EXCLUSIVE: Since he left The Hobbit, Guillermo del Toro's next film has been a hot topic of conversation. I'm hearing he will next direct At The Mountains Of Madness, an adaptation of the HP Lovecraft tale that will be shot as a 3D film for Universal Pictures. The big surprise is that Avatar director James Cameron will come aboard as a producer. Del Toro was non-committal when I asked him about the prospect of Mountains days ago as we discussed the Comic-Con reaction to Don’t Be Afraid of the Dark. But when del Toro announced at Comic-Con he'd cowrite and produce Haunted Mansion, he told the crowd he'd set his next film shortly, and that it would be scary. At the Mountains of Madness fits that bill, even for del Toro and Universal. The film will be a big ticket item, shot in 3D where Cameron's expertise can really help. Cameron has said he won't put his name on many future movies outside of the 3D reboot of Fantastic Voyage at Fox, but I've heard he's making an exception for del Toro. Cameron's presence helped win over the studio. I'm told the film will begin pre-production in the next few weeks, and shoot next summer.
In the Lovecraft tale, a gruesome discovery made during a scientific expedition to the South Pole in the 1930s hints at the true origin of mankind having come from elder gods from another planet. Bad things happen when those life forms are awakened.
The project is years in the works for del Toro and producers Susan Montford and Don Murphy, and it is easily the most ambitious project contemplated by the Pan's Labyrinth director. I just put the film high on the list of dream projects for the geek crowd, after it came up numerous times in discussion with geek-savvy film executives, writers and dealmakers.
Mountains was first set up at DeamWorks in 2004 by del Toro and Real Steel producers Montford and Murphy. Del Toro and Matthew Robbins wrote the script, which they are now retooling. The package was acquired by Universal when del Toro made a big overall deal there in 2007, when Universal green lit del Toro's Hellboy 2 and hoped to establish him as a cornerstone filmmaker. Those plans were put on hold when del Toro surprised the studio and accepted the offer to co-write and direct two installments of JRR Tolkien's The Hobbit.
Del Toro dropped out of that project earlier this summer, after completing the writing of the two films, and the design of the first installment and half of the second. He cited the uncertainty of a production start due to the paralysis of MGM, which controls the rights along with Warner Bros. Del Toro pledged that he would return to the many plum projects his company is developing at Universal, including films like Frankenstein and the Kurt Vonnegut novel Slaughterhouse-Five. I’m confident that shortly he will be giving Universal one of the most ambitious films on its slate.
Del Toro is repped by WME and manager Gary Ungar.


Eat your heart out Nolan. Cameron behind del Toro, is like divinity behind a mortal. The combination makes the devil sweat in his own fire pit.
you have to be kidding with your comparison?
so you are saying it takes both del toro and cameron to top nolan? if it takes a “divinity behind a mortal” then nolan must be a demi-god in your mythological kingdom?
just sayin…
but whats the point with your comparison? you act as if these guys are trying to one up each other when i think they only try to put out the best products possible based on their own careers of excellent. its not like we are talking sports teams…
sheesh
I couldn’t agree more!!
When it comes to Cameron vs Nolan, I’ll take Nolan anyday. But don’t get me wrong – for Cameron to back you as your producer, well, that’s god directing everyone, “MAKE THIS MOVIE!” and they obey.
But for intelligent, well crafted scripts, highly developed ideas, and crackling dialog — Nolan is the man. Let’s face it, Cameron has ripped off so many movies in his career…can ANYONE see AVATAR and not think of DANCES WITH WOLVES, plus half a dozen others? Does anyone remember the TERMINATOR lawsuit in which screenwriter/novelist Harlan Ellison won? (Cameron ripped off Ellison’s classic Outer Limits episode, DEMON WITH A GLASS HAND). Yep, Cameron unbelieveably successful. But his movies have echoes of many others. Nolan? He’s the original.
Oh Jesus, here we go again. Another dick who thinks he’s cool for slighting James Cameron in favor of some other filmmaker. Let’s please stop with the comparisons between them, they’re entirely different filmmakers, with entirely different styles.
Director vs Director
With the amount of crap out there right now why people are trying to dream-kill the only good directors in a Highlander style battle of “There can be only one” is beyond me. I will take Avatar and Inception over 90 percent of the shit coming out.
I do have to give a big “fuck you” to Jim for making people think that 3D will save a poor script but to be fair his intention to (going to the movies rather then downloading them) find a way to save film from extinction was worth the crap-fest of 3D we will have to endure for the next 2 years. I think if you look at that a fair case can be made for what he did. I would rather see a ripoff then a remake any day.
