Here is yet another big test of whether a Hollywood guild will push back against the insurmountable power of Big Media. The website Daytime Confidential.com has learned from multiple sources (and asked me to get the word out) that ABC Daytime has approached the Writers Guild of America requesting a special waiver — or else.
It would allow the broadcast network to cut up to 20 scripted episodes a year from each of their three soap operas — All My Children, One Life to Live, and General Hospital — and replace them with classic episodes. This waiver also would allow ABC Daytime to disregard guarantees already promised writers in their current contracts. “ABC is basically saying, if you don’t give us the waiver, we’ll have no choice but to start firing writers on each show,” a source told the website.
The website says ABC gave the WGA a deadline of August to make a decision – or else the network will play hardball and start firing at least one writer on each show. It just so happens, that month, ABC starts airing its first round of “classic episodes” in order to promote the return of fan favorite Vanessa Marcil (Brenda Barrett) to General Hospital.
ABC Daytime is claiming it needs to shave production costs to “help to keep the soaps on the air,” a source told DaytimeConfidential. “People are really split. Some feel like, ‘Do what you need to do to keep all three soaps on the air’, while others are ticked off. With SOAPnet going off in a year and a half, the soaps’ employees are already losing those residuals, and they’ve already endured massive cuts. The minimum pay for a primetime script is about 10 times more than the pay for a daytime script. When you factor in taxes, agents, managers, and the cost of living in LA, most daytime writers are making a middle class living, but they certainly aren’t getting rich.”
The timing for ABC’s move comes just as the current Minimum Basic Agreement (MBA) between the WGA and the Alliance of Motion Picture & Television Producers (AMPTP) expires May 1, 2011. “A lot of people are wondering if ABC is doing this now in order to strengthen their position before it’s time to start negotiating a new contract with the Guild in about six months,” an insider told the website.
Editor-in-Chief Nikki Finke - tip her here.


They are disappearing one at a time. Those writers need to go into a new line of work. Soaps will be a distant memory in a few years. Like VCR’s, black and white television sets, and broadcast television.
A waiver in this case would be egregiously spineless….so naturally expect the supine WGA to grant it.
Wow…You’re a complete moron. I mean, I total moron. Amazing, really.
“Don’t give in!”
Right. Instead of cutting back on 20 episodes a year, force the networks to cancel the shows.
These shows will be off the air in 5 years anyway. Might as well try to keep everyone employed for a few more years. Hundreds of people– writers, actors, crew.
But no– you’re right. Stand your ground! Put everyone out of work in months, instead!
Moron.
I am confused by this post. Is ABC asking for a waiver to actually pay the writers below the WGA minimum scale for daytime serials (which I think is around 3k/week) or to lower the number of guaranteed scripts per season (for which writers get pais on top of their weekly salaries)? If the former, that’s not cool, but if it’s the latter (which it sounds like), then that happens all the time in prime time– if an series gets its episode order cut, then writers who (for instance) had a three-script guarantee in their contract end up only writing and getting paid for two, etc.
That’s it, people. It’s all over. Pack your bags and get out of town. It’s only a matter of time before ABC and other networks start pulling the same thing with prime time writers.
They won’t be happy until they replace us all. They’ve all ready turned us into monkeys who take dictation: if you don’t do every single note, they brand you as difficult.
They’re like the mafia, but the food isn’t as good.
There is a good chance the daytime drama will become extinct… If CBS could look beyond the scope of airing nothing but proceduals they would consider moving Young and the Restless into Friday nights to begin a shift for the Y&R audience to adjust to a one day schedule. Accelerate the storytelling and fixate on the story. ABC should make a friday schedule built on their 3 dramas… One Life to Live/All My Children/General Hospital…
With the history and possibilities, the idea is real.
Bring back fan favorites, super couples, revive the allure of a simple tumor.
Daytime drama and soap operas are GOLD… If executed properly.
(The daytime dramas have pretty much the same 7 head writers floating from one serial to another. Either propelling the drama or causing serious discourse.)
I am a fan of soaps and created a 10,000 page bible for one, so if soaps on a daytime level die, I want to be there to REVIVE them.
I suspect the WGA will talk to the writers involved and do whatever they want. My personal opinion is that it would be a mistake to grant a wavier. Those jobs are going to disappear sooner or later anyway.
one correction stickingwithmyunion, seems to me that when the guild lays down it’s always in the prone position.
Soap writers don’t get scripts extra. They don’t get “weekly salaries” for their exclusivity. Their script fee is their salary. So reducing the number of scripts is a cut in salary.
when will someone call a spade a spade?
sue the networks as a monopoly.
it’s got to happen if we are all to have a livelihood.
Let me see………there are about 15-16 “network buyers” out there. Where’s the monopoly?
This is truly the crucible issue. If the networks are ever to act responsibly toward writers, the WGA or anyone, they have to feel some pressure. If the WGA had any brains with this much time before the next contract, they would pull out the old line delivered by Sean Connery in “The Untouchables”:
“They pull a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue.”
We have all enabled the networks, studios and cable companies to vertically integrate for decades now as all our work has diminished and it is our fault for not fighting back.
The WGA should call David Boies and prepare for the fight of the 21st Century:
Breaking up the monopolies.
I highly suggest American Actors,Writers,LA Tech Folk get out plan B. Create your own stuff. Move to other markets.Perhaps you might be able to sell something to these Big Media clowns.
The business is over as we(those with 15 years and up experience)knew it.
SAG is done(What the hell do they cover now anyway?).
AFTRA has done more for weathermen than artists.
WGA bent over years ago to end that pointless strike.
EQUITY is the last standing artistic union with some balls willing to fight(Which helps nobody working in front or behind a digital camera).
Now, on the other side the coin, there is opportunity.
Come up with the next,” America’s Got Talent”,”American Idol”, “WipeOut” or “Ow! MYBalls!”(Apologies to Mike Judge). All pieces of crap that would make writers from 25 years ago scratch their heads. But, alas, that is what America tunes in to watch.
So, I say to everyone like me who remembers when there was artistic work in TV and Film, regroup, create new artistic opportunities for yourself, and stop wishing for the old days. It’s over, folks.
It’s been a hell of a ride here in LA. Good times.
I LOVED LA!
Unless they fire Bob Guza it won’t matter much to the quality of writing for their last soap I watch. However I am sorry for anyone who looses their job.
So if I’m reading these posts correctly, writers would rather see the rest of the Daytime Soaps canceled and have everyone lose their jobs than figure out a formula that keeps the shows on the air? How does that make any sense?
You gotta love Bob Iger! He STILL doesn’t have enough money and feels beat down by the recession! Poor lil’ shit – IT’S THOSE DAMN WRITERS WHO WANT TO TAKE ALL HIS MONEY AND LEAVE HIM IN THE POOR HOUSE, STUCK ONLY WITH HIS BONUSES.
Shit, what’s a guy gotta do in this town to keep them creep writers away from his golden parachute??? Damn bloodsucking vampires…
typical behavior . the networks see a way to save themselves some money they do want to pay so they are going to the wga telling them give us a get out free card or else we do some house cleaning . the wga should since no doubt it will cave and grant a wavier use this behavior as ammo for the time when its contract is up . or better the wga should call abcs bluff finaly.
Soaps are a business people.
Bob Iger doesn’t keep ABC Daytime on the air out of the kindness of his heart. This is a case of diminishing returns for EVERYONE (network and creative).
Will this be the start of a slippery slope in terms of precedent… who knows?
But in THIS INSTANCE, isn’t this a case of lose the battle, win the war for the WGA? (well for at least a few more years… before daytime serials go the way of the TV Western or TV variety show…)