EXCLUSIVE: In a last dash pre-holiday deal, Legendary Pictures has closed a high-six figure preemptive acquisition of Pacific Rim, a science fiction film that will be written by Travis Beacham. Beacham was the original writer of Clash of the Titans, the 3D remake which has grossed $475 million worldwide for Legendary and Warner Bros.
Set in a future in which malevolent creatures threaten the earth, the planet must band together and use highly advanced technology to eradicate the growing menace. The deal was made on the basis of a detailed 25-page treatment. Legendary acquired the project under its co-production and co-financing agreement with Warner Bros. The deal was made by the writer’s reps at WME and Anonymous Content.
The picture is envisioned as a tent pole event film, and Thomas Tull’s Legendary is stockpiling those. Legendary co-financed the upcoming Christopher Nolan-directed Inception, and teams with Warner Bros on Nolan’s Batman films and the Superman reboot that Nolan is godfathering. Legendary also made recent deals for the EA game Mass Effect as well as a Godzilla reboot, and has Sam Raimi developing to direct a live action film based on the vidgame World of Warcraft.
Beacham is also working on a large canvas as well. He’s writing 20,000 Leagues Under the Sea for Fox and Scott Free, with Timur Bekmambetov attached to direct; and The Black Hole, the remake of the 1979 film that is on a fast track at Disney with Tron Legacy director Joseph Kosinski. Beacham also completed a script for Bad Robot’s JJ Abrams and Bryan Burk to produce. Details are being kept under wraps, but it’s based on an Abrams idea and it is on track to begin production later this year.






Travis is a genius.
It seems that Bekmambetov is attached to every project in town. What’s wrong with you people? The guy directed one mediocre action film and a couple of weird Russian movies. And he is the hottest director in town now?!
Agreed. His first spec “Killing on Carnival Row” is f-ing amazing.
Agree. Beacham is amazing.
True. Even back when he was in film school you could tell he was going to be big time.
takes one to write a movie based on a movie that already exists…. clearly
Love Travis. Will someone please make Carnival Row?
Gawd no…
Actually Travis Adam Wright & John Glenn (of EAGLE EYE) did the first pass at re-envisioning CLASH OF THE TITANS earlier this decade, even though they did not get screen credit.
Did you read their draft? Awful. Along with their first draft of JOURNEY TO THE CENTER OF THE EARTH. Good guys. Bad first drafts of projects beyond their abilities. But hey, take the money when you can get it.
What is with all the alien invastions movies?? Battle: Los Angeles. Battleship. Gears of War. Area 51. Super 8 I Am Number 9. The Darkest Hour. Spielberg’s TV series – Fallen Skies. ABC’s V.
Sheeeesh.
I think they’re also doing a sequel to District 9.
Alien invasion is a metaphor for the way people feel right now in the US. Many feel as if they are under assault from overwhelming power the government, banks, wall street it is the same sort of paranoia that made alien invasion a popular theme in the 1950′s.
Clash of the Titans was dreadful bad — even if he wasn’t the final writer, it’s unlikely his draft was better than what ended up on screen (otherwise why bring in Hay and Manfredi to rewrite). Killing on Carnival Row is like a theme restaurant: dazzling decor, mediocre cuisine. This treatment may have promise, but it’s unlikely whatever script Beacham turns in is going to get the greenlight. I smell development hell.
Because the shooting draft is always the best? Maybe the cheapest and/or broadest, sure, but best? I can’t really think of any tent pole scripts that clearly fit that rule.
So basically Cloverfield + GI Joe/Battleships = Pacific Rim?
The idea does seem interesting but does anyone else think that this script will eventually see the light of day as Legendary’s new Godzilla movie or one of it’s doubtless sequels?
But the one thing you have to give Tull and his Legendary shingle is this. Between Warcraft, Mass Effect, and the DC movies they co-finance with Warners, they absolutely know their audience and what they want.
Travis is a genius. Period. Anyone who says anything to the contrary either hasn’t read his stuff, or doesn’t know what great screenwriting is.