
Oscar-winner Kevin Costner has moved to WME, where he signed with co-CEO and board member Patrick Whitesell. The Dances With Wolves director/star had been represented by CAA, and continues to be managed by One Talent Management’s J.J. Harris. Costner isn’t the average client who needs an agent to find him an acting job. He’s a self-generator whose need for an agency is to package and get funding for passion projects he writes, directs and stars in. And in the case of his last film, Swing Vote, self-finances. (That pic sank like a stone, as has several others. I feel Costner suffers from Warren Beatty syndrome: both have the potential to be celebrated actors again if only they would give up control to an expert director who knows how to get a great performance out of them in good material that audiences might pay to see.)
I’m told WME will jump right into Costner’s quest to get funding so that he can next star in Learning Italian, a comedy with director Kevin Reynolds. Costner will play a CIA agent who has been stationed in an idyllic coastal town in Italy to keep an eye on a KGB agent there — until both secret agencies order the two spies to return to their respective countries and cook up a pseudo-threat to justify their continued stays in Italy. Costner hasn’t worked with Reynolds since they clashed infamously on Waterworld, but they’ve remained friendly.
Costner, who last directed 2003′s Open Range, also wants to saddle up, direct and star in another Western, this one called Horizon. To hype the film, he set up at A&E a miniseries prequel that is being prepped to shoot in the spring. Costner also most recently co-starred in the John Wells-directed The Company Men, which premiered at Sundance to enthusiastic audiences and reviewers.


glad to see WME finally put one on the board. it is obviously a streetfight with CAA at the moment.
I don’t get Costner/Reynolds, especially since Costner (allegedly) had Reynolds fired off WATERWORLD and himself directed the rest of that crummy movie. Then years later they’re doing a commentary track for Robin Hood: Prince of Thieves. I guess that’s Hollywood for ya.
Anyway, Costner has a real knack for these westerns. Just keep him away from directing sci-fi, and we’ll be A-OK.
And for the record, I kinda liked SWING VOTE. Sure it was corny, but in a Gary Cooper/Frank Capra way, I believe that was the point.
I wonder what the $ to headache ratio is with Costner.
Repping him sounds like a real chore. That and giving him an Asian massage.
My god, you’re so right about Kevin and Warren. The sad thing is that they are really great actors.
Like much of the free world did way back in ’90, I liked Kevin Costner in Dances With Wolves. Maybe he is or was a great actor. But unless he plans on wearing Batman’s cape or a pirate hat, where’s his big marketability? I reckon the industry thinks lightening will strike again with him, but the last movie he made that broke 100 mil was a long time ago.
“where’s his big marketability?”
Excellent question! I’ve been wondering that for awhile. You forgot one though: Baseball movies. He’s done three, but now he’s too old for those roles. So I’m not sure what else he could do that would be big?
Costner is a real movie star and I hope he lasts a long while. He can lead in a movie by seemingly doing nothing and he can be funny which is terrific. I wish the guy would get into better shape but then maybe thats some of the source of his appeal at times. He is an everyman in a way and that is exceedingly rare. His weakness to me is when he starts imitating Steve McQueen. It kind of works and kind of doesn’t but when he becomes self-serious it can be a tad over-bearing. Thats where finding a strong director comes in but I doubt that will ever happen. Costner is always the alpha and I guess it comes with the territory.
Costner couldn`t kick-start one of McQueens bikes.
buddhabob – To be fair, and maybe Beatty/Costner don’t deserve it but…
Both guys have directed several movies, even won the prestigious (and ego boasting) Best Director Oscar over superior competitors that are among the greatest movies ever made. Beatty (REDS) beat Spielberg (RAIDERS OF THE LOST ARK), Costner (DANCES WITH WOLVES, AVATAR on Earth) beat Scorsese (GOODFELLAS).
So that in mind, it’s hard I suppose for such guys to then be bossed around by a strong-willed director. Probably one of the reasons why Beatty turned down Tarantino’s KILL BILL.
And it’s not just those two. Consider that the last movie Clint Eastwood has acted in that he did not direct was IN THE LINE OF FIRE, all the way back in 1993.
Costner needs to do a zany sit-com for NBC. Kevin call Jeff Zucker and tell him you are finally ready for TV stardom! They will develop something just for you think Home Improvement meets Frasier with a bit of The Office for extra zest. NBC is where your future lies. Don’t pass this up because Comcast will really promote the heck out of your new show. You’ve made enough movies time to ease gracefully into a much more comfortable medium for you. The audience will love your show whatever you do.
who cares. he is over. has been over for years. he is a symbol of the “anglo” past. CSI NEW ORLEANS, anyone?
