British indie TV producers say that the BBC should pull out of the market for new US television shows. Buying new US shows such as the first season of Heroes drives up prices, they say. Indie producers’ association Pact has criticised Auntie for outbidding Channel 4 for US series Harper’s Island. Airing seasons of Mad Men or The Wire after they’ve already finished in the States would be okay though.
The BBC is already planning to cut its £100 million ($144 million) imports budget by 20%. Pact says it must go further. And the producers’ association is listened to. It was only due to its lobbying that the government forced the BBC to let producers keep ancillary rights to programmes Auntie paid for. Pact paved the way for the late 90s boom in indie TV producers. Indies currently raise £190 million a year because of changes Pact argued for.
The producers’ association is responding to the Beeb’s own content review. The BBC says that from now on 90% of its income should be spent on content. Pact wants to see this widened to include all the money the BBC earns, especially from its commercial arm BBC Worldwide. The Beeb’s commercial arm earned record profits of £140 million this year.
BBC Films’ annual budget should be doubled to around £20 million, say producers. The broadcaster should also slash its exclusive 15-year licence to 5 years, with “use or lose” conditions, enabling producers to release films themselves if the BBC isn’t going to. And the producer’s share of BBC profits should increase and be ploughed back into his next project.
Indie producers are fighting hard for whatever they can get. According to consultancy Oliver & Ohlbaum, overall investment by the five main UK TV networks has declined by 16% between 2005 and 2009. There’s been £250 million less spent on original content each year over the past two years. And this investment decline is accelerating. Ofcom, the UK communications’ regulator, forecasts that the annual gap between what programmes cost to produce and what broadcasters pay could double to £500 million by 2020.
The BBC should be spending another £50 million a year on kids’ programmes, say indies. Auntie is the only broadcaster to spend money on the fickle older children’s TV market rather than the just-dump-them-in-front-of-the-telly toddler and pre-school demographic.
And Pact has called for the BBC to open up its online commissioning, so that indie producers have the chance to create up to 50% of the Beeb’s output.


If the Brits stop buying American, all they’ll have on the airwaves is knock-off garbage. Have you seen some of the maggoty tripe they try to push on BBC America?
Oh but darling, BBC America is just the crap some people at that station think you’d understand.
If you want a sense of the quality programmmes we don’t export, you should tune into our BBC Radio; quite a few nations do.
Not that this should become some sort of punch up between nations. Heroes died a death here, just as it did over with you. And I like what both America and the UK did with their diverging versions of The Office.
Anyway, time for my Gin and Tonic before I go flog a peasant. Pip Pip!
Hi,
What you see on BBC America is as a fully rounded exemplar of the range of British TV as Saying watching NBC or Fox news are representative of American programming, i.e. not much!
Local commissioning and control.
On the other hand, you might still not be wrong – with no support mechanisms in the vein of HBO/AMC/Showtime or the value/volume of the syndication market, and the wonders of docu-soaps that evolved into reality-tv.
Kind regards,
Shakir Razak
To be fair the BBC only bought Heroes Season 1 for a second run airing after it had allready aired on Universal’s Sci-Fi UK channel. Similary with Harper’s Island Channel 4 should be happy that they escaped airing such a stinker!
The BBC should be supporting home grown talent and not chasing ratings like the other terrestrial channels. The BBC dont have to chase ratings as they are funded by their license fee and not Ad revenue.
Let me know when we can watch East Enders on dvd
They push the same maggotry tripe that USian broadcasters push. There, just like here, 80%+ of what goes on air is utter crap.
Thing is, their good shows are just as good, if not better as the best USian shows (i am talking Mad Men, Breaking Bad, The Sopranos good – which are all cable – and not Lost pseudo-good).
Just form memory: The Thick Of It, Jeckyll, Dr. Who, MI-5, Hustle, Confessions Of Call Girl, all the period stuff (Austen, Dickinson, Dickens, Conan Doyle, et al), Life On Mars, Coupled, the Morse detective stuff, Cracker, Queer As Folk, The IT Crowd, (the original seasons of kiwi) Flight Of The Conchords… list goes on and on.
Hell, notice that the above list includes more than one show that had a craptacular USian version that failed miserably.
There are also less trends happening (batches of groups about mediums, procedurals, hospital romances) and saturating the market and stiffling creativity over there. More respect for the craft.
-G.
PS: before you even ask, i am not from the UK (or the US for that matter).
What a load of crap, especially some of the comments above. Other than Mad Men, Medium and Family Guy, what other “expensive” imported series does the BBC even have? Next to none.
And US series have practically disappeared from terrestrial primetime, most are Freeview or Pay TV-only.