The SAG National Board of Directors met via videoconference in Los Angeles and New York:
Los Angeles, (January 31, 2010) – Screen Actors Guild National Board of Directors voted today to seek engagement with AFTRA in a joint bargaining agreement for negotiation of the Television/Theatrical Contract. Approved 82 to 18 percent, the resolution states:
“It was moved and seconded that in light of SAG’s historically productive negotiating partnership with AFTRA, the SAG National Board of Directors directs President Ken Howard and National Executive Director David White to seek engagement with AFTRA in a joint bargaining agreement for negotiation of the Television/Theatrical Contract, under the terms of Phase One, modeled on the agreement used successfully in the 2009 Commercials Contract negotiations. President Howard and NED White shall bring a recommendation to the National Board at the earliest opportunity.”
Screen Actors Guild President Ken Howard said, “I am very pleased with the vote and thank the Board for their leadership and foresight on this important issue. I so appreciate the Board’s cooperative spirit in this discussion and throughout the day, and feel confident that our Guild is moving in the right direction.”
In other actions, the National Board voted unanimously to create a National Performance Capture Committee to address the unique concerns and experiences of members who render performances that are recorded using “performance capture” technology across all media, and to advise the Guild on all matters pertaining to work in this rapidly growing area.
The board also approved 83 percent to 17 percent the unanimous recommendation of the finance committee to authorize the extension of existing initiation fee reductions in targeted markets across the country and to have the Guild’s Joint Strategic Planning and Finance Committee review the initiation fee structure nationwide.
Reports
The national board received reports from elected leadership and staff including:President Howard memorialized those members who have passed away over the last year reading each name aloud and calling for a moment of silent remembrance. Howard also recognized the recent loss of former Houston Branch President and board member Jim Huston, who passed away January 28, 2010. Mary McDonald-Lewis, Regional Branch Division board member from Portland, Oregon, delivered a special tribute to Huston, saying, “He stood with his brothers and sisters through the best of times and the worst of times, and did so with resolve.“
• Secretary-Treasurer Amy Aquino delivered a report on the Guild’s second quarter financial results noting that SAG’s revenue and expenses are closely tracking the projections for fiscal year 2010. Aquino also provided an update on investment performance indicating recoupment of certain losses in the Guild’s investment portfolio when compared to the prior year.
• National Executive Director David White reported on the strategic planning efforts underway at the Guild and preparation for negotiations. White updated the board on new institutional and member service initiatives including a revitalized organizing strategy and program. White applauded SAG committee members and staff for their innovative and thoughtful work in key areas including the 2010 SAG Awards, government relations and legislative activities, new media outreach activities, and the LifeRaft Live Streaming partnership with SAG Foundation, among other efforts.
The Board also appointed Deputy National Executive Director of Contracts Ray Rodriguez to the Screen Actors Guild-Producers Industry Advancement & Cooperative Fund (IACF) board and addressed a number of governance matters, including a constitutional amendment regarding written assent procedures; an amendment to Branch rules of procedure; advisory recommendations from the annual national membership meeting; amendments to the election guidelines; and a recommendation to study the feasibility of electronic voting.
The meeting adjourned just after 5:00 p.m. PST.
Editor-in-Chief Nikki Finke - tip her here.
Los Angeles, (January 31, 2010) – Screen Actors Guild National Board of Directors voted today to seek engagement with AFTRA in a joint bargaining agreement for negotiation of the Television/Theatrical Contract. Approved 82 to 18 percent, the resolution states:

Of course they do… right on their path to eventual merger…
” We, In order to form a more perfect Union submit this idea for your consideration…..!!!?
Bend over and kiss your union goodbye.
Great, so now that AFTRA has stolen control of most Tv shows and offers an “Under 5/Uncredited” rate for actors (slashing pay and cutting residuals), this should be a real easy fix. Thanks, AFTRA.
Certainly nothing unusual or unexpected, but it’s good of Nikki to keep on top of SAG-related news.
Whatever…SAG’s voting pool has been so dilluted by intellectually-challenged “extras” that all the unions are going to have to do to pass any contract is put George Hanks or Tom Clooney (yes, I mixed their names up on purpose)up at the podium to talk about how they feel it’s a great deal for “ALL” actors. 80% of SAG falls for this every time…hook…line…and…sinker.
The simple truth is, a return to Phase 1 is not particularly “disliked” by MF. It is more the sad reality of dealing with AFTRA. The validation for that is that it was used to negotiate for 27 years before AFTRA voluntarily left the agreement to negotiate its Exhibit A for 2008.
The talk of AFTRA being “pushed” has no real merit. People in relationships, in politics, in unions “push” each other all the time, and the MF point was an entirely legitimate one: the single biggest reason there had never (has never) been an increase in the DVD rate in 23 years was, the 50/50 make-up of the negotiating team in Phase 1 gave AFTRA and the few moderates on the SAG side, veto power over any solid stance to get it done. That is simply historical fact. Why on earth do you suppose the DVD rate would have remained the same otherwise?