OO-Yeah! The race card always helps!
Nice! Just what we all need…more racial profiling!
I wish Kevin all the best too. He is terrific. Unfortunately the vulture media went after him mercilessly after his flops forgetting how great actor he is. And director as well. Dances with Wolves anyone (James Cameron)? lol
Costner still has an agent?????
Costner does well in the western genre, especially as a director. “Dances With Wolves” still holds up and “Open Range” is a classic. I can’t remember a better ending shootout in a western than “Open Range.” On top of that when Costner is given good comedic material, he shines at his brightest as an actor. “Tin Cup” is my favorite performance of his. Not to mention “Bull Durham” and the criminally underrated “The Upside of Anger.” I think the first order of business for WME is to reunite Costner and Ron Shelton and package a “Bull Durham” sequel. I, for one, would love to see Costner and Susan Sarandon reunited, and the character of Crash is one of the most enduring characters in cinema.
Open Range is one of the best westerns in the last 30 years.
Swing Vote was amusing. More so than most comedies that have come out in the last 10 years.
When I saw Upside of Anger , Message in A Bottle, Tin Cup, and re-watched Dances with Wolves about 2 years ago I remembered not only how good an actor he is, but also how effortlessly charming he seems on screen.
I wish he would just act, and in movies where he’s not all serious. Its a true shame he isn’t in more major movies. I LOVE seeing him on the screen, but his reputation from the Waterworld days is still stuck in my mind (and I was 18 when that came out, and not in the industry), and every time he takes the reigns on a project I think “WHY”?!? I think Waterworld and his American accent in Robin Hood really made me doubt him as a performer. But really, he needs a chance to shine in the right project, and he will.
I am happy to see his pet project is a comedy. I wish him luck in his career, and in getting out of his own way.
Costner needs to allow other creative people to help him. Hollywood is collaboration. U can say J Cameron this & that, etc. but he makes a movie every 12 years now. Costner wants to stay more active & relevant. Make a cool indie, work with a world-class director (look how Cruise & Leo exploit that) or produce a killer TV series (Wahlberg anyone?). C’mon WME – get the possiblities going!
That BI massage happy ending thing in Scotland (was it?) kind of killed his career.
Just wondering why he thinks he has a career anymore. The market has moved on to other people.
Hes been smert knowing his range as an actor, and directed some good films. hes got an ego, and a temper and a propensity for contempt of both his audience, and a blindness to the realities of celebrity…(dont you dare not give him a rub and tug on his honeymoon), but id like to see his next film…
His last great performance was in THE UPSIDE OF ANGER.
Good call on strong directors. Outside of “Dances..” I don’t think Costner has been better than in the Clint Eastwood directed “A Perfect World”.
He needs a change. His latest films read like a bad agency plan, “You do the Guardian, then we can let you do Mr. Brooks and Swing Vote!”
That said, he’s still got the screen charisma, but can’t seem to find a good project outside of the psuedo-indie world he appears to like. Perhaps because he seems to care about character and story. Granted, the movies haven’t done great, but they have been interesting in some way.
I watched Kevin in A Perfect World & that made me crazy abt him.I think he is Amitabh Bachhan & Dilip Kumar of hollywood as they are acting schools here in India.
I would not necessarily call this one for the board for WME. Stealing an actor over 50 who has no recent box office numbers to speak of, really does not constitute a win. They might be able to finance movies with him. He’s got foreign for sure. If he wants to return to his late eighties-early nineties glory, WME has signed up trouble.
Costner still has tremendous appeal based in the fact that he is aging and appeals to that large demographic. Remember that Paul Neuman did alot of movies after he turned 50 and so did Eastwood. Thats what a smart agent is thinking, he’s looking at the population aging, hes looking around and sees no one who can carry a movie lead like Costner over 50. Its a good play and the guy deserves it. He has a serious body of work and he is fully natural and very charismatic in front of a camera, an absolutely essential requirement for audiences to feel comfortable and feel ‘led’ thru the storyline.
I think Mr. Costner makes great westerns. Loved the 17-minute shootout in “Open Range.” So did a lot of other retired cops like me. Goes with the territory, I guess. Biggest mistake made in most westerns is the guns. Kinda hard to watch guys firing pistols supposedly in 1865 that weren’t invented ’til 1873; and rifles…ugh. The standard western movie rifle is the Model 92 Winchester – which (surprise!) didn’t come out ’til 1892. At least, Costner gets his guns right. I think he should stick to accurate, realistic, gritty westerns – even if they are violent.