EXCLUSIVE: Disney’s Miramax is shutting its doors today, and staffers are packing up their belongings. Yet the big question in Hollywood is who will walk away with the company’s name and film library? Our Deadline.com already reported this week that the Weinsteins Want Miramax Name Back. As Harvey just told us: “We founded Miramax 29 years ago, naming it after our parents Miriam and Max. If there is ever an opportunity to make a deal to buy it back, we would certainly take it and there isn’t much in the world that would make our 83-year-old mother happier.” But here’s the problem: “Disney will not sell the Miramax name to anyone unless they also buy the library. They will not bifurcate,” one of our sources says. And our information is that the Weinsteins haven’t even approached Disney yet. So who has?
Our information is that Disney has received “very preliminary” feelers from Summit Entertainment about buying the Miramax name and library. “It’s along the lines of, ‘Hey, if I were interested, let me see what I can come up with,’” one insider tells us. “That doesn’t mean others won’t come forward. Disney would be open to someone willing to pay the right price. But after downsizing Miramax over the past 3 years, the financial burden isn’t what it was.” In fact, Miramax has only 6 films left to market and distribute scheduled for 2010.
Our insiders say Summit so far is the only company to actually contact Disney about the Miramax library. Led by Rob Friedman and Patrick Wachsberger, the upstart studio is flush with cash from its blockbuster Twilight Saga franchise. It has been mentioned as a possible contender for MGM, is looking to broaden its portfolio, and put Morgan Stanley on retainer to help the studio grow its business and advise on possible transactions “designed to take our company to the next level”. (Now That Summit Is Prowling For Acquisitions.) A solid library like Miramax would fit that bill.
But we’re told that also interested, even though it hasn’t approached Disney yet, is the private equity firm Dune Entertainment (an investor in Avatar and other Fox films.
At one time, Disney’s asking price for the branded Miramax name was $30 million, but now it will only come as part of the total package. Disney once placed a $1.2 billion pricetag on the Miramax library, which was always thought to be sky high. More recently, our sources say, that number has dropped to around $800 million. But the feeling is that its actual worth is closer to between $400 million to $500 million because studio library values have taken a hit as DVD/video has flattened. Our sources say that the Miramax library, which once poured off between $60 million to $90 million in annual revenue, now delivers only closer to $40 million.
As for Harv and Bob, recent woes have forced layoffs as part of a restructuring while The Weinstein Co Gets A ”New Lease On Life”?. Harv would need a deep-pocketed backer — and a source tells us that “a large fund” has approached him – if he is to make a run at the Miramax library and reclaim the company name.
Even now, The Weinstein Co is in the process of making new installments of Scream and Spy Kids, both titles from the Miramax/Dimension library, and is plotting a stage musical based on Finding Neverland, another library title.
The Miramax library is a trip down memory lane of the heyday of indie film, built by the Weinsteins from 1979 to 2005, and embellished over the last five years by Daniel Battsek (now at National Geographic Films). The Weinstein era includes such indie classics as Shakespeare in Love, Pulp Fiction, Reservoir Dogs, The Crying Game, Chicago, Kill Bill, Good Will Hunting, sex lies & videotape. Battsek’s later additions include No Country for Old Men, The Diving Bell and the Butterfly, Gone, Baby Gone and The Queen. Because of the nature of the indie business, some of those titles come with partial ownership, and others with rights that will expire.





I find it interesting that Disney appears to be so uninterested in keeping the library and name, even if its only use is in home video and TV sales.
I know there’s a lot of jokers in that deck, but also enough Aces to at least make it worthwhile to a company willing to burn the calories needed to hustle them.
This might be a good investment for Summit, it doesn’t come with the debt baggage of MGM, and enough of a library to plump up their home video and TV sales catalog very nicely. Plus the thought of another independent company doing something with Miramax would send Harvey into such a white hot rage he could then be used as an alternative energy source.
