EXCLUSIVE: After the disappointing box office returns on Paul Greengrass’s thoughtful but vastly expensive action polemic Green Zone, what’s gonna happen with The Master, a new Paul Thomas Anderson drama that won’t get made by Universal because of its $35 million budget? I’m hearing talks are serious for Bill Pohlad’s River Road to fully finance a film that will star Philip Seymour Hoffman as a charismatic intellectual who in the 1950s becomes the leader of a start-up religion that takes off like wildfire. The Hurt Locker’s Jeremy Renner is circling the role of a young drifter who becomes his right hand man but begins to question his mentor and the whole belief thing. The presence of Oscar winner Hoffman and Oscar nominee Renner gives PTA another Oscar-bait movie, and a topical one, as the storyline questions long established religions as well as comparative upstarts like Scientology and Mormonism. But the $35 million price tag was blasphemy to some indie distributors who considered the package.
I’m also hearing that PTA’s longtime agent and former Paramount honcho John Lesher is likely to join as producer alongside Anderson’s longtime collaborator, Jo Anne Sellar. River Road seems a strong fit, given Pohlad’s affection for auteur fare. He made possible the Terrence Malick-directed The Tree of Life with Brad Pitt and Sean Penn, as well as the Warner Bros castoff Fair Game, the Doug Liman-directed drama about outed CIA op Valerie Plame which stars Penn and Noami Watts. Pohlad is principal investor and partner with Bob Berney in the distribution shingle Apparition. It’s unclear if Berney will get the PTA film, though it seems right in the distributor’s wheelhouse. Apparition next distributes The Runaways for Pohlad.







It always amazes me how Hollywood will chase a dumb idea, a bad script, or a director whose movies don’t make money. Put them all together and you’ve got this future pile of shit. Way to go, Tinsletown!
Must admit I was not a PTA fan until There Will Be Blood which knocked me on my ass. Brilliant. Suddenly I understood why people get so excited about this guy.
I just read the script for THE MASTER. And I have to ask is PTA dyslexic or learning disabled or something? What’s up with all the crazy misspellings and plurals with apostrophes? In the script that sentence would read:
What’s up with all the crazee mispeling’s and apostrophe’s?
Don’t get me wrong, I enjoyed the script a lot, but has no one ever told PTA that apostrophes denote possession not plurals? It got really annoying after a while: table’s, photo’s, tattoo’s, etc.
Is he an idiot savant or just plain lazy or trying to be subversive somehow? Can someone please explain the adolescent grammatical errors in an otherwise great script? I’m puzzled.
It’s a subversive thing combined with his style and a bit of laziness. Mostly his style though. If you read his other scripts you’ll find little quirks like that. He’ll use words like “fucked up” to describe something. The published scripts are shooting scripts so they are filled with camera directions as well. PTA is a very ballsy guy so yeah he did send an early rough draft to get 35 million to make his new picture. But hey it’s PTA.
Cheers.
I highly doubt that this film will be a outright attack on religion or faith but I think it could possibly make assertions that question the validity of the organizations that control religious groups. PTA has said on several occasions that he has plenty of faith but “won’t be going back to church anytime soon.”
Having faith in something is an incredible thing, something that shouldn’t be made light of or condescended. That being said, I think an examination of the institutions behind religion is a worthy subject for a film because, frankly, I think that religion and faith is used to focus on the wrong things. What should be the focus of religion is the will to do good, not arguments regarding literal interpretations of the origins of Christianity, Islam, Scientology, etc. This is coming from an individual that is not a religious person by the way.
You talk about faith like it’s a virtue. Such a sad little life, thinking you’re being watched all day and talking down to people who are intelligent enough not to make these ludicrous assumptions.