EXCLUSIVE: Next to speculating about who’ll get the BBC America gig (more on that below),
the 2nd most popular Beeb-related guessing game has been figuring out what’s happening atop the 80-year-old British pubcaster. Now I’ve learned that BBC Worldwide Productions has fired ICM after taking several meetings with other agencies — and hired CAA. The production company had been with top unscripted agent Greg Lipstone at the William Morris Agency, then followed him to ICM.
So why CAA? Sources tell me CAA agreed to rep not just the company but also Mark Thompson, Director-General of the BBC, and John Smith, Chief Executive of BBC Worldwide, on the downlow. The reason is that both top execs are convinced they’re about to lose their high-powered jobs. I’m told they want CAA to act as their personal head-hunters and find their next executive positions — hopefully with a media company in the U.S. Of course, that’s a whopping conflict of interest.
This isn’t paranoia on the part of the Beeb bigwigs, either. Deadline London editor Tim Adler has been continuously writing about how big changes are expected at the BBC if the upcoming British elections mean a change of government. Because the Beeb has become something of a political liability since PM Tony Blair’s era. The licence fee comes up for renewal in 2012. It’s expected that a Tory government will freeze it even if the Beeb shows it’s living up to its public service remit. (BBC Drama: Battle Heats Up Over Future Programming)
As a source explained to me, “The jig is up. The BBC top execs are trying to feather their own nests and have been very vocal in meetings about the fact they want to have more of a profile in Hollywood so they want CAA to figure out their next move. It’s disgusting — because they work for the government and they’re using their roles at the BBC to further their own ambitions.”
Lipstone sold BBC Worldwide Prods’ biggest unscripted series Dancing with the Stars while at WMA. The show eventually became a split package between WMA and ICM when he switched agencies in 2005, around the time of the Dancing premiere. ICM also packaged an U.S. version of Top Gear, which is now set up at History Channel. Additionally, ICM shepherded BBC Worldwide Prods’ foray into scripted series under then-BBC Worldwide Prods head Paul Telegdy (who’s now at NBC), brokering a deal for the company at Sony TV that yielded 3 pilots orders and the flop series, CBS’ Viva Laughlin.
Since then, BBC Worldwide Prods has changed strategy, opting not to be associated with studios and, instead, to develop and deficit-finance their own scripted projects independently. That direction intensified a year ago with the arrival of Jane Tranter, who now runs BBC Worldwide Prods, and the departure of Telegdy for NBC. As a result, BBC Worldwide Prods had opted not to have representation on the scripted side for the past 14 months. They recently reconsidered that decision and started meeting with agencies, ultimately deciding to keep representation for both scripted and unscripted under one roof at CAA. (Though ICM will continue to work with the company on Dancing and other projects in the works.)
As for the BBC America gig, I’m told all of the above dysfunction is why veteran TV exec Garth Ancier quit as president there. It’s also why so many other top executives, like Peter Liguori and Andrea Wong, have passed on the job. The latest candidate to surface is Herb Scannell, the MTV Networks veteran who served as vice chairman at the company before resigning in 2006. As Nickelodeon president, he helped usher in such hits as SpongeBob SquarePants, Rugrats, The Adventures of Jimmy Neutron, and Dora the Explorer. Most recently, Scannell launched the online video company Next New Networks. Some sources tell us he’s still eyeing a return to the TV executive ranks, others say he’s passed.
The position has been vacant since March 31 when Ancier officially exited the post after 3 years. But BBC Worldwide America started the search for a new top executive last November when the pending departure of Ancier was announced.







No doubt Hans Schiff’s doing. He has excellent relations with the BBC after working at WMA London for many years. He is also an exceptional agent.
Nikki-
First class reporting. A++++. It is so nice that you can cover the international marketplace with such detail and investigative reporting. Shame on Mark Thompson and John Smith. They have government positions and should not be using their power as BBC heads to further their own careers. I hope the UK press picks up on your story and gives them a proper skewing which the deserve. They should be fired for putting their own interests on the table. The fact is the BBC never did anything after Dancing with Stars and Steve Mcpherson thought they were a joke. He was correct about their lack of ability. Someone should go after BBC worldwide head Wayne Garvie. He is hiding out and was the guy that directed Garth Ancier out of the company. He is an absolute joker as well.
Big mistake BBC…go to CAA where no one will work nearly as hard for you as Greg Lipstone. Isn’t Jane Tranter out in 6 months anyway?
Well said, Anonymous. Fact is Paul Telegdy and Greg Lipstone and a small team of hard working Telegdy hires built BBCWP, then Wayne Garvie and the board in London decided in their infinite wisdom to transplant half a dozen British VP level execs with the same generic development titles over to the states to run things into the ground. And then Jane Tranter abandoned her top creative post in London, deciding she’d rather be rich and miserable in LA rather than Blighty. The short sighted decision to leave Lipstone for CAA is yet another sign that the current culture of BBC is highly politicized and driven by money over the creative.. which is a sad statement given the amazingly rich creative legacy of the Beeb.
An unelected leader, a weak currency, a crumbling economy, and corruption in public life at every turn – welcome to modern Britain. As gross as it is, this kind of minor nest feathering hardly seems worth a mention. Good luck to any US corporation that hires the self-interested mediocrities that run this bloated institution.
Watch any of those old Brit spy shows out of ITV from the sixties: The Avengers, Danger Man, the Saint, and its astonishing how decently written (and what a shoestring budget can do when coupled with good music) they were compared to what comes out of BBC today.
BBC America’s problems start at the source: crummy programming. Which is a reflection of how bad the BBC has become. Basically a terminally PC featherbed for people not good enough to create winning content.
I can’t think of a drama out of British television (ITV, Granada, or the BBC) that’s been worth watching for years. Which is sad, considering the talent in Britain.
Whiskey -
I gather you’re not a big fan of Torchwood.
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Coat
Run screaming from the BBC, they can kill a wet dream, literall,. while they stand behind governmental control as the reason they kill otherwise successful shows. By some weird screwed agreement, they can buy American content but they cannot actual spend money to promote American content, thus they just bite down and suck the life out of a show that should be thriving in the UK. So listen up content providers, selling to the BBC is like putting your show on the shelf. Really doubtful a spin doctor can fix this huge issue.
Same goes for producers and agents… ever work with their US biz affairs peeps???
CAA… enjoy.
Just a note to whoever eventually goes to BBC America… can you PLEASE fix the bizarre mess that is airing Doctor Who two weeks late for no apparent reason??? How is that show supposed to get ratings in America when it’s fans are forced to watch online to avoid spoilers?
hopefully, they will find someone who is familiar with British programs, and the niche audience… someone who has been to England and can actually spell it… A large number of the audience has walked to the inexplicable airing of Star trek next generation, not even a British show, and the ones they do show are either the bottom of the barrell, (enough Frakin Gordon Ramsay already!!!!) or the good shows are so hacked up their not even worth watching… I know I get my programming off bittorrent, friends, or I wait until the video is released… you don’t believe me BBC Management? just check the facebook page… there are alot of viewers who are really pissed off… you are losing your audience, and you really don’t care… lets see some non PR responses to viewer policy on BBC America, or better yet fire the lot of them and take it out of Discovery’s hands….