spending $550 million, hoping someone will show up like those ghosts in “Field of Dreams”. It sounds like the story line out a spec comedy script making its way around town. No one in their right mind would spend even half that amount right here in Hollywood- where all the work is!
If the town desperately neeeds to be in the “studio” business, how about starting out with a six to eight stage operation and spending $25-50 million? See if that works at all, and then expand if necessary.
It sounds like the good folks of Plymouth have been drinking the Kool-Aid.
I am someone who had worked for David Kirkpatrick. It was less than ten years ago. And I too was burned by him. It was a rough experience. I wont bash him or attack him or delight in his failures though. I think he was someone who dreamed big and failed to do one thing: look to the future. When I heard he was heading up this ridiculous Plymouth Rock Studios idea I rolled my eyes and shook my head in amazement. Ridiculous because you need regular network tv and cable tv production to make this endeavor work. Hoping film production will fill the stages is a HUGE gamble. Most studio stage lots get consistent work out of tv production.
The economy is in the tank, banks are failing and he wants 650 mil for a East Coast Studio?!?! Who are these people that invest in David yet don’t do proper due diligence on the guy? This is yet another sad chapter in the book of David Kirkpatrick. He is someone who’s burned many bridges and it’s true that he’s a complicated and (oftentimes) frustrating person to deal with. If and when he falls, there will be no one left to pick him up because people will not care. And it makes me feel sorry for him. I wish him well and that he can pull his life together and stop using people.
I worked closely for David for more than six years during his Paramount, Weintraub Entertainment Group, Disney, and then Paramount (again!) days. He gave me, a girl who had no industry experience, no contacts in town, and no family in the biz, my first executive job and started my career. I didn’t graduate from a fancy college, nor did I have fancy parents. During that time I knew him as well as anyone that you work with 24/7 in this crazy business. I found him to be fiercely loyal to those who were loyal to him. Was he tough? Yes! But he was always fair. Many top executives and talent who are thriving in this town today, including myself, owe the start of their career to him. He was one of the few executives who believed there was a different way to make movies rather than having to be at the mercy of the few who were holding all the cards – and they cut him out of the process and drove him out of town. It could happen to any of us in this fickle and backstabbing community we call Hollywood.
Anita Busch to the rescue??? Wow, now i know this guy is a turd. Don’t know DK but I do know Anita. Possibly the worst person I have ever encountered in the entertainment biz.
Well most, not all in the entertainment field are worse than those in politics but don’t think so. I don’t think DK is the only person in entertainment trying to make a living and made poor choices in finding financing. I bet if his project was successful, most would be singing a different tune.
I knew David when he was at Paramount. I heard he could be cruel and abusive, but he was nice and even valued my thoughts on a few projects even though I was a relative peon. But of course that and $4.25 will get you a venti Latte at Starbucks.
Look, the business is such that people succeed and fail because of things they have very little to do with. David caught some lucky breaks and surfed his way to the top. When you’re not a hot writer, director, or star you have no job security. All you have is your opinion. And everyone has one of those. When you run out of people in positions of power who like you, you are done. Ask that formerly most powerful guy in the world, Mike Ovitz.
I think David couldn’t handle the crash after the high. Powerful people in Hollywood get delusions of grandeur and God complexes. It’s no wonder that David looked for meaning in his crash and found what he thought was Jeebus. I think he’s lost his mind.
I think David believes in his crazy idea, but I think he’s also deluded and taking the tiny quaint town of Plymouth for a ride.
Shit, I wish I never got into this business and did something more meaningful with my life.
I knew David when he was head of Paramount and then a producer on the Paramount lot. He was enthusiastic, creative and kind to me – someone who had just started out in the business, and he also had a wicked sense of humor that he used to good effect.
What most folks don’t remember is that the qualities that make someone successful as a studio head – exaggeration, bragging about projects that aren’t completely set, resourcefulness, pushy tactics, finding money wherever you can – are the ONLY characteristics that get movies made in Hollywood. If you don’t have at least some of these qualities you will FAIL as a Hollywood type.
Outside of the biz these traits make you a creep, but inside the biz you are a hero. David’s first failing may only have been that he was not CREEPY ENOUGH to swim with the really big sharks. They would throw their own mother under a bus to get a movie made. Those big sharks do what David did and more but they have survived, probably by being even bigger creeps than David is capable of being…
I, too, know David Kirkpatrick. Very well. Sadly, he cannot help himself. In his process of ‘being David’ he has helped a few, to be sure, but decimated so many more. Past former executives (some he still calls ‘friends’) have said the following: 1) One must never walk out on David. He will try and destroy you. You must exit backwards, bowing as you do, and hoping he will forget you exist. 2) David, having a little knowledge of legal process, but not enough, is legally dangerous. He will sue or threaten police action at the drop of a hat, without cause or moral reservation. His dishonest and immoral practice of calling the police and making false reports (of theft, for example) when annoyed is notorious. Read the Anne Rice email if you want to see what he is capable of in this respect. You will note she refers to possible ‘criminal’ behaviour on his part. Read her email carefully. She is a smart person and a gifted writer. Her email speaks volumes. Being a con-artist, Kirkpatrick is, ironically, an easy mark for other con-artists. In Hollywood he often dealt with shifty ‘investors’ just like those described in the article. Kirkpatrick is incapable of due-diligence because, it would seem, he is afraid of it being conducted on himself. For the eleven lawsuits against David referred to in the article, like the tip of an iceberg, there are likely scores contemplated but abandoned (see the comment above re avoiding Kirkpatrick and walking backwards.) Regarding his creative ‘talents’, recall Dawn Steele’s printed comments re Kirkpatrick’s ‘teflon-like’ qualities towards creative material. He simply didn’t know good from bad. His entire reputation at Paramount was based on handling Eddie Murphy. His absolute charm makes him capable for that. He utilized the same with the likes of Shirley MacLaine and Roland Joffe. The Boston Globe should interview them regarding their history (and the deception and later pain). It is similar to that experienced by Anne Rice.
David’s last 6 productions were all unreleased (including the children’s video mentioned in the article unless you want to call 23 copies sold on Amazon.com a ‘release’.) The disposition of these six productions is easily fact-checked by checking imdb.com The millions of dollars lost to investors on those projects should not be ignored. Paramount considered suing him on the Boneco fitness video based on serious misrepresentations (read ‘fraud’) by Kirkpatrick to induce them to invest in it. You will not see that product sold on any shelf, not even via informercial, it is so bad.
In short, Kirkpatrick is dangerous, dangerous, dangerous. He is also desperate, desperate, desperate. Plymouth should exit quickly and backwards before it’s too late.
The latest is even more astounding.
PRS signed up for funding from “Prosperity International,” which promised to lend PRS $500 million with one caveat — the BORROWER must put up $3.5 million earnest money. Huh? What kind of deal is this?
But of course PRS supplies the money, not in escrow, but “here it is!”
Prosperity International is run by one Michael Burgess, who ran off with the money and has just been indicted. Total max jail time — 850 years! Way to do due diligence David!