
Michael Mann just told me all about the hot title that’ll get buyers buzzing in Berlin this Wednesday: Avatar’s Sam Worthington has closed a deal to make The Fields, a fact-based drama that marks the big feature directing debut of Ami Canaan Mann who is Michael Mann’s daughter. Michael Mann will produce with Michael Jaffe in a co-production between QED and Mann’s Forward Pass. The film will begin shooting April 5 in Louisiana. Financing is QED, whose chief Bill Block put up the money for the Oliver Stone-directed W and District 9 and is heading to Berlin to broker international rights. QED and CAA will sell domestic.
The drama is based on a true story of a pair of detectives investigating a series of unsolved murders in a stretch of bayous near the oil refineries in coastal Texas where as many as 70 bodies have turned up over the past 30 years. “Sam read it, met Ami, and he was in. And for me, this is a dream come true to enable Ami to do this,” Michael Mann told me. “Sam will play Jake, this tough-minded misanthropic Texan, who with his partner Brian wind up waging something of a war against these unknown assailants, a ferocious battle to save each other and the life of this young street kid.”
The script was written by Don Ferrarone, a former top DEA operations agent whom Mann met while exec producing the Emmy-winning 1990 miniseries Drug Wars: The Camarena Story. After Ferrarone retired, he told Mann the story of these agents he met in his travels and Mann hired him to tell the story. That was a decade ago. “It took time to get it right and for it to come together in this incarnation,” Mann told me. “It’s a brilliant screenplay, filled with things you cannot make up in Hollywood, things you would have had to find the dead bodies in a heroin operation to understand. That’s why it’s such a haunting piece. This is such a spooky zone in Texas where cell phones don’t work, where the homes sit on trailer stilts, and where there’s a hand-painted sign on the bridge that reads, `You Are Now Entering the Cruel World’.”
Right now there’s a long list of accomplished Hollywood talent working with their kids. Among the latest is Denzel Washington, who always used his son John David as a sounding board for choices and took him on as co-producer of The Book of Eli. And producrt Art Linson now teams on his projects with son John Linson. About his daughter, Mann told me, “She’s absolutely her own person, and I’d say she’s better than I am. She has razor-sharp intelligence, and there is great taste and artistry in what she has done as a director.” Before she took a hiatus to have a child, the USC Film School grad directed an episode of Friday Night Lights, and before that an episode of Robbery Homicide Division, the drama series which Michael Mann exec produced. This is not Ami Mann’s feature directing debut: she helmed Morning and screened it at Sundance in 2000. On The Fields, Ami’s sister, Aran, will do the production design.
Meanwhile, Dad said self-financing scripts, which he did on Heat, is a must in the current shifting studio climate. “I try to finance and own whenever I can, because it allows me to choose where I want to be in business closer to the eventual release date given the rate at which [studio] administrations change. It’s really like casting, only you are casting who you’re going to be in business with on a specific movie, based not only on distribution, but marketing and advertising.”


Wow – that’s real news. An overrated Hollywood hack who hasn’t made a decent movie in years uses nepotism to get a plum job for his undeserving spawn. And people wonder why most Hollywood films stink so bad.
Fresh off the turnip truck are we? Welcome to Hollywood. We do things a little differently out here. Does everyone in Ohio really think MM is an overrated hack? Really??
Re: Bill’s comment – Michel Mann a ‘hack’ – what was the last good film you made (if any ever) – & ‘undeserving spawn’ – do you have more deserving ‘spawn’? – Fckn’ Sod off ‘Bill’-
That “Friday Night Lights” episode aired two weeks ago on DirecTV. It was a splendid, very emotional episode, with great directing.
TV directing is not feature directing you nitwit
Don’t be an ass. Friday Night Lights is very cinematic and some stuff on TV (Mad Men, The Wire) is better than 99% of the movies out there.
Smart move for Sam. Don’t pigeonhole yourself as “cgi action guy.” Undertake something drastically different that will give you a chance to hone your craft.
I just hope Mann’s daughter doesn’t get confused with the celebrated singer of the slightly different first name.
good for them.
well, it certainly is nice to have a daddy warbucks in the family, isn’t it? show that to the film students in your rewrite class!