The only thing sadder than Miramax shutting its doors is the fact that Harvey has to work on Scream and Piranha and Scary Movie and all these films that will help stop the bleeding. I don’t have an opinion on the guy one way or the other, I never had to deal with him directly, but it’s good for all of us if he could make the thoughtful pictures that offer a nice counter-weight to the crap we serve up in order to pay the mortgage. Who is going to make the one million, five million, ten million and fifteen million dollar movies? The Oscars are just so terrible this year in terms of quality. It’s sad. There should be 2 or 3 Hurt Lockers. There should be 2 or 3 Up in the Airs. There should be 2 Good Will Huntings. Where have you gone, Harvey Weinstein?
Harvey doesn’t *have* to work on the movies you listed to pay the bills– he chose that route when TWC opened their doors and said they were moving away from the Oscar bait to do more commercial fare. He attempted to grow his “empire” by trying to get into everything from the clothing business to the online social networking craze but still wanted to micromanage the movies they were producing, over extending himself and unable to do both effectively. It was only when he failed on that front that he started to make a go of the more niche stuff again, which he’s done abysmally at as well (Nine for example).
They have several movies they can’t afford to release so those films are sitting on shelves which sucks for the filmmakers and everyone involved, they won’t give out greenlights but in some cases, they won’t let the projects go to someone else, and yet they keep trying to buy up stuff they can’t afford to market correctly. That’s not good for the industry, nor is it good for the poor individuals who have been unlucky enough to get their material bought and lost in the weinstein vortex, possibly never to see the light of day. If they can’t get their shit together, they should close shop. They are fucking with people’s livelihoods.
Harvey and Bob should make a run for it and reconstitute the incomparable team that led Miramax in its glory days
So…where’s Carl Icahn in all of this? Isn’t it his wet dream to purchase MGM? Would he also make a play for Miramax? If Summit does by some miracle end up with Miramax and/or MGM, would it then go about acquiring a real marketing team to keep it all together? Or will it continue to half-ass it like they’ve always done? Will getting its hands on Miramax or MGM make Summit feel more comfortable and hush all the whispers that all they’ve got is the Twilight stuff and when that’s over, it’s all over? And if Icahn could somehow manage to get MGM and Miramax, would he still make a play for Lions Gate? Does he still fantasize about merging somehow merging Summit and Lions Gate?
Questions, questions…
Let the fun begin!
Man where is Ted Turner and his mad stacks of money to buy up that catalogue? Interesting how him buying up that MGM library back in the day actually was prophetic.
He gave so much of his money to the U.N. and lost most of what was left over. He “only” has about 2 billion left, if I recall correctly. He wants to buy his old cable properties back anyway.
http://www.bloomberg.com/apps/news?pid=20601109&sid=a2S9IquEJbYA
Prior to 2005, when I would see that famous NYC-at-night logo of the MIRAMAX company, I knew that I was about to see a quality film. I hope Bob and Harvey are successful in their attempts to reacquire the name and produce great movies!
scream & spykids = bob. . .not harv.
Yeah, Miramax since 2005 has really been awful without the Brothers Weinstein. No Country for Old Men, The Diving Bell and the Butterfly, Gone Baby Gone, There Will Be Blood, Doubt, The Queen… ugh, what awful movies. NYC at night is now a warning sign!
I wonder why Disney doesn’t even care for the Miramax library? There’s some pretty big hits in there, plus the recent movies like Doubt, There Will Be Blood, No Country for Old Men, The Queen, etc. have really dominated the Oscars last years. Oh well, it seems like Disney really *ís* going back to their Family Friendly movies only scheme. After Touchstone was downgraded to only Marvel and Dreamworks films. I’m not really liking this, at least Disney provided good home video product – and now a *smaller* studio is going to provide us with the whole catalog.
Anyone know why Disney let the Brothers have the Dimension name but not the library?
Summit + Miramax = Summit? Screw Robert A. Iger!
key to the success of many of the above listed recent Miramax titles is Scott Rudin. i wonder how his deal sits with Disney now that Miramax is gone…does he have to keep his stuff with the next buyer?