EXCLUSIVE: Three release dates were scratched. None of the minimum guarantee was paid by the company that acquired domestic distribution rights for the Jim Carrey-Ewan McGregor film I Love You Phillip Morris. Now, financier Luc Besson’s EuropaCorp has removed the film from Consolidated Pictures Group. I’m told a new deal is in the works for Newmarket Films to release the picture this fall.
Consolidated Pictures Group was just getting off the ground when it acquired the Carrey film in May, 2009, following the film’s Sundance premiere and before it was shown at Cannes. Insiders said CPG is being dropped because it failed to meet any of the financial obligations of a deal that included a $3 million minimum guarantee. The fear was it didn’t have the funds to pay for a P&A of $8 million. Sources said EuropaCorp delivered a finished film 90 days ago, sent CPG a warning letter in mid-March, and finally informed the company that the deal was being rescinded for breach of contract on April 1. CPG was started by Merv Davis, Timothy Patrick Cavanaugh, Randall Miller, Jody Savin and James Mancuso.
Nearly two weeks after that letter, stories got planted that CPG would move the release to July 30 in a limited run that would expand August 6. CPG first set the film for a Feb. 12 release, changed it to March 26 and then April 30, before scratching that date. EuropaCorp lawyers want CPG to cease and desist, including the cancellation of a screening it planned in Malibu.
CPG’s Cavanaugh denied the company had lost the picture: “We’re the distributors right now, we have a contract and we’re asking Europa to deliver certain things. We’ve hired legal counsel, and if we need to go to arbitration, we will. We plan to distribute this film,” he said.
Why would an unproven entity like CPG even get near a film involving the likes of Besson, Carrey and McGregor? Insiders said the sellers were impressed by the way CPG principals mobilized financing for the Alan Rickman-Chris Pine starrer Bottle Shock, which was directed by Miller. CPG was the most enthusiastic bidder. It made the biggest offer for an edgy fact-based film that had Carrey playing a married conman who falls in love with his cellmate (McGregor), and commits all kinds of misdeeds to be with him. It was directed by first timers Glenn Ficarra and John Requa, writers of the raucous comedy Bad Santa. So bidders weren’t exactly lining up. The fact that CPG was a newcomer actually gave EuropaCorp an escape hatch, as the deal included deadlines and provisions that had to be met, or else the financier could repay any advances and reclaim the film, sources said. Even though I’ve heard that vendors were getting stiffed or given the equivalent of “the dog ate my homework” excuses for not being paid by CPG, the company didn’t actually have to come up with any real money until the finished film was delivered 90 days ago. Deadlines were missed, an alternate pay schedule was worked out and still no money on the minimum guarantee was paid.
As the situation grew messier, Besson’s company, Carrey and other participants sought a way out from CAA and WME, which brokered the original distribution deal together. This was compounded by the fact that EuropaCorp and E1 has been distributing the film in territories like France and England (the $13 million film has so far grossed around $8 million overseas), while the domestic release kept getting pushed back. What will be interesting is whether a CPG-brokered deal for Canadian distribution rights with Alliance that apparently included an advance will remain intact, or a domestic DVD deal with Fox that would be triggered only by the multi-million dollar P&A spend that EuropaCorp feared CPG would not be able to make. Clearly, all of this will play out in arbitration or in a courtroom.
Perhaps the final straw was the recent spate of postponement press reports, which questioned whether there was something wrong with the film. I Love You Phillips Morris has actually gotten good reviews. Rottentomatoes.com clocked the film’s reviews as 83% favorable, with the site describing the consensus: “This fact-based romantic comedy has its flaws, but they’re mostly overcome by its consistently sweet, funny tone and one of the best performances of Jim Carrey’s career.”
Newmarket principal Chris Ball didn’t return a call, but sources said that if EuropaCorp gets its way, that company will be the one to bring I Love You Phillip Morris to theaters. Newmarket, which was acquired by Exclusive Media Group in late 2009, most recently acquired domestic distribution to the Natalie Portman-Rainn Wilson-starrer Hesher, which premiered at Sundance.






No suprise here.
Can’t wait to hear what Chris Ball has to say about all this. Since he didn’t comment, maybe he will be deposed in court.
Weird. Why would anyone try to distribute a movie without any resources? Why would anyone trust them?
I guess working with handshakes means they expect honor. There is no honor in Hollywood.
Not true! CPG had a signed contract for $8M with major indy p&a resource guys, Checkmark Films.
How long can CAA continue to expose their clients by selling these films to distributors who have no money?
That’s allot of bull. CAA had no other offers for this film. Where was Newmarket when it first aired at Sundance. Nobody wanted to risk their money on this movie except CPG, at least that was the general consensus from Sundance reviewers. Why don’t they pay CPG back what they invested, if they want someone else to release the film. Shame on CAA. They must have forgotten how they got started. I hope CPG fights them to the end. No judge is going to punish CPG for being late on its payment to Europa after Europa was many months late on their end of the bargain. This is just another typical Hollywood trashing by dispicable people.
if you are going to use words like despicable, perhaps you might want to learn how to spell them first.
I’m just disappointed the movie release will be delayed … it looks good, and funny.
Saw it over here in London a few weeks ago. Not bad. Not great either. Could’ve been a little funnier, for all the talent involved. Interesting story, though.