A Texan?! I think Worthington’s a good actor, but the man can’t keep an accent going and it’s completely distracting. It was all over the place in “TERMINATOR: SALVATION” to the point where I was asking if he’s South African and by the end of “AVATAR”, looks like Worthington’s American accent was even beyond JC’s creative powers to keep it going.
Hello Mike,
Another great scoop!
Ami Mann directed a terrific episode of Robbery Homicide Division at around the same time as Sam Worthington was working with Cate Shortland – an exceptionally talented female writer/director, on her feature film debut, ‘Somersault’.
Let’s hope the finished film delivers on its obvious creative/commercial potential.
Cheers,
Ash Perry
here’s to hoping worthington has a good career. let’s hope this film isn’t a 3 hour michael mann-type wankfest with a lot of film school exposition b.s. –and that doesn’t mean i don’t like michael mann. heat has one of the best gun battles ever shot in recent memory.
Nepotism opens the door. Talent closes it behind you…
But as someone who works in this town and knew not a single soul when I moved here it drives me crazy when I read about it.
Mixed feelings indeed.
It isn’t just Hollywood, I know a Berkeley law school grad, a Jefferson Med School grad and a Northwestern grad, all very smart, very deserving actually of having their own careers and who do they work for? Yeah, their daddies…. It doesn’t seem to matter how smart and credible (or credentialed) you are its always easier when Dad uses his clout….
Look at Ivanka Trump – a Wharton grad – shouldn’t she be offered some plum jobs entirely on her own merit? Yeah, but did she? Nope, working for Daddy.
I want to expand on a previous posters truthful comment – Nepotism opens doors, helps you get the experience so you are eventually more qualified than your “peers” and yes, if that works, then you are the golden child…
oops – I forgot to add Sophia Coppola. I don’t know which is worse, getting the Oscar for screenplay or being Marc Jacobs muse……ugh…
Sounds like a bomb in the making for Sammy and the gang. How many,many times have we seen this plot? Do we really need to reinvent it again?
M.Mann lost control of “Public Enemy” in my opinion when he miscast it with Depp. “Heat” was a terrific and a disturbing movie but this guy is repeating himself now what with the big name flavor of the year stars and the synthesizer music ringing operatic at the end of all his thrillers. But to deny his seed a shot is deny the reality of Hollywood. This place is all about nepotism and getting your foot in the door. Once the crack opens the game is to somehow invite yourself into the room Alot of talent has done this, then managed their careers with highly paid publicists. Actors don’t dissappear as rapidly down the toilet anymore as they used to. They tend to hug the porcelain longer. One can be subjected to 5 or 6 bombs before effective vaporization of a career and even then, a well publicized shill can pad their working lifetime with dozens of futile efforts in cable and primetime.
There are too many examples to list. I fear Reese Witherspoon will have to be dragged out of the arena feet first. Gretchen Moll is still headlining somewhere, isn’t she? And Matthew McConeghy looks to be around for a very long time but no one can say for what reason.
I liked Sam Worthington in AVATAR. But, the man can’t keep an American accent little on a southern one. Let’s hope he gets a great Speech coach and knocks this one out of the park. I personally don’t like the casting but I also haven’t read the screenplay. Anyone? Based on the description and being from the south, I don’t like Worthington or Bradley Cooper (who has been previously attached when Danny Broyles was involved) for this project.
Both are created stars through the BIG 10-AGENT-POOL in Hollywood. Cooper isn’t a leading man and frankly, I don’t think Worthington is either. Name a movie that wouldn’t have been a success without Bradley Cooper. Really?
I know how Hollywood works. You need stars to get financing. They are the Cola and right now everyone is drinking it. Go to any acting class in Hollywood and you’ll find hundreds of actors with the same charisma as Cooper or Worthington, most likely more.
What ever happened to the Clint Eastwood’s, John Wayne’s or over all alpha male in Hollywood? Really! They weren’t great actors but they had the IT factor in spades.
Ami could play Ayn Rand based on that photo.
Yes, you are all so fucking clever (with a few exceptions of persons that actually have something intelligent,& thoughtful to say) – all the nepotism jokes, etc.. -your just self-advertising your bloated arrogant ignorance – just get yourself a billboard like Angelyne for having no discernable talent,or ever an original thought in your head.