
Warner Bros is giving the Glen David Gold novel Carter Beats the Devil another chance to beat death by development hell. The studio has optioned the novel, and set Michael Gilio to write the script. Jon Shestack will produce, and Ginny Brewer and Jeremy Stein will also be involved as producers. The book weaves a tale around the magician Carter the Great, a murderous rival, the mysterious death of President Warren Harding and Philo Farnsworth’s invention of television. The book was a hot property when optioned for high six-figures in 2002 by Paramount for Cruise/Wagner, a time when Tom Cruise was intrigued with playing a magician. It was eclipsed by a different C/W-developed magic book, David Fisher’s The War Magician. Ultimately, nothing happened on either front. As author Michael Connelly discovered when he sued Paramount to get back his Harry Bosch crime novels, books like these often get buried development costs and overhead charges that studio accountants lump on to justify pricey producer overhead deals. Carter Beats the Devil managed to escape that morass, but had little going after AMC tried to turn it into a series and dropped it. Shestack tried to option it when the book first came out, and followed its subsequent manifestations. “I’ve been trying to get Warner Bros to buy it since the day it came out and that it’s finally happening is enough to make me believe in magic,” Shestack said. Gilio has some heat at the studio after his writing work on Treasure Island for director Paul Greengrass; he also scripted The Interventionalist for Alexander Payne. As studios now discover audiences yawning at “branded” films based on remakes, comics, vidgame and board games, they could do worse than refocus on books they’ve already paid for. Though to the book-to-film marketplace is struggling right now, the segment always provides the most reliable supply of thoughtful films with well-drawn plots and fleshed out characters. How many other books are languishing, just waiting for a fresh advocate?


What about “The Corrections”? It appears that will never get made.
That’s in Rudin-land, perhaps never to return. That and KAVALIER & CLAY and THE ALIENIST and CONFEDERACY OF DUNCES. Rudin will sit on a book because he can for whatever reason.
This book is fantastic. Fun, dramatic, built in structure… hope they treat it with more levity and fun than the two magician movies that came out circa 2006…
The Prestige was brilliant – levity or not.
THE PRESTIGE was more laborious than it needed to be–and fatally cold around the heart. And stories of obsession don’t work unless you can identify with/care about the characters’ obsessions–unless you can see yourself in how they refuse to let go or give up. After a while, I just wanted these guys to take up a hobby or something…:). Gotta give Hugh Jackman credit, however–he was terrific here, one of his best performances.
Great book. Was looking forward to the movie when I heard it got optioned. Also wouldn’t mind seeing “Devil in the White City” and Isaac’s Storm optioned. Figured they’d be no brainers.
This reminds me of Radioland Murders which was nonstop insanity. It had some funny moments but the overall effect left me exhausted and with a headache. I’m eager to see if this book can succeed where Radioland failed.
A nifty book–high time it was done. And I’ve been wondering for the longest why studios spend huge sums for sure-thing books, only to let them languish/get lost in star fickleness. That particular development black hole must be humongous by now.
This post also has me wondering whatever has happened to “The Secret History” and “The Curious Incident of the Dog in the Nightime”?
How to structure the adaptation to fit the 120-150 minute timeframe is what is keeping Carter from being made soner. It is far too dense and rich a novel to be a mere movie, and it needs to be an HBO multi-parter, not unlike Angels in America.
And Kavalier and Clay, for that matter.