Precious: Based on the Novel ‘Push’ by Sapphire, and The Last Station. which opens Friday, each received the most 2010 Film Independent Spirit Awards nominations this morning with five each. (FYI, The Hurt Locker can’t be nominated because it was put forward last year before it had a distributor.) The Messenger took four. Fox Searchlight and Sony Classics tied with seven each. As usual, the nominations are a harbinger of things to come for the Oscars.
BEST FEATURE (Award given to the Producer)
500 Days of Summer, Producers Jessica Tuchinsky, Mark Waters, Mason Novick, Steven J. Wolfe
Amreeka, Producers Christina Piovesan, Paul Barkin
Precious, Producers Lee Daniels, Sarah Siegel-Magness, Gary Magness
Sin Nombre, Producer Amy Kaufman
The Last Station, Producers Chris Curling, Jens Meurer, Boonie Arnold
BEST DIRECTOR
The Coen Brothers for A Serious Man
Lee Daniels for Precious
Cary Fukunaga for Sin Nombre
James Grey for Two Lovers
Michael Hoffman for The Last Station
BEST FIRST FEATURE (Award given to the director and producer)
A Single Man
Crazy Heart
Easier With Practice
The Messenger
Paranormal Activity
JOHN CASSAVETES AWARD
(Given to the best feature made for under $500,000; award given to the writer, director, and producer)
Big Fan
Humpday
The New Year Parade
Treeless Mountain
Zero Bridge
BEST SCREENPLAY
Alessandro Camon, Oren Moverman for The Messenger
Michael Hoffman for The Last Station
Lee Toland Krieger for The Vicious Kind
Greg Mottola for Adventureland
Scott Neustadter, Michael H. Weber for 500 Days of Summer
BEST FIRST SCREENPLAY
Sophie Barthes for Cold Souls
Scott Cooper for Crazy Heart
Cherien Dabis for Amreeka
Geoffrey Fletcher for Precious
Tom Ford, David Scearce for A Single Man
BEST FEMALE LEAD
Maria Bello for Downloading Nancy
Helen Mirren for The Last Station
Gwentyth Paltrow for Two Lovers
Gabby Sidibe for Precious
Nisreen Faour for Amreeka
BEST MALE LEAD
Jeff Bridges for Crazy Heart
Colin Firth for A Single Man
Joseph Gordon Levitt for 500 Days Of Summer
Souleymane Sy Savane for Goodbye Solo
Adam Scott for The Vicious Kind
BEST SUPPORTING FEMALE
Dina Korzun for Cold Souls
Mo’Nique for Precious
Samantha Morton for The Messenger
Natalie Press for Fifty Dead Men Walking
Mia Wasikowska for That Evening Sun
BEST SUPPORTING MALE
Jemaine Clements for Gentleman Broncos
Woody Harrelson for The Messenger
Cristian McKay for Me And Orson Welles
Ramon McKinnon for That Evening Sun
Christopher Plummer for The Last Station
BEST CINEMATOGRAPHY
Roger Deakins for A Serious Man
Adriano Goldman for Sin Nombre
Anne Misawa for Treeless Mountain
Andrij Parekh for Cold Souls
Peter Zeitlinger for Bad Lieutenant
BEST DOCUMENTARY (Award given to the director)
Anvil!
Food Inc
More Than a Game
October Country
Which Way Home
BEST FOREIGN FILM (Award given to the director)
A Prophet
An Education
Everlasting Moments
Mother
The Maid
ROBERT ALTMAN AWARD
(Given to one film’s director, casting director, and its ensemble cast)
A Serious Man
PRODUCERS AWARD
Karen Chien (The Exploding Girl, Santa Mesa)
Larry Fessenden (I Sell The Dead, The House Of The Devil)
Dia Sokol (Beeswax, Nights & Weekends)
SOMEONE TO WATCH AWARD
Kyle Patrick Alvarez for Easier With Practice
Asiel Norton for Redland
Tariq Tapa for Zero Bridge
TRUER THAN FICTION AWARD
Natalia Almada for El General
Bill Ross, Turner Ross for Beetle Queen Conquers Tokyo
Jessica Oreck for 45365
The Film Independent Spirit Awards’ 25th Anniversary ceremony will not take place by the beach in Santa Monica this time around. Instead, it will take place in a tent in downtown Los Angeles and will air on IFC (Independent Film Channel) at 8:00 PM PST/11:00 PM EST on Friday, March 5, 2010.
Editor-in-Chief Nikki Finke - tip her here.






Just to say Thank You to Steve Vai, who gave of his love and his time to do a promotional spot at Borders Books, where he signed all manor of items for his adoring fans.
We love you Steven for your dedication and look forward to working with you in the future again.
Neci and Robert <New York
Anvil all the way, baby!!!
Who cares about the rest??? Bad year for movies…
This list should tell anyone looking that this was indeed a sub-par year for independent films unless the few unreleased films happen to be brilliant. At best there are some good films and but no great ones and a lot of mediocre ones. The Spirit Awards this year will be no more interesting than the other awards when they are usually better.
Great for WME directors Lee Daniels and Michael Hoffman and both of their films getting the most nominations.
I am so happy for the nomination to the chilean film THE MAID a.k.a. LA NANA …. But i am a little sad for CATALINA SAAVEDRA, she is so great that she deserves a nomination.
