EXCLUSIVE: World champion poker player Chris Ferguson is putting his chips on the table to back, RCR Pictures, a new film/TV venture. The company will be run by producer and former River Road Entertainment executive Robin Schorr, who said she has raised the funding for overhead and a five-year revolving development fund to generate properties she’ll package and then set up with distributors. The lead investors are Ferguson and his business partner, Ray Bitar.
Schorr confirmed that the first project set up is a contemporary remake of Nevada Smith, the 1966 Western that starred Steve McQueen as a wronged man hellbent on revenge. The project has been set up at Paramount, which owned the original title. The film is being written by Dear John scribe Jamie Linden. He is transplanting the storyline of a protagonist who vows to live a life of revenge after three criminals kill his family. In the new version, the McQueen character has to go through three crime families to exact vengeance. Deal was closed with Linden’s reps at Paradigm and Magnet Management. Schorr will be the producer.
Schorr has been an exec at River Road and Kennedy-Marshall. She was exec producer of the docu Food, Inc., and also produced The Prince And Me and Peaceful Warrior, before deciding to strike out on her own. Schorr has an intriguing family connection to Ferguson. Her father is Len Kleinrock, a computer science professor at UCLA who, in 1969, was part of the team of computer scientists who participated in the computer equivalent of Alexander Graham Bell’s historic first phone call. Kleinrock and others transmitted the first message between two computers., a development that made the internet possible. Kleinrock was longtime PhD advisor to Ferguson, who took 20 years at UCLA to complete his PhD in computer science, focusing on virtual network algorithms. The very next year, Ferguson won the World Series of Poker in 2000, pocketing $1.5 million. Ferguson has won five World Series of Poker events worth millions in prize money, but he made a lot more than that by writing and licensing the software for FullTiltPoker.com, a leader in the billion dollar online gaming industry. Ferguson, nicknamed “Jesus” for his long hair and beard, is known as a very cerebral, methodical, card player not prone to displays of emotion. He is often seen on the NBC series Poker After Dark, on which he and Bitar are producers. 
So why are all these brainiacs investing in the development of properties for movies and TV, where many smart players have walked away from the table after losing their chips? Schorr said that it took her 18 months to convince Ferguson and Bitar to bet on a strategy that hinges on the idea that a killer script is the equivalent of a straight flush. Ferguson and Bitar were motivated by a love of films, and bet on her track record for finding engaging material. Not surprisingly, she is on the prowl for a great poker film. I think that’s a tall order, because outside of the Martin Campbell-directed James Bond relaunch Casino Royale, most of the poker projects I’ve seen have been busts.
“My approach starts with a love of writers and underlying material, and it made sense to them that if you own great stories and scripted material, a lot of amazing movies and television projects can grow from that,” Schorr said. “These are incredibly smart guys. I’ll ask their advice here and there, but Chris is not going to be reading scripts every weekend. When you are investing in development smartly, you can end up with so much more than if you put money into production financing. $5 million or $10 million can get you on the ground floor of many projects, and we hope to have a slate of 15 projects or more by the end of the year. And, yes, I would love to find a poker movie.” RCR has opened offices in Beverly Hills.






Magnet = Michael Diamond
The place has been doing great things, especially since they hired Diamond away from UTA
“Never put your own money into show business, kid.”
How do you make small fortune in Hollywood?
Start with a large fortune.
Ferguson and other Full Tilt investors are rumored to make upwards of $15million plus per year. As Robert Barlow said in previous post he already has a large fortune I’m sure. Good luck to them, I always hope for new blood in Hollywood.
Easy come, easy go. There’s always money chasing Hollywood, and few who walk away with more than they came with.
So easy to be glib about Hollywood as a money-losing pit. In fact, smart money has done well in Hollywood. Drunken-sailor money chases out the good money, but the sailors are off nursing their hangovers right now, leaving opportunities for those who know what they are doing.
I know Robin and have worked with her in the past. The ABSOLUTE BEST. Smart, nurturing and a straight shooter with great taste. I wish her all the best.
