
Apparition owner Bill Pohlad went to the distribution company’s Los Angeles offices to meet with staffers today, his first face-to-face meeting since Bob Berney’s stunning and abrupt resignation. Though he had already communicated to some of the staff through teleconference, I understand Pohlad’s purpose was to look them in the eye, tell them their jobs were safe, and assure them he has not wavered on his commitment to the distribution venture. Apparition is currently being steered by business affairs senior veep Valerie Bruce, who’s interim COO. Right now it has The Square in limited release, and its Welcome to the Rileys, which Berney acquired after its Sundance premiere, is slated to screen during the Los Angeles Film Festival.
Pohlad isn’t expected to rush into replacing Berney, and likely won’t make the hire until well after the May 20th Fair Game premiere at Cannes. I hear that Pohlad has already met with or scheduled meetings with prospective candidates to take Berney’s reins. Names on that list include Tom Ortenberg and Gerry Rich, but all the “usual suspects” will take meetings. Pohlad will have his pick: the cratering of studio-owned specialty film distribution companies in the past few years has left a wealth of capable executives looking for this plum position. After all, Pohlad has money and a production arm making prestige pics.
Neither Pohlad nor Berney are talking publicly yet about what happened. I’ve done two posts about it (More Insight Into Why Bob Berney Exited Apparition and Berney Exit Blindsides Apparition.) Since then I’ve heard that Berney was about to come to Cannes lacking the authority to be an aggressive buyer at the festival, and bristled at that prospect. I can knock down that Fair Game, which Pohlad’s River Road financed along with Participant Media but is being distributed by Summit, didn’t create the schism. From what I’m told, there was no big disagreement over that film. But I have heard there was significant disagreement between Pohlad and Berney over how to release The Runaways. Berney wanted to go wide on 1200 screens. Instead, the film was platformed and supported with a viral campaign.


Pohlad is a class act…
He could teach that scumbag Berney a thing or two about how to conduct yourself professionally, and not screw over all your colleagues right before Cannes because your going to pout about money being tight.
It’s totes disgusting these grown men screwed up the distribution for The Runaways! Millions were patiently waiting to see the movie and it wasn’t playing anywhere even remotely close to them. I know people who actually flew to where it was showing. I hope once things get back to normal you will do right by this film! Put it in wide release so EVERYONE can see it! My friends and I have seen it four times and we plan on buying the dvd…if you can figure out to release it. What’s the matter with you people? PLEASE don’t screw up distribution with Welcome to the Rileys!!
did pohlad roll up into town to fire all of berney’s relatives that work at the company?
exclusively leaning 100% on a viral marketing campaign to open a movie is a bad idea. it’s an excellent choice at the early stages of development (pre, post production)to build WOM but you still have to advertise on TV and cable to motivate the 25 and unders to get out of their house.
but music bio pics rarely do well. walk the line was the one exception.
‘welcome to the rileys’ might be a hard sell. it’s rated ‘R,’ and stewart’s fanbase is primarily prepubescent girls and the 40 year old moms of these girls. the younger ones can’t go and the older ones won’t go.
and there are no young guys in this movie as far as i can tell. why is james cameron the only director (at the moment) in the world who realizes that if you want to sell a film to an audience you have to put in at least one genuinely good looking man who appeals to heteros. because girls are like fanboys, if they like something, they will see it repeatedly.
huh? many musical biopics are successful, including Ray and Buddy Holly Story.
But Runaways is also a coming-of-age story set in music a la Almost Famous.
The fans want more rock-driven films. Are you listening studios?
The Runaways was erroneously marketed as a biopic, which may have created the “black cloud” for distribution and the numbers game executives play when looking at a films potential. It didn’t matter. This film starred arguably, the hottest actress in the world, Kristen Stewart and good Lord, throw in Dakota Fanning and you’ve got a gold mine… not to mention the superb acting and Stewart’s cathartic portrayal of Joan Jett alongside Oscar nominee Michael Shannon. This was a Drama. A “Parallel Narrative” that focused on a budding relationship that developed behind the scenes of The Runaways format5ion. It’s a stunning realization and brilliantly filmed gritty reality that these young girls actually lived. It’s so engaging, you can’t take your eyes off of the screen….especially when Stewart is in the scene. Apparition spent nothing on advertising. I saw television ads ONLY during commercial breaks for talk shows in which an actor in the movie was appearing — that’s all. MTV is behind the movie, apparently. Even though nobody got to see the famous “kiss scene”, it was nominated for an MTV movie award. I know it’s based on notoriety, but there were many critics who named “: The Runaways” as one of the top movies of 2010. It makes me absolutely SICK how badly this distribution was screwed up. This guy is a coward who thinks he knows too much and has nothing to learn. If nobody has a chance to see a movie, how will there be any word of mouth to spread? You ripped out and stomped on more hearts than you can imagine. Ironically, the same way The Runaways were treated when they formed. Put a bunch of guys in charge and see what happens…