I think we all know which big budget filmmakers we would like to see retire and most of them are named Michel Bay or J.J. Abrams.
can ANYONE see THE DARK KNIGHT and not think of HEAT, MANHUNTER and BATMAN plus half a dozen others?
You clearly don’t know anything about the Ellison lawsuit. Cameron was prepared to fight all the way but Hemdale pussied out. Ellison sues someone every other week. He’s a parasite.
Original well maybe the way Nolan crafted his movies. But did somebody watched the Thirteen floor and The Matrix. Inception copied a lot off ideas from those movies too. For me The three directors had there own style and they are all great!.
Yeah, totally bro. The devil. Sweating. Great imagery. You should be, like, a screenwriter.
There’s only one thing wrong with your comparison…
Nolan can spin a yarn.
If I was a suit at one of the studios, I’d bet on Nolan any day of the week, and twice on Sunday.
Lovecraft and Del Toro. A match made in… Well I’m afraid if I type it out I’ll summon some Thing that will end us all.
FINALLY. Amazing.
Yes please. I’ll take two.
best news ever!!!
best news ever!!! and in other awesomeness, can’t wait for reel steel!!!
finally something to be EXCITED about! my head is hurting just thinking about the imagery.
Wow! Cameron and del Toro are both taking this on?!… A mounting of magnates indeed!
i’m a fan of anything that keeps him far away from slaughterhouse five. i don’t care how talented he is. the best book-to-film adaptation ever (this according to vonnegut himself, and he’s right) does not need a remake.
There is a God, and His name is Cthulhu.
All hail Hypnotoad!
I’m crying. Tears of joy.
Just please make it the way Lovecraft wrote it. I have yet to see a movie based on a Lovecraft story that didn’t deviate wildly from the source material (like “The Shuttered Room”).
I guess Don Murphy should be thanking Scriptshadow after going Mel Gibson crazy on his site after the positive Mountains review. Looks like Universal was listening.
Del Toro and Cameron? Yes please!
I give major kudos to Del Toro for sticking with this, his dream project. He’s a devout Lovecraft fan and has always wanted to make this. It should be awesome because he’s got the love for the Craft.
Read the script a few years back. M-eh. What is it about Lovecraft that doesn’t translate to modern sensibilities? Del Toro is great talent, but he can’t make this stuff relevant to contemporary auds. I love everything period from Doc Savage to Indiana Jones, but this story is just.. not good enough. This is going to waste a lot of money. I mean: who cares, it’s only a studio’s slush fund, and GDT will make it wonderful and poetic and as least worthy of a trailer, but… it’s not that great a script.
Let it go, Guillermo… Don’t make the equivalent of Peter Jackson’s “King Kong” squib…
You know that quote about saying something and removing all doubt about whether or not you are a fool? Yeah, you just did it.
Lovecraft influenced every single horror author worth a damn for the last 50 to 60 years. This is not an exaggeration but pure, simple fact. You are non-plussed by the script because H.P.’s influence is that ubiquitous. King, Bloch, and just about every notable horror writer and film director all, I repeat ALL, acknowledge his shaping of their careers.
Lovecraft and Cthulhu own your ass, you just don’t know it yet.
Have you read the script for Avatar? I mean, we ALL know that movie lost a ton of money, right?
GDT can make watching paint dry interesting, so I think I’ll trust him more than some b1tch complaining on the internet.
Oh, and by the way – King Kong won 3 Academy Awards, made something like 600 Million at the BO and currently holds a 83% “Fresh” rating at Rotten Tomatoes. So yeah – Fail.
Sounds cool! Hopefully, the involvement of uber-hack Don Murphy won’t screw this up like his pudgy fingers screwed up League of Extraordinary Gentlemen.
perfect. was hoping that Del Torro would wind up doing at the mountains sooner then later like maybe after he got the haunted mansion or what ever his next film was going to be. and if Cameron is on board hope fuly he uses his clout and keeps any exec who may try and mess and screw up del torros vision of the film he was born to make.
I really hope they nail this but I’m not sure that anyone will see it besides core horror audience.
E S…..WTF??? Do you really think Nolan sweats over other filmmakers projects?? sheeesh why should he care….if anything he applauds their collaboration.
Cameron pulling GDT’s cohones out of the fire, because GDT once spent a ton of time sleeping in his guest house (all documented in the Futurist biography of Cameron), and all of Hollywood knows GDT raised the ire of P.J. for leaving Hobbit?
