
Is there room for a basketball version of The Blind Side? Actor/producer Danny Trejo thinks he has found one in Utah Jazz player Paul Millsap and his uncle/sports agent DeAngelo Simmons. Trejo, star of Heat and the upcoming film Machete, has acquired rights to the player and agent. Trejo and his ITN partner Gil Medina are turning the story into Ambition, a film they’ll shoot later this year. Just as Simmons’ own jock dreams were ending, his sister moved back to Louisiana with four sons she needed to keep away from the streets. She asked Simmons to teach them basketball, and when Paul Millsap grew into a 6’8”, 250 pound rebounding machine, Simmons learned to become a sports agent and brokered a four-year, $32 million deal for his power forward nephew. Trejo met Simmons when the latter played a small role in Vengeance, an action film that Trejo starred in and financed.
Trejo plans to self-finance Ambition, and he ought to know a long-shot rags-to-riches story because he is one. Drug and crime problems as a teen kept Trejo in California prisons for nearly a decade. He straightened himself out behind bars, becoming a champion boxer and leaving the thug life behind to work as a drug counselor. That job brought him to the set of Runaway Train, where one of his clients worked as a PA. The film had a prison boxing storyline, and Trejo’s menacing look and authentic prison tattoos got him hired as an extra. When he was recognized by the film’s ex-con screenwriter Edward Bunker (who saw Trejo fight behind bars), Trejo was hired to train star Eric Roberts. When director Andrei Konchalovsky saw their rapport, he let Trejo and Roberts brawl on film. That got Trejo a SAG card and a career that has spanned more than 180 films, many with his cousin, director Robert Rodriguez.


I’d rather see a movie about Trejo’s rag to riches story than Millsap’s… Never heard that before, but it sounds like a fantastic movie!
I agree!
I third that motion! I find the guy captivating to watch, and would rather see that than a basketball movie “The Blind Shot”
Danny Trejo is a sweetheart and a great guy. He deserves all his success.
I totally agree. I would much rather see dannys story than any other.
Okay, Fleming let’s get real. The only reason Trejo is in the industry is because of Robert Rodriguez. I love Trejo–think he’s a great actor! But this is Hollywood neptoism at its best.
This is a pretty misinformed comment. Trejo had been in 13 films (that I can find on the internet, and including “Heat”) before he was in his cousin’s movie “Desperado”. Perhaps Rodriguez is in the business b/c of Trejo?
Self financed? What is he shooting on, his iPhone? Uh, Danny, unless you had points on MOST of those 180 films, which I doubt, you are going to blow every cent you have and not have enough to finish the film.
I must give you credit for having a good enough publicist to get this placed in DH, though. And if the point of this placement was a “trojan horse” to expose your own story to Hollywood, then kudos, you are working on a deep level.
However, if it was not, in the words of Chad Ochocinco “Child, Please”…THE BLINDSIDE was based on a BEST SELLER by Michael Lewis. It’s called pre-awareness, something you don’t have beyond some NBA super fans. And it had Sandy Bullock to pull in the chicks.
Even if you get Denzel to play the agent, this film will have zero foreign pre-sales because as your about to find out, Will Smith is the only African American actor who foreign distribs will pony up for in advance. Seriously, save yourself whatever development costs you haven’t already spent and go look for a younger actor who can play “Young Danny” and then go self-finance Danny Trejo in “The Danny Trejo Story”.
Bitter much? Why even take the time to write something so negative. The guy is trying to make a film that he believes in with his OWN money. Are you doing that? I bet you tried to get Danny for one of your films and you couldn’t pay his quote, so you thought you’d come here and “slam” him. Sweet life.
@Nick it’s already a movie- “Champion:: http://www.youtube.com/watch?v=cqh3rAaKMKA
Sorry- pasted wrong link! http://www.imdb.com/title/tt0449472/
The Danny Trejo documentary, Champion, is very good and available on Netflix watch instantly. Danny’s story would make a great narrative film. Kind of like Blood In, Blood Out or American Me.
I’m tired of people saying that black stories don’t sell overseas. First it’s NO black stories/actors. Now it’s “well ONLY Will Smith”. STFU. So many white actors movies fail here AND overseas, but nobody stops making WHITE movies. They keep on until they find one that works.
Peggy, I agree, but this what you hear from those in the trenches. Not making it up. Try lining up foreign pre-sales for films without Will Smith and that’s what you’ll hear back. Not defending it, just the way it is.
@Anonymous
“Okay, Fleming let’s get real. The only reason Trejo is in the industry is because of Robert Rodriguez. I love Trejo–think he’s a great actor! But this is Hollywood neptoism at its best.”
A pretty cheap and ignorant shot at an actor who’s as hard working as Trejo. He was on the scene before Rodriguez and their movie relationship has been beneficial for both of them. And for audiences. Trejo delivers.
Danny Trejo. What a story. What a face. What a voice. If Machete is good, he is solidly in the game. (If it’s not, he may still be solidly in the game.) Seen him in public, around Hispanics. It was like Bono in Ireland, or Miley at Legoland. Those studio heads know their demographics, and I read the paper too. He may be w
Interesting comments by WHOA NELLI and PEGGY. Sounds like one of those unwritten “Hollywood rules.” Sad, because if one was to make an observation of this as a blatant racial issue, they would probably be accused of playing the race card. But yet, the fact still remains that Foreign distributors are prejudice against African American actors. So this PRE-JUDGED notion then (sorry to use Regan terminology) trickles down to US Studios, Production companies, writers, Agencies etc. So may I be so bold to ask anyone, WHY in there experience, are Foreign distributors hesitant to invest essentially NON WHITE talent when we live in a global community that more accurately affects a melting pot???
If the foreign market for black actors’ movies is truly underdeveloped as you allege, don’t you think a few people would notice and purchase those distribution rights at good price and make a killing vs. their peers? If you’re as shrewd a businessperson as you think, maybe you could make some dough. I doubt it though.