EXCLUSIVE: Andy Serkis, who’s pulling on his latex suit again for The Hobbit, has gone into the performance capture business himself. The Imaginarium is the UK’s first performance capture studio. Serkis wants Imaginarium to provide live avatars at rock concerts or the ballet, not just movies and commercials. He’s already directed performance-capture scenes for a couple of video games, one in the US and the other in New Zealand. Serkis was brought in to punch up the cut scenes.
Serkis moans that the UK hasn’t capitalised on its performance-capture talent base. After all, we export CGI technicians all over the world. And Hollywood comes to London when it needs visual effects done on Harry Potter, Batman or James Bond. Part of it’s the usual British snobbery, he thinks. Performance capture acting is somehow looked down on. I wonder if that’s because people look silly in those dotty suits. “Dramatically, there’s absolutely no difference whatsoever,” he says. “There’s no difference in terms of the acting process.”
Serkis is, after all, our greatest cyberthespian. He also played King Kong for Peter Jackson. Anyway, here he is talking about his plans at the recent British Screen Advisory Council confab in London:
http://www.youtube.com/v/3Xy-8gwqsOE&hl=en_US&fs=1&rel=0


Good for him! I hope it’s very successful.
I agree that the acting process is the same, but the result is different. Granted, he does it for a living and I have yet to try it. I really like Andy too, he’s my main inspiration for acting.
I worked with Andy on Lord of the Rings: Return of the King and he was an absolute pleasure to work with. I would work with him in a heartbeat on this if he asked me… Andy..??? did you hear that?
Anyway here is a link to some of the stuff we did on LOTR:Return of the King
http://www.youtube.com/watch?v=dnOeixfWLcs
Enjoy!
Way to see the opportunity and seize it! Well done Andy.
Well, I still think tht it was Gollum’s facial expressions that made him so believable, and I never saw any mocap stuff on Andy’s face, did you? So, Andy, will you have a high resolution facia capture in your UK mocap studio?
Actually, Andy’s facial expressions were captured separately. So yeah, it’s still Mocap, even there.
I’m more worried with this new development that Andy Serkis may not need to return to NZ! We’d love to have him here again!
– Jack M
You are correct, all the facial animation was handled by Randy Cook’s gang by hand, based on the video and film shot of Andy’s face.
Maybe a shower and a shave would help?
I think this type of acting is got to be harder. Some, if not most thespians feed of the scene, the surroundings of the set and the other actors. These actors and actresses need to visualize the world their in without seeing anything physical, an incredible imagination must be at use to conjure a good performance.
When is The Hobbit due to release. I still have the original animated VHS, because The Ring Trilogy is difficult to understand without it; and I want my grandchildren to enjoy it. I’ll even pay full whack instead of waiting for Walmart to put it on sale!
Good for him! I hope it’s very successful.
Andy was incredible as Ian Dury, a great hero of mine. He did Ian proud, and should have got a Bafta. I’d like to see him do more 3-D acting because he really is a major talent.
IMO the most effective performance capture allows the actor to see the CG character they’re playing in real time. With this, the process becomes a versatile form of puppeteering. Canal+ MediaLab subsidiary was one of the first to produce television shows with magnetic body capture in the mid-1990s (La Planete Donkey Kong). Facial puppeteering was accomplished with instrumented gloves. A few years later, Motion Analysis had 7 point realtime facial capture. Yield rates and resolution of current facial capture systems are still low, with much of the process relying on animators (Bless them!). Bravo for taking the actor’s position in support of the technology Mr. Serkis!