Simonpod is right. The script sucks. And what the hell is Uni thinking? They already have a tentacled creature in the snow movie coming out: the Thing prequel.
Did IQ points on Lankershim drop sharply while GDT was away?
They should make a series of three, starting with Poe’s “Narrative of Arthur Gordon Pym,” continuing to Jules Verne’s “Le Sphinx des glaces,” and ending with “At the Mountains of Madness.” They could cover the origin of the story and the two “sequels” this way.
The interesting thing about all these three books is that at the time each of them were written Antarctica was still the last frontier to a greater or lesser extent, and each of the books was “obsolete” in a way within a decade of being written. For Pym it wasn’t known if there was any land down there; for Verne, the nature and extent of the continent wasn’t known; and for Lovecraft, the interior was not well explored.
But the books are all intriguing, even if they are a bit “canals of Mars” like.
The post with the reference to Jackson’s underwhelming “King Kong”? That’s exactly what this is.
Only one problem…
3D movies have an issue putting enough light on the screen. Avatar worked because everything glowed.
How are you going to tell a dark and scary tale where the shadows are malevolent if you can’t see a single fucking thing on screen?
It’ll be set in Antarctica. Ice and snow and white, not dark shadows and black and gray. I don’t think that’ll be an issue.
Wonderful! I hope it would be like Guillermo likes.
¡Valor, Guillermo, y al toro!
Never read Lovecraft’s original novel (novella?), so open question, kids: Is it really as great as they say?
Maybe I’ll pick it up this weekend.
I guess the way to describe it would be ‘darkly enchanting’. It’s worth the read.
It’s probably the second-most “movie-friendly” tale Lovecraft wrote, after Shadows Over Innsmouth, in terms of adaptability – although I think you could get a pretty kick-ass film by combining the two big Randolph Carter stories together.
And Mountains is among the better things HPL wrote. Whether that makes it great would depend on how you feel about his writing in general.
@ Classic Liberal: I came to Lovecraft worship late in life. I’m re-reading Mountains of Madness for I think the 5th time in the last 18 months or so (and yes, when I get new music I play it over & over, new shirt gets worn for weeks, etc.)
@ Mike: Series would be wonderful!
That’s a movie to be put on top of anyone’s list. Although I’ve always seen the Hellboy movies as barely 3-out-of-5-star stories, Pan’s Labyrinth is a masterpiece by any measure.
I just worry about big name directors messing with the mythos. But then I am maybe too much of a pureist
It will be impossible to make it anywhere near as good as what Lovecraft saw in his mind while writing the story, but with del Toro at the helm it might just have a chance of being good enough.
i think del toro is the only filmmaker, with this kind of resources, who has the vision and skill to make lovecraft work right. he’s already a lovecraftian filmmaker.
i don’t care about cameron’s involvement, it just means the film will get made. sounds like he’s backing del toro up. i know about the harlan ellison stuff and it irks me, but i don’t see it as being a cameron project in anything else but name.
also, i’ll wait till i read the script before i actually believe the some anonymous cat callers on the internet.
Agreed. dT is the only director I can think of that has elements of H.P. Lovecraft throughout his career. I am a little leery of Cameron’s involvement, but as another commenter mentioned it will mean that the movie gets made.
Can anyone watch Dark Knight and not think of Black Scorpion?
Or Next of Kin, for that matter?
This sounds great, but is this confirmed by Universal Pic?
Wait! Did I read that Harlan Ellison sued Cameron for The Terminator vs. Demon With the Glass hand and WON? That’s a bit absurd, really. Did the estate of Daniel Defoe sue Tom Hanks for Castaway?
Anyway, I am glad that someone with a budget is finally approaching Lovecraft with respect. I am so tired of hearing King’s name as the last word in horror, and Clive Barker has gone way too far in his more recent works for me.
WOW!!! Whole lot of geeks here.
Sorry that should read Dagonbytes.com
I’m not a fan of del Toro but maybe it will be good with Cameron producing.
cameron? ick! that guy is spielberg-lite with 500 million more dollars! the guy blows. and he’s going to produce an epic lovecraft story? man, the legion of cameron fanboys will line up around the block for it, but I hope the dyed in wool lovecraft readers will smell rotten fishman poop and avoid it.
a couple years ago, when del toro announced this, I was thrilled. he seemed alright back then… he might still be alright, and might have what it takes to do this. BUT, he’ll need to quickly detach himself from this t-shirt/action figure/sequel maniac that makes lowgrade hollywood cheez.
anyone seen that b+w silent Call of the Cthulhu a few years back? now THOSE people should be handed the rights to this story and about 2 million dollars. it would blow T2 out of the water.
