
It’s the only first-look deal Brian Grazer recalls giving out since he and Imagine Entertainment partner Ron Howard hooked up 28 years ago. And it’s with a company that hasn’t yet made a film. But Blacklight Transmedia gives Imagine a foothold in “transmedia storytelling,” an area Grazer feels will have an increasingly important place in how producers maximize franchises by simultaneously rolling them out in multiple platforms.
Post-Sundance, Blacklight Transmedia will begin shopping 20 intellectual property creations. But rather than limiting them to film, the company will have fully-fleshed storylines and designs that will also be shopped for videogames, TV, graphic novels and new media deals. The firm was formed last year with that strategy by Zak Kadison and Eric Lieb (former execs from Fox and Fox Atomic) and veteran Seattle-based vidgame developers Mark Long and Joanna Alexander. Kadison showed Grazer 10 properties, and Grazer will likely become film producing partner on most of them.
The properties, which are designed to sustain three films, span genres from horror to epic scifi, each focusing on a world and not a central character, with each venue supplying separate but complementary storylines that will keep consumers interested in each platform. While Kadison wouldn’t disclose specific projects, he said the creatives working on them include Chad St. John (Sgt. Rock), Skip Woods (A-Team), Marc Forster (Quantum Of Solace), Dave Semel (Heroes), Kyle Ward and Mark L. Smith.
“The projects I saw were well thought out concepts with strong underlying symbolism and archetypal foundations, with graphic novels and designs that were exquisite,” Grazer told me. “We can’t afford to buy to buy Marvel, so the key is to find another generating source for movies in that universe. Zak was enormously charismatic and his ideas were different from the typical movies Imagine has made. I wanted to bet on him and his team.”
Kadison oversees film and TV projects, while Lieb runs the comic and graphic novel creations. The vidgame execution is spearheaded by Long and Alexander who are co-CEOs of Seattle-based Zombie Studios, which has been around since 1994 designing and producing 28 games on every platform.
Though Imagine itself is a prolific self-generator — Robin Hood gets released in May, Cowboys and Aliens will shoot this year as will the Allan Loeb comedy Howard will direct with Vince Vaughn — Grazer said his focus has been to succeed exclusively in one medium like film or TV. He admired how properties like Star Wars and The Matrix expanded successfully beyond films, and liked Kadison’s proactive expansion approach. “Studios gobbled up pre-branded properties like Asteroids and Battleship, but as an exec I would hear pitches from writers and see nobody coming with visuals, and there was nobody at the studio managing intellectual properties over all divisions,” Kadison said.


Writers better wake up to the issues here.
Writer 3.0 For Book 3.0
Zak,
You told me about this about a year ago.
HUGE CONGRATS!!!
RH
This is a great “new idea” that several companies like Content House and Platinum Studios have been doing for years now.
The great and possibly the most exciting thing about transmedia productions is that they allow so many more facets of imagination to be explored by the consumer, which consequently can allow them to become much more immersed within any given milieu. Awesome stuff!
Is this what storytelling has become? “Intellectual properties” sold en masse like palettes of paper towels at Costco? Sausagetainment! We’re told these things will “focus on a world and not a central character.” Great start! Grazer praises the “underlying symbolism,” “archetypal foundations” and calls them a “generating source?” What the hell is he talking about?
Zombie’s shown they can do amazing things, yep.
Guess he does not recall having a first look deal with Pete Segal….among others.
Brian Grazer’s the man. Nuff’ said!
obviously, a great idea… BUT if you look at the writer’s that are named — they ARE NAMED for everything. So, basically, the same bunch of writers will keep sucking up most of the deals. It’s not that they’re not talented, it’s just that studio execs mostly hire writers out of reputation, whether they’ve read them or not, and surprisingly whether they’ve ever written a hit or had a movie filmed. But kudos to those dudes…as long as all of Hollywood movies aren’t written by the same four fellows.
Not to worry Creativity, inc., I’ve had a meeting with the guys at Blacklight and seen what they are working on and WHO they are working with. There are a lot of first timers and up and comers (including me) that are creating projects with them. Great things to come.
Good to see Grazer/Imagine innovate in the space, as it’s becoming less of a risk in terms of storytelling given the success of ARGs, i.e., “Alternate Reality Games or Gaming.” As the WalMarts of the world continue to reduce the value of physical films/DVDs (straight-to-dvd dumpbin graveyards), new models with better economics are needed.
Congrats Eric Lieb, nice progression from Artisan to Lionsgate to Fox Atomic to Blacklight!