It’ll stand or fall on the projects, obviously, but since it’s an investment as opposed to vanity play, the principals are used to calculating odds and risks and have doubtlessly weighed the pros and cons, this looks like it should fly. Ferguson and Bitar are backing an experienced and proven quantity in Schorr.
This sounds like the sort of organization I’d be interested in working with.
I mean no disrespect, BUT… a good script does NOT make a good movie…there is MUCH more that can and will determine whether a film can or WILL make money…AND THAT IS THE ONLY REASON FILMS ARE BEING MADE FOR…Its Show BUSINESS…so with that said how or why would anyone give this woman money for anything….she hasn’t produced anything that has EVER made any money…this seems like a BAD bet by 2 men who don’t bluff unless they know they can win.
This sounds like a very smart play. Audiences are bound to seek an alternative to all the big franchise, high concept film that a flooding the theaters now. Independent films have gotten to pretentious and stylized. This company sounds like its on a mission to find that midpoint thats a return to good storytelling. Good luck. I know I’m willing to throw down my money on a decent thriller, or western thats not in 3D.
For the first time ever Chris will be the sucker/fish at the table.
I hope he knows when to hold ‘em, and when to fold’em.
Know when to walk away.
Know when to run.
Thank God! Finally we have some new blood… doing remakes.
This is the very definition of dumb money.
We’ve all seen people with money come to hollywood and get burned, but usually that involves the high stakes of production financing. We’ve also all seen when an Independent financier funds a project (that was already turned down at every studio_ – sometimes they hit (Crazy Heart) most times they miss (Sidney Kimmel’s slate) and most times the financiers leave hollywood a little pissed and a lot lighter in the wallet. This deal seems different because these guys are developing scripts (and pitches and books I assume) the lifeblood of production. Their goal is to develop, package it and set the projects up at studios to get made. The advantage this company has is they can provide studios with “developed” scripts – and the execs at this company have the track record to do that. This is a great bet for the Poker people because its safe – its not 20 million on one movie – its (???) million of a development slate. Very cool
Good for Robin. Don’t bet against her, folks. Great taste. Smart. Passionate about the films she makes. Produced a movie of mine and she was as writer-friendly as they come. She’s doing everything a producer should be doing in the new world of studio / producer / financier mashups. Unless you bring money and properties to the table you’ll always be hired help. She knows that, and went out and got herself a nice, big lever with which to negotiate. It’s where we should all want to be.
Killer script = straight flush? Not exactly, more like a straight flush draw; you can get the stone cold nuts of a movie if you are able to add a talented director and the right actors, but you may still end up with a busted draw. You can’t get a truly great movie without a killer script, but poor execution and/or star-driven rewrites have made more than one killer script unwatchable train wrecks of mediocrity. Still, I know I can rarely bring myself to fold a straight flush draw, and when the right card falls and completes the draw, it is killer sweet (and very profitable).
Ferguson is also know for studying game theory and a devotion to ballroom dancing, but I’m not sure I want to watch that movie . . .
Anyone ever tell him “Don’t get high on your own supply”. Robin’s a smart woman and he may actually make money with her help.
Finally, a way to get some of the money back I’ve donated to Full Tilt.
Chris seems like a truly stand-up guy who represents himself and the poker world with a hell of a lot of class. Wish him the best of luck.
In the poker world, this is what we call “DEAD MONEY”. Ferguson has as much business making movies decisions as Robin Shorr does gambling her career away. Really, a Western remake? If it was movie about poker, I could understand, but just because he wears a cowboy hat at the table doesn’t mean he’s Clint Eastwood. They should both re-evaluate where they put their money.
So, he wants to try some REAL gambling, huh?
Speaking of Steve McQueen movies and poker, “The Cincinnati Kid” wasn’t bad. It’s a bit contrived, but “A Big Hand of the Little Lady” with Joanne Woodward and Henry Fonda has a lot of fans too.
i just want to say: “Good Luck, Chris.”
maybe he will make straight flush.