Actors, directors and producers in Germany have united to fight broadcaster cuts in the amount TV invests in feature films. Talks are ongoing with Germany’s public and private broadcasters. If nothing’s resolved, Germany’s filmmakers will write a joint letter of complaint.
The percentage of the average film’s budget provided by TV stations has already fallen from 14% in 2007 to 8% last year.
Matthias Schwarz of the German Producers Alliance tells me broadcasters are frightened about their own declining income.
Broadcasters contributed €16 million ($25 million) to features co-funded by state agency the DFFF last year. Public TV injected €11 million, private channels €5 million. In addition, German broadcasters have separate funding arrangements with Germany’s regional film funds.
On top of this, channels must give free advertising away to German films on TV. Private channels contributed €8.5 million worth of spots. Public TV made €3 million worth of ad space available.
It’s long been argued that broadcasters benefit most from film production. A film’s advertising campaign acts as free publicity for when the film’s shown on TV. Most independent producers scrape a living, while TV channels enjoy the benefits of their work on the cheap.
German TV is also trying to spend less on expensive made-for-television drama as well. Like everywhere else, broadcasters know the real money is to be made on glossy “shiny floor shows” such as X Factor.


And if the writing of a letter doesn’t work….?
THE COMFY CHAIR!!!
The Comfy Chair! Brilliant! Over to you Cardinal Biggles!
Best threat I ever heard from a German (to a hotel clerk): “I will report you to the Bavarian Golfing Federation!”!
A perhaps lesser known fact is that Germany’s regional subsidy bodies won’t stump up for the most part unless a broadcaster or two are aboard, which means a pre-production pre-sale to TV at what is often a very low price.
LOL, so stupid, but again, perhaps less crappy art house movies will be made. Be smart then. Being picky helps.
What would Leni Riefenstahl say?
Huuuh … a joint letter of complaint…. Germany doesn’t have “shiny floor shows” to begin with.
TV makes money with US shows, some do better, some don’t – all are pretty much cheaper than producing home made shows. BUT – ratings are high on local products.
Both public networks ARD & ZDF get some whopping 7 Billion Euros per year (!) from all German TV viewers. Any questions?
Theatrical we have the following problems:
We produce in german, not english!
We will hardly ever produce a 3D flic
AND WE LOVE US productions, filming in Germany. US Producers get Millions in subsidies.
Come over to Germany and have a great time filming. And please, there is not only Studio Babelsberg as Service Producers….