The thing is, Del Toro’s AtMoM script substantially changed the dynamic from the HPL novel.
In HPL’s original, the first apparent “monsters” are the roughly man-sized barrel-shaped bat-winged starfish-headed Elder Things who’ve been frozen for geologic ages until dug up as fossils; slaughter the human crew that found them, and set out for their long-lost city; but they find it emptied out of their own species, and are themselves slaughtered by its conquerors — giant (subway-train-sized) Shoggoths, descendants of their amoeboid former slaves. The human explorers who have followed them narrowly avoid the same fate by madly fleeing, at the very end of the book.
In Del Toro’s adaptation, the emphasis shifts from the Elder Things to the Shoggoths, who here have shape-changing skills like another SF Polar monster, “The Thing,” inducing paranoid doubts about who is whom. Much more of the story is taken up dealing with Shoggoths.
In some ways, it felt more like a a sequel to “The Thing” than an adaptation of the HPL novel. (Chameleonic disguise hadn’t been so much the point of HPL’s Shoggoths; they’d merely added or reabsorbed such limbs, eyes, etc., as job needs required.)
Woody, the people who did “that b+w silent Call of the Cthulhu a few years back” are the H.P. Lovecraft Historical Society (cthulhulives.org), and they have also done a series of “radio plays” available on CD or as MP3 downloads, including “At the Mountains of Madness” — so you could be listening to their version within a few minutes, if you like. But the CD comes with expedition photos, so it’s worth waiting for and paying slightly extra.
You might also notice on the HPLHS site: their current B&W movie project is a talkie, “The Whisperer in Darkness,” now in post-production. HPL fans will remember this features the Fungi from Yuggoth.
Ignorance is… annoying. Do you decide not to take one of your kids to school today, because the other was better at not making a mess of her breakfast?
Why do we have to angle to amazing filmmakers into a pissing match? While others, (like shyamalan) are constantly adding to the crap that gets churned out by the hollywood shitmaking machine.
Not to mention those who market movies as 3D (and collect the price) that don’t have so much as a drop of water floating towards your face.
Not sure what to think. Previous Lovecraft films have been very mixed in quality. Some have veered far from any original storyline but maintained some sense of Lovecraftian feel, while others have had very little to do with storyline or feel.
If they completely mess around with the story, then there’s little point. But are there any significantly unexplored regions of the Antarctic that could possibly hide ancient cities like this?
It’s interesting because that story talks about archaeological evidence for civilizations dating millions of years or more into the past, staggeringly at odds with the accepted story of evolution on this planet but not at odds with many actual but not widely accepted archaeological finds.
The challenges here are:
1. Do they re-set the story away from the original location to try to make the initial context more credible? Will they lose something by doing this?
2. Will they re-set the story in a new time, and not early 20th century? The market for historical drama should allow them to embrace the concept of period setting – lavish costume and props, use of the contemporary planes, trains, ships, snow exploration gear, archaeological equipment etc.
3. Can they correctly capture the amazing calm-before-the-storm section where the explorers are venturing deeper into the frozen city:
- studying the rich carvings and friezes and learning the history of the culture/species that live(d) there, or will this be some lame musical montage of flickery candlelit images that make a rushjob of the history?
- making their way through the crazy architecture: will they do justice to the imagery and appearance of the city, the spires and towers, the levels within the buildings, the building materials?
- will they be able to portray the horrible creeping tension and the otherworldly fascination that accompanies the search of the city, that special mix of terror and wonder and the presence of the deeply alien but morbidly familiar which is the hallmark of Lovecraft?
4. how will they physically show the species? the barrel-like body, the five-pointed starlike appendages, the sucker-type mandible? how about the shapeless protoplasmic shoggoths that were created as dumb brutes, animals of burden, yet gained a measure of sentience and started an uprising? you can see from the image on the article, as well as on the covers of Lovecraft books, that Lovecraft entities have not always been visually captured with fidelity
5. how on earth will they aurally translate the “tekeli-li” cry of the creatures into something that inspires fear?
Will this just be another “Thing” rip-off that Lovecraft readers turn away from in disgust and disappointment?
Del Toro’s expedition is still a period piece set in 1930 Antarctica, a continent not yet fully explored. The physiology of the Elder Things and Shoggoths is still going to match HPL’s descriptions — in fact, we were allowed to catch a brief passing glimpse of a captive Elder Thing in Hellboy II, just to whet our appetites.
Here is Dejan Ognjanović’s review of the script: http://goo.gl/bK1X