Relentlessly, good-naturedly adequate.
Aren’t there two sides to every story? The fact that Europa delivered the film six months late to CPG maybe the reason it moved the dates. In fact, the new date is six months later than the original date for release which makes perfect sense to me. Suspiciously, during Europa’s delivery delays which first breached the agreement with CPG, the company still invested allot of money into the creative and marketing elements which Europa used for their release in France, prior to completing its delivery to CPG. In fact, much of the buzz about this film and its success to date, can only be attributed to CPG and its PR campaign that started last September. This true story is even more incredible than the movie and please don’t believe everything you read in the papers. This is a classic case of the pot calling the kettle black.
Mike, thank you for getting the REAL exclusive and giving us the background on why this film has been consistently shelved. Far more interesting than other pieces out there seemingly written around PR flackery rather than digging at the truth. Good job Deadline team!
Mike – if you’re going to post self-congratulatory comments to your own stories, remember to use an alias.
This has got another Jim Carrey bomb written all over it.
I’ve been wondering what happened to this film and was happy to get the details today. I’m surprised Europa Corp dealt with CPG to begin with as they usually deal with either Fox or LionsGate for their films, and I’m surprised LionsGate isn’t attached to this at the present moment. The previous LionsGate management would have been all over this film, instead they are focused on distributing films that are either Action or Tyler Perry related forgetting the horror and indie films that got the studio big in the first place.
Based on the trailer this seems like an indie film that has alot of potential, especially with the cast it has. Granted it will never make $100 million, but it could easily make $30 or $40 given the right marketing and distribution. The fact no one knew what was going on with the release of this film shows that CPG wasn’t doing their job. And the fact that FreeStyle Releasing has their name on the official site shows all that CPG was really doing was marketing the film and they didn’t have the money to do it. FreeStyle was going to the be the company that actually was in charge of distributing the film, which they have done for many films before with mixed results based on the marketing behind each film.
In the end if FreeStyle was involved than CPG was nothing more than a marketing company pretending to be a distribution company. This was also explain the Fox deal that is mentioned in the article as FreeStyle releases go through Fox as well.
The deal for this film seems alot more complex when you look at the details than this article would suggest.
How stupid or smart are these people. Fighting over a movie that no one wanted to release domestically; and now everyone wants to get in on the action. Maybe the movie needed some drama?
“When the ship went down, the suction was tremendous”
Leonardo DiCaprio: The Titanic
What in the hell are you talking about? Narcissism?
This is a movie about a gay conman that wouldn’t go straight.
We still want CPG to release it. We worked on the creative too.
Go CPG! Great Trailer. Love to 42West. Great PR job Amanda. We’ve scene the work everywhere. Stay the course and you will get your way.
Careful Europa. Remember the Judgment in Paris! 1976. Americans have allot of pride in what they do over here.
This homophobic poor excuse for a movie with is stereotypical portayals of gay people will certainly not be up for any GLADD awards or any others! I saw it in Sundance and it was as though someone yelled “FIRE!” in theatre with audience members fleeing to the exits….congrats to the winning distributior that looses the distribution rights to this garbage.
FYI. GLAAD put their full weight behind the movie at Sundance and endorses it strongly. They even hosted all their press at the queer lounge. 83% on the tomatometer is nothing to sneeze at either. But you’re entitled to your (hater) opinion.
This is true. GLAAD has been working closely with CPG “the only distributor” since they met after Sundance. GLAAD loves Phillip Morris and so does CPG. Why is everyone so mad at each other. Put your guns down people.
Jim Carrey kissing Ewan McGregor… I can’t imagine why this wasn’t huge.
It start with a film no US distributors wanted to purchase it because the film is extremely risky ( Carey ejaculating in Mc Kregor’s mouth and other nasty scenes ) and simply mediocre quality.
The film is straight to pay Tv in Latin south America and to video in the rest of the World and a flop in France.
Then CAA representing the producer brokered a deal with motivated new US distribution company and pushed them to an deal no one can do and survive.
$3M MG and $8m P&A for this film !
CAA like these king of deal that they know will not fly.
Producers are 6 months late to deliver the films elements and are in breach and expect the terms to be the same ?
Gentlemen wake up !
Normal deal on this film should be $1M advance and limited theatrical release for 100 print.
An stars should kick in half of the P&A budget if they want their face on big screen for this film.
Fox has home entertainment rights for $2M after a 800 screen release. Crazy deal as well !
Fox knows they will make millions on DVD alone. No need of 800 screens but small exposure is enough to get fat on this.
Guys put your ego aside. Meet around table. No need for this mess. Life is too short.
Jim Carrey needs to make Pierre Pierre already!!!
Having seen the movie, I can tell you it’s a good, solid, oddly emotional journey. Yes, there’s a sequence with thoroughly stereotyped gay characters, but that’s the point — Carrey is trying to figure out what being gay means once he’s come out of the closet, and all he knows are the cliches. Ultimately, it’s a love story, pure and simple. And both actors sell that with dignity and surprising grace.
While the script is a little fitful, the direction is superb. For a first feature, it’s utterly confident.
It’s a true taster’s-choice movie — you’ll either like it or not. But sadly, with so much money on the line with marketing and such a divisive storyline, I’m not sure this will see the light of day.