
2ND UPDATE: Following is a joint DGA-SAG-WGA statement: ”The Guilds welcome the judge’s appointment of a trustee in this situation. We will continue to keep a watchful eye on this matter and protect the interests of our members.”
UPDATE: Bergstein never showed in Bankruptcy Court today. But judge Barry Russell sided with an army of creditors and appointed an interim trustee to wrest control of the assets of all five of the companies controlled by David Bergstein. That prevents the liquidation of those assets until the court has a chance to sift through the particulars of Bergstein’s troubled empire. Screen Capital International managing director David Molner, one of the lead creditors, hailed the judge’s decision: “I think it’s very telling that even the judge was startled by his own ruling. Things must be pretty bad at a company, let alone five companies, for this kind of extraordinary relief to be granted. This is hopefully the beginning of a process which will result in these assets coming under new control, as approved by the court and for the benefit of creditors. Now there is considerably more hope for people, not just us, who were dishonored or defaulted on. to get some measure of justice down the line.”
6:30 AM: At 10 AM this morning in Courtroom 1668 of the Royal Federal Building in Los Angeles, embattled Capitol Films and ThinkFilm head David Bergstein faces the 14 creditors who’ve banded together to put the brakes on his attempt to sell an 805 film library. They want a trustee to take control of the assets.
That army of creditors might well double by the time the hearing is over, if it goes forward as scheduled this morning. The new petitioners will include the Writers Guild of America, Screen Actors Guild and the Directors Guild of America, as well as the Health & Pension Benefits Plan. The guilds have submitted a 160-page declaration in which they charge Bergstein paid no residuals due through his companies and subsidiaries. For instance, the SAG filing lists 40 films that include Nailed, Animal Factory, A Sound of Thunder, The Whole Ten Yards and Boondock Saints. According to the union, Bergstein’s companies did not pay a cent toward residuals or pension and health contributions, despite contractual obligation to do so. This will put more pressure on Bergstein following an initial bombshell complaint that included allegations that Bergstein used corporate assets to cover $950,000 in gambling markers.
I’ve looked at the list of 805 library titles that the creditors hope will make them whole. While there are a lot of unmemorable titles– 2001: A Space Travesty and Awesome: I Fuckin’ Shot That jump out–there are also quite a few solid indie titles. There is Woody Allen’s Sweet and Lowdown, Sidney Lumet’s Before The Devil Knows You’re Dead, Ang Lee’s Crouching Tiger, Hidden Dragon, the Ed Harris-directed Pollock, , dramas like Sword of Gideon, Half Nelson, Boondock Saints, You Can Count On Me, Dahmer,and Winslow Boy, and documentaries like Roman Polanski: Wanted and Desired and Murderball. Nailed, the David O. Russell-directed drama that had several stops and starts that illuminated the extent of Bergstein’s money woes, is on the list. Bergstein is struggling to get that film through post-production, I hear. Not on the list is Love Ranch, the Taylor Hackford-directed drama that stars Joe Pesci and Helen Mirren. That film was foreclosed on by Aramid Capital Partners, which set the picture to be release this summer by Entertainment One.
I will let you know how the hearing goes.


I don’t think the creditors need the court to stop the sale of that library, the sheer number of jokers over aces in that deck could kill any sale much quicker. And even if the creditors do get control, even the aces aren’t exactly major money-makers.
Anyway, it’s only a matter of time before some state attorney general, AUSA, or IRS auditor decides that Bergstein/Capitol/ThinkFilm is out of the loop enough to make it an appealing Hollywood pelt to put on their trophy wall.
Awesome I Fuckin Shot That is a Beastie Boys classic. Don’t hate.
Thanks for saying that, GG. Beat me to it.
To quote George C. Scott in THE HUSTLER: “You owe me money!” The last time I checked even an uncredited re-write entitles the writer to compensation – especially when that compenation is memorialized in a legal document. Even as a foot soldier in that “army of creditors” I’m entitled to my hard-earned wages.
David Molner was a moron for encouraging others with a claim on Bergstein to come forward… That would just take money from his own investors… Unbelievable the guy’s in business.
Why isn’t that douchbag Bergstein getting arrested? He gives filmmaking and filmmakers a bad name.
Thank you for following up , I thought you were going to keep forgetting this Fat Lady hasn’t even warmed up her voice .
One side angle worth noting in all this, Nikki, is that before this guy took over Thinkfilm the company specialized in releasing some of the best documentaries of the past decade. Look at the list of just some of them: Spellbound (Oscar nom), Born into Brothels (Oscar win), Murderball (Oscar nom), War/Dance (Oscar nom), Story of the Weeping Camel (Oscar nom), Taxi to the Darkside (Oscar win), etc. Notice, by the way, none of these movies are Holocaust themed or environmental themed and yet they all succeeded and got Academy recognition! The reason this is noteworthy is that doc filmmakers are obviously at the bottom of the barrel in terms of being able to put up money to take a fight to court, to demand that they get paid, etc. I hope the guy gets exactly what he deserves. And that these documentarians get the money they’re owed. Maybe the filmmakers behind one of these awesome documentaries could do a doc on this jerk?
I attended the hearing; the judge appointed a trustee on an interim basis, divesting Bergstein of control over what Creditors’ counsel called “the Enron of the Motion Picture Business”
What about Tony Kaye’s (AMERICAN HISTORY X) new film BLACK WATER TRANSIT? It stars Laurence Fishburne and Karl Urban. It’s been shot, scored, and edited. Wonder if that will get some kind of release.
My film is one of the 605. I wish I could just go and get the negative.
Ask around. One of the main issues at Capitol was that they didn’t actually have any of the physical assets (read: film reels) under house control because they owed the holding facilities and vendors considerable unpaid monies.
This is an important story but it isn’t the tip of the ice berg, it’s the tip of the ice cube. As much as ThinkFilm has screwed filmmakers and investors, it would be nice if somebody would take on the big companies that for years have ritually fiddled with the books.
Such a shame that Mark Urman’s legacy was completely perverted by this “alleged” conman. B.s. legal disclaimer aside. Bergstein completely destroyed the business. What a waste.
Doc — you may be able to get your neg back. that’s why i was there; can we communicate and stay anonymous to the world at large?
If Capitol Films were to be resurrected, more suitors will come in
to snatch Love Ranch as a distant possibility now that E1 Entertainment (http://www.e1.ca) decided to pick that film for Canadian release. Bad news for me.
Stick a fork in the arrogant little prick – he’s done
The stampede of justice shall crush this lousy excuse of a human. I welcome the day.
signed; A fellow “rip-off-ee” of ThinkFilm.
Bad news for Capitol Films: Ch. 11 bankruptcy.