It remained the same simply because the Phase 1 negotiating team never had the votes, and therefore the will to challenge the producers on this and do what was necessary to accomplish it.
We are all entitled to our own opinions. We are not entitled to our own facts, as is often said.
Alan Rosenberg was specifically elected twice by the SAG membership to get tough with the AMPTP over the DVD rate. That was his mandate, and that is the reason why he had Doug Allen explore some of the third rail issues so compromising the Phase 1 agreement over the years, SPECIFICALLY in regard to getting THE big ticket item done: a LARGE increase, long overdue, and long promised, but never delivered by the producers, in the DVD rate.
It was clear, if you remove all other considerations: emotion, politics, the sensitivity of the situation etc., that there was one reason, and one reason alone for this failure: the lack of proportionality on the negotiation team going into each and every Phase 1 negotiation.
So, in keeping with other precedent regarding proportionality: weighted voting, etc. that is a staple of SAG governance, the possibility was raised that the negotiating team issue FINALLY be addressed.
Bedlam. 95% of the work on the contract?
SAG.
5% of the work on the contract?
AFTRA.
Yet, the negotiating team? 50/50, with enough moderates in each and every negotiation for 23 years to join with the AFTRA seats to block any tough stance to get the DVD rate up.
You want to actually argue that point? Then you better wait to get in touch with some MF people who were in those rooms over the years and actually ask them what happened, and why.
So, in the bizarro world of AFTRA deference that is Phase 1, the sheer consistency of the bizarreness has simply become the norm, and any threat to finally change it for the betterment of SAG is met with screaming howls of protest by the SAG moderates and AFTRA.
So, SAG MF shakes its head and returns to Phase 1, lest the screaming child reawakens and takes the only option possible to achieve labor “peace.”
Phase 1.
What does ‘seek engagement’ even mean? Are they going to ask AFTRA out on a date? AFTRA has proven themselves to be untrustworthy in negotiation after negotiation. Why is now any different? How many times does a spouse have to be abused before he/she stops coming back for more?
So, this was expected. Both presidential candidates ran on the importance of joint negotiations. But what’s the real story? Does anyone in their right mind truly think that AFTRA has any need at this point to join SAG in real negotiations? They have the lion share of tv pilots. Yesterday a board member told me that he heard that of the new prime-time pilots, SAG has 0 pilots and AFTRA has over 60. WTF!? SAG is the cheaper of the two contracts. Didn’t Hanks, Field, UFS and others promise the SAG membership work if we ratified the contract back in 2009? “Vote yes and you’ll get back to work”? Well actors are back to work but for another union; AFTRA. But I guess the average member doesn’t really care or doesn’t understand what’s going on. How is the SAG actor going to be able to earn SAG pension points or qualify of health coverage with tv going to AFTRA? Why is SAG so freaking quite about the fact that AFTRA has 60 prime time pilots and SAG has NONE?! Where is the outrage from leadership? What is the president doing or saying about this? They can’t blame MF any longer. UFS’s contract was ratified back in June 2009. UFS has had the majority on the board since Oct 2008. Howards’ been the president since Sept 2009. White’s been the NED since Jan 2009. McGuire was the lead negotiator. SAG has the cheaper contract but we are still getting screwed! Yeah. “Let’s get back to work.” For AFTRA.
Ugh. Not again. Please not again. I can’t talk about it anymore. I don’t care about the unions. I have given up. As a member of both SAG and AFTRA, and a working actor for most of my adult life, I officially retire from the B.S. of all of this. To all “aspiring actors” who read this, hear me. And this is the bottom line… your only hope is the same hope that brought you here. You must get famous to get the money. There will be no “working actor” designation without that. There is no hope for the unions. And paying attention to them will only depress you. So switch on the light and go out there and start producing your own work! Grab a camera and write! Make-your-destiny. The unions only exist now to take your money.
The only chance actors have is to strike individually. That’s what I’ve done. I am not in AFTRA nor will I join. If that means I can no longer do TV shows, so be it. The few AFTRA shows I’ve done did not pay well and I get no residuals. So who needs it? I can earn more working elsewere and I’d rather do student films to get my acting ya-yas out then let a crappy TV show exploit me. Since I’ve done 15 SAG TV shows, and casting directors call me in to audition I know I have what to contribute. So the loser is … television who’s lost the services of this performer. I love telling casting directors who want me to audition for a part, “I’d love to come in, but FYI I’m not a member of AFTRA.”
It is not joint negotiations that is the problem, it is reneging on an agreement after 27 years or so of joint negotiations, by cutting a very weak deal for yourself, weakening your sister union in the process, in order to force a merger. Not good.