In what might have Catch Me If You Can potential, 20th Century Fox has bought movie rights to the story of the search for 18-year old fugitive Colton Harris-Moore, with David Gordon Green attached to shepherd the project. The studio bought Taking Flight: The Hunt for a Young Outlaw, a proposal for a book by Bob Friel, based on his recent Outside magazine article about the futile attempt to collar a kid who has made a mockery of local authorities and become a folk anti-hero for his penchant for stealing luxury cars, taking planes for joyrides, and breaking into vacation homes and helping himself to the owners’ food. The youth is believed to be hiding out in the Northwest’s San Juan Islands, and his daring misdeeds and ability to elude the police by hiding in the woods, has gained him a following. He’s got a Facebook fan page with over 25,000 fans, and Time magazine dubbed him “America’s Most Wanted Teen.” It is unclear whether Gordon Green will direct it, but he’ll produce through his Rough House banner. After his breakthrough on George Washington, Green has plugged into the youth demo directing Pineapple Express and most recently Your Highness, the Universal comedy that stars Zooey Deschanel, Natalie Portman, James Franco and Danny McBride, which the studio releases October 1.
Studios have been sluggish in book options lately, but Green sparked some life into the package, with a take and especially a third act that swung Fox to make a deal with CAA. The film deal came right after Joe Veltre’s The Veltre Company got eight publishing houses bidding before selling the book to Hyperion editor in chief Elisabeth Dyssegaard for a six-figure advance. Making a movie like this is tricky, as proven in the Nick Cassavetes-directed drama Alpha Dog. While Cassavetes made his film about the murder of a teen because of a drug deal dispute, the major suspect, Jesse James Hollywood, was years on the lam, and never expected to be caught. He was apprehended in Brazil in 2005 and by the time the movie came out in 2006, it created legal complications and the lead prosecutor was replaced because he had cooperated with the movie. The two cases are very different, though. Hollywood was sentenced in January to life in prison after being convicted of kidnapping and first degree murder. Colton Harris-Moore hasn’t harmed anybody.





The studios HAVE been sluggish with optioning book rights lately.
This is because most studio exec’s are barely literate and lazy.
The only thing today’s Hollywood studio types now how to do is green-light a fully packaged movie project.
If they have to do any development or work they freeze like a deer in the headlights.
This is why so many feature people are doing business in TV now. This is the industry that rolls up its sleeves and goes to work with you now.
The exact opposite of how it used to be.
After catching ‘Waiting for Forever’ in Gen Art Film Festival, Tom Sturridge MUST get this role. That boy is destined for greatness and since he’s represented by super-agent Hylda QueallY, its only a matter of time before he gets there.
Nobody can even come close to Catch Me If You Can. Try all you want.
This is a totally refreshing piece of news: a smart, topical book helmed by absolutely the right guy.
I just have no idea why Fox is involved.
Haven’t read the article, but a big budget, Fox produced film doesn’t sound like something that fans of Harris-Moore will turn out to see opening weekend.
I could see a documentary being more successful then a fictionalized account. I could definately see this being a bomb on the level with Alpha Dog.
This sounds like it could be a winner in many ways. Relatable to young people as well which is the big plus.
I’m reminded somewhat of the article from the latest WIRED called “The Art of the Steal”. Doesn’t have the same aspects of this story but is an astounding account of someone who broke into banks and misled police for many years. His greatest steal was a jeweled pendant from an Austrian Museum. Great read and possible great movie in waiting.
Green is a great choice for this movie, but leave the “Catch Me If You Can” comparisons at the door. Green is an almost militantly divergent filmmaker who’s never taken a straightforward tack on anything he’s done, “Pineapple Express” included. He has a large number of film projects in consideration or in the hopper, but I wouldn’t expect him to make any sort of conventional crowd-pleasers anytime soon. (That’s not to say his movies can’t make bags of cash, however.)
Thanks for weighing in, Dave.