The Maid should win in best foreign film.
The Maid was a very good film. Summer Hours and Anti-Christ were phenomenal and weren’t even nominated. What gives Spirit Awards?
500 Days of Summer was the most overrated, awful movie I saw this year. It and Precious should not even be considered in the same category. If you saw the preview for 500 Days of Summer, you saw everything funny about it.
Beth, you are obviously smoking crack. 500 days of Summer had to be one of the best movies this year. It has the right amount of everything. I consider it a guy chick flick anyway so maybe you have allowed cynicism to dull your heart. Not hatin’ just sayin
Not cynicism, just disappointment. It was a movie that I thought would have been good because the idea was so great-and truly clever. In practice, something was missing. I’m more vehemently opposed to it, probably because of how it already appears to be garnering so much approval this awards’ season. (As for the guys’ chick flick thing: my husband didn’t like it either. And we don’t always like or dislike the same movies.)
Where is Moon???
Sub par is right. Wow.
Go Amreeka, what a beautiful film!
Go ANVIL !
Go Joseph Gordon Levitt!
Go Big Fan/Robert!
As per usual for “Spirit” awards, half of these aren’t independent by any stretch of the imagination. And half of those, or more, aren’t even indie in spirit. I love Jeff Bridges, but I’m not convinced that a movie paid for by Paramount and essentially an above-average TV movie qualifies for this. Unless, by qualify, you mean that Jeff Bridges might show up.
Was In The Loop somehow ineligible for consideration? That was truly one of the best films I saw this year, just a wickedly funny (and sad) satire with top notch acting all around. It was certainly more entertaining than that overrated 500 days of boredom nonsense.
Glad someone agrees with me about 500 Days. Though, as a writer, there’s no need to be so nasty about it. They were at least trying to write a good movie, even if it was completely empty. I can’t fault them for that.
Yes, I agree, I think it was a great idea. There was something missing from the actual film. I don’t know if it was the acting or the lack of connection between the leads, or the supporting characters.
How does 500 Days of Summer get all those nods and it’s director Marc Webb get none?
In an admittedly down year for film, that movie was one of the best and done very well.
MOON deserved a nomination for the sheer brilliance of its story and the talent of its director but it seems that FIND is big on drama but not so big on drama in outer space.
SO much negativity in the commments section, but I guess that’s what the internet’s for. I loved 500 Days of Summer, and Beth, while it may come to a surprise to you that your opinion of a movie isn’t the end all, be all of what makes a film great, 500 Days of Summer IS a great film. Nearly 90% on Rotten TOmatoes, Top 250 on IMDB (meaning it’s achieved acclaim from both critics and the general public) does, however, indicate it was great. So, just be an adult, and admit that you just didn’t like a great film. I can do it – I didn’t care for Gladiator, and it won Oscars.
I can’t say I didn’t like a “great” film. I think it’s fair that if you don’t like something it’s simply not “great” to you. Btw, I know plenty of people who didn’t like Gladiator.
Rotten Tomatoes weighs each review evenly, and a B- (I think) will count as a positive review. I went back and read the NY TImes review and the Boston Globe review after seeing it, and many of my concerns were in those reviews. So, a 90% doesn’t always mean it’s great, though it often works out perfectly. But, that’s part of why I was so shocked as I was watching it. Such a good idea–but something was missing in the translation from the script/ideas to screen.
Love these awards. The only true awards left. I find them honest, and they give credit where it is do. Based on talent. A Serious Man, A Single Man both terrific. There were several “Man” movies out there. Most were garbage. These two were winners, well-written, well-directed showing an eye for the visual whether in the script or on the screen.
Congratulations to all.
Thank you.
I was really hoping Big Fan would be good. Not a fan.
How the hell did THE BAD LIEUTENANT get a best cinematography award? Jesus Christ, that was the worst shot, worst looking film I’ve ever seen released in a theater. SERIOUSLY. So many shots out of focus (unintentionally), as well as poorly underlit scene after scene (unintentionally). Any other director’s name on this thing and it would be dumped in the straight to DVD bargain bin. Yeah, I liked Cage’s performance, but this thing is a sloppy, technical mess. It pains me no end that the voting members of FIND can’t tell the difference between superior craft (Roger Deakins) and this murky soup.
I didn’t even know the Coen’s were still indie. And I agree about Marc Webb – 500 Days was put together brilliantly. I’ve lost interest in the Spirits just as I have the Oscars. Who cares?
Walt, plenty care, the people nominated and appreciated by their peers care. You not caring doesn’t mean much as you are not anyone of importance…. not trying to be rude, just being honest.
I haven’t seen ‘Me ans Orson Welles’ yet, but isn’t Christian McKay’s role the lead role? I gather from the reviews that Claire Danes and Zac Efron’s roles are strictly of a supporting nature.
Zac Efron and Christian McKay really share the lead in what is almost an ensemble movie. Arguably McKay could be run in Male Lead but I think they are aiming for Supporting because the race is a bit more open. I, for one, hope he scores an Oscar nomination. He is absolutely superb as Orson Welles. The rest of the cast, including Efron, are very good as well. But he really nails Orson’s mannerisms and speaking style brilliantly. It’s too bad their budget is so limited in terms of campaigning.
Did Carey Mulligan get shut out of Best Actress? I thought that was a given.