
EXCLUSIVE: With a cast that includes Ben Affleck, Chris Cooper, Kevin Costner, Tommy Lee Jones and Maria Bello, the corporate downsizing drama was one of the highest profile films to premiere at the Sundance Film Festival last January. Now The Weinstein Company has acquired U.S. distribution rights to The Company Men, the John Wells-directed drama. TWC made a mid-7 figure P&A commitment to support a significant theatrical release for a film that is likely to reach theaters in late summer or early fall. This completes the third Sundance acquisition for Harvey Weinstein, who also acquired the Derek Cianfrance-directed Blue Valentine with Ryan Gosling and Michelle Williams starring as a couple in a disintegrating marriage, and Amir Bar-Lev-directed documentary The Pat Tillman Story, which told the story of the slain football star-turned Army ranger from the vantage point of his parents and brothers, who watched the government cover up the circumstances of his death by fratricide. TWC is separately in discussions to acquire distribution rights to the Swedish film Easy Money, which debuted at Berlin and has a swarm of producers chasing remake rights.
Wells, who is president of the Writers Guild, is rumored to have at least partially financed his feature directing debut, which he wrote and produced. He took his time finding a home for the picture. Weinstein, who came to the post-premiere party, and TWC execs David Glasser and Peter Lawson have been in dialogue with Wells and his CAA reps since the festival finished, I’m told. The picture, about a group of well-paid sales execs left reeling after a layoff, was well received at the festival, though I’d heard that interested executives were also giving Wells tips to hone the picture. IM Global’s Stuart Ford pre-sold much of the offshore territories before Sundance.
The acquisitions sets up the TWC release slate to look like this: The Concert, a comedy that stars Inglorious Basterd’s Melanie Laurent, will open in limited release July 16; The Tillman Story opens August 20 in limited release; The Company Men likely follows next, with a release date yet to be finalized; Nowhere Boy, which stars Kick-Ass’s Aaron Johnson in a drama that looks at the pre-Beatles life of John Lennon, opens October 8; the Tom Hooper-directed The King’s Speech opens November 26 in limited release with Colin Firth, Helena Bonham Carter, Geoffrey Rush and Guy Pearce; Blue Valentine will open in an Oscar-qualifying limited release Dec. 31 to exploit awards, caliber performances by Gosling and Williams.
TWC confirmed the Wells deal.
“I am thrilled to be in business with John Wells and my old friend Ben Affleck,” Harvey Weinstein said. “John has put together a tremendous cast to tell this timely story and I look forward to bringing it to audiences.”


I think I know the release plan:
1. Announce a release date, and a P&A commitment.
2. Announce a new, later date because the company demands re-edits and re-shoots.
3. Announce another later date because they can’t decide how to put the re-edits and re-shoots together with all the lawsuits and counter-suits over those re-edits and re-shoots.
4. After 2+ years of the film propping up a desk with a short leg in the TWC office dump the heavily re-edited movie in DVD discount bins.
5. Quash threats of lawsuits over botched release with threats of counter-suits.
6. Ask investors for another $300 million to keep company afloat.
Probably the most accurate post I’ve seen on here in a long time. Even if you have no other suitors for distribution, letting them handle your project is the worst decision you can possibly make. Unless your Q, you are up shit’s creek without a paddle.
yes, I really think you’d be better off distributing it yourself on the internet. At least you’d control it and have a chance of someone seeing it before it’s completely stale and irrelevant. What I can’t figure out is why they keep buying stuff when they have so many projects they’ve sunk money into that they won’t release.
“What I can’t figure out is why they keep buying stuff when they have so many projects they’ve sunk money into that they won’t release.”
–Because those films turned out badly and they just can’t fix them. It’s really that simple. You’re presumably referring to “All Good Things,” “Shanghai,” etc.? They’re either not commercially viable or they’re just a plain mess. It’s cheaper for them to bite the bullet then bother with a proper release. You’ll see those films–if not go straight to DVD–then get shown in a handful of markets, for a few weeks, then go to DVD. As for things not yet made: “August: Osage County,” “The Alchemist,” the Judy Garland biopic–they can’t possibly have the cash right now to get those productions off the ground.
They can’t make their own films–they never really could. Their wheelhouse was always acquisitions, then marketing the hell out of those acquisitions. At least they’re getting back to that.
Either way, it seems like a big kick in the pants for the filmmakers involved. Did you hear how Forest Whitaker reacted to the dumping of Hurricane Season on DVD?
Weinstein? He’s still around? Didn’t he die or something?
Oh wait—it’s MIRAMAX that died.
Harvey’s still kicking around—like one of those zombies from one of those movies put out by one of those successful distributors.
Not The Weinstein Company
Partially self-financed? Try entirely self-financed.
Great cast. “Partially” or “Fully financed” -either way, i hope it pays off for Wells.
Furious D – you nailed it, bro. That’s exactly what’s going to happen. Wells, for all his TV land smarts, is going to get his ass handed to him. We’ll be renting this interesting looking movie two years from now (having been recut – for the worse – and dumped in maybe 12 theaters or so, with ZERO meaningful marketing – their definition of a guaranteed theatrical) – if Weinstein Company is even still around. It’s pointless to be in business with Harvey because contracts mean nothing to him. The one thing Wells has in his favor is he’s probably rich enough to counter sue Harvey to make Harvey think twice about sticking it to him. Doesn’t mean Harvey won’t, because in the story of the frog and the scorpion, we all know which one Harvey is.
He might be the scorpion, but he sure looks like a frog.
I agree that Weinstein shouldreally focus on their glut of unreleased movies before buying projects. Shanghai still doesn’t have a release date but has been on their schedule for over a year not to mention Hoodwinked 2 which already had toys at Burger King but still doesn’t even have a poster let alone a release date. Scream 4 also shows Weinstein doesn’t learn from their mistakes since they are releasing it April 15th of next year. The failure of Grindhouse in a April release should be enough to show them horror doesn’t work in April.