I hear that Chris Hart, whose contract was coming up at ICM and signaled he wanted to leave, is UTA-bound. Meanwhile, I’ve learned about an interesting tiff between UTA and WME — or, more specifically, Jim Berkus and Robert Newman. Napoleon Dynamite writer/director Jared Hess and his screenwriting partner/wife Jerusha Hess have discharged WME’s Robert Newman after a 6-month stint and returned to their first agent, UTA chairman Jim Berkus. It seems Berkus originally signed the duo out of Sundance in 2004 when Napoleon Dynamite made its debut to become an indie phenom and cult hit. Berkus then helped to package their follow-up Nacho Libre that Jared directed from a script by both Hesses and Mike White. Berkus also recently got his longtime client Wes Anderson back from WME’s Newman after a brief stint. I love the smell of napalm in Hollywood.
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Good for UTA, and good for Berkus
Is the town now turning into a 3-way? Is the 4some dead?
Chris Hart is such a good hire for UTA, they don’t have anyone like him and he is a GREAT guy and agent! Wish him the best
i was a client of Chris Hart’s at one time. He was very ineffective…sent me a lot of bad scripts
and didn’t get me any jobs. As soon as I left him my career took off.
I don’t know what UTA thinks they’re getting with this guy, but they will soon find out that
actors will initially like his “enthusiasm” but will quickly learn that he is all about Chris Hart.
UTA agents beware that he will slowly “take over” your hot clients and will also slowly drop his cold ones…which is all of them by the way he represents people.