
EXCLUSIVE: Since he left The Hobbit, Guillermo del Toro’s next film has been a hot topic of conversation. I’m hearing he will next direct At The Mountains Of Madness, an adaptation of the HP Lovecraft tale that will be shot as a 3D film for Universal Pictures. The big surprise is that Avatar director James Cameron will come aboard as a producer. Del Toro was non-committal when I asked him about the prospect of Mountains days ago as we discussed the Comic-Con reaction to Don’t Be Afraid of the Dark. But when del Toro announced at Comic-Con he’d cowrite and produce Haunted Mansion, he told the crowd he’d set his next film shortly, and that it would be scary. At the Mountains of Madness fits that bill, even for del Toro and Universal. The film will be a big ticket item, shot in 3D where Cameron’s expertise can really help. Cameron has said he won’t put his name on many future movies outside of the 3D reboot of Fantastic Voyage at Fox, but I’ve heard he’s making an exception for del Toro. Cameron’s presence helped win over the studio. I’m told the film will begin pre-production in the next few weeks, and shoot next summer.
In the Lovecraft tale, a gruesome discovery made during a scientific expedition to the South Pole in the 1930s hints at the true origin of mankind having come from elder gods from another planet. Bad things happen when those life forms are awakened.
The project is years in the works for del Toro and producers Susan Montford and Don Murphy, and it is easily the most ambitious project contemplated by the Pan’s Labyrinth director. I just put the film high on the list of dream projects for the geek crowd, after it came up numerous times in discussion with geek-savvy film executives, writers and dealmakers.
Mountains was first set up at DeamWorks in 2004 by del Toro and Real Steel producers Montford and Murphy. Del Toro and Matthew Robbins wrote the script, which they are now retooling. The package was acquired by Universal when del Toro made a big overall deal there in 2007, when Universal green lit del Toro’s Hellboy 2 and hoped to establish him as a cornerstone filmmaker. Those plans were put on hold when del Toro surprised the studio and accepted the offer to co-write and direct two installments of JRR Tolkien’s The Hobbit.
Del Toro dropped out of that project earlier this summer, after completing the writing of the two films, and the design of the first installment and half of the second. He cited the uncertainty of a production start due to the paralysis of MGM, which controls the rights along with Warner Bros. Del Toro pledged that he would return to the many plum projects his company is developing at Universal, including films like Frankenstein and the Kurt Vonnegut novel Slaughterhouse-Five. I’m confident that shortly he will be giving Universal one of the most ambitious films on its slate.
Del Toro is repped by WME and manager Gary Ungar.


Eat your heart out Nolan. Cameron behind del Toro, is like divinity behind a mortal. The combination makes the devil sweat in his own fire pit.
you have to be kidding with your comparison?
so you are saying it takes both del toro and cameron to top nolan? if it takes a “divinity behind a mortal” then nolan must be a demi-god in your mythological kingdom?
just sayin…
but whats the point with your comparison? you act as if these guys are trying to one up each other when i think they only try to put out the best products possible based on their own careers of excellent. its not like we are talking sports teams…
sheesh
I couldn’t agree more!!
When it comes to Cameron vs Nolan, I’ll take Nolan anyday. But don’t get me wrong – for Cameron to back you as your producer, well, that’s god directing everyone, “MAKE THIS MOVIE!” and they obey.
But for intelligent, well crafted scripts, highly developed ideas, and crackling dialog — Nolan is the man. Let’s face it, Cameron has ripped off so many movies in his career…can ANYONE see AVATAR and not think of DANCES WITH WOLVES, plus half a dozen others? Does anyone remember the TERMINATOR lawsuit in which screenwriter/novelist Harlan Ellison won? (Cameron ripped off Ellison’s classic Outer Limits episode, DEMON WITH A GLASS HAND). Yep, Cameron unbelieveably successful. But his movies have echoes of many others. Nolan? He’s the original.
Oh Jesus, here we go again. Another dick who thinks he’s cool for slighting James Cameron in favor of some other filmmaker. Let’s please stop with the comparisons between them, they’re entirely different filmmakers, with entirely different styles.
Director vs Director
With the amount of crap out there right now why people are trying to dream-kill the only good directors in a Highlander style battle of “There can be only one” is beyond me. I will take Avatar and Inception over 90 percent of the shit coming out.
I do have to give a big “fuck you” to Jim for making people think that 3D will save a poor script but to be fair his intention to (going to the movies rather then downloading them) find a way to save film from extinction was worth the crap-fest of 3D we will have to endure for the next 2 years. I think if you look at that a fair case can be made for what he did. I would rather see a ripoff then a remake any day.
I think we all know which big budget filmmakers we would like to see retire and most of them are named Michel Bay or J.J. Abrams.
can ANYONE see THE DARK KNIGHT and not think of HEAT, MANHUNTER and BATMAN plus half a dozen others?
You clearly don’t know anything about the Ellison lawsuit. Cameron was prepared to fight all the way but Hemdale pussied out. Ellison sues someone every other week. He’s a parasite.
Original well maybe the way Nolan crafted his movies. But did somebody watched the Thirteen floor and The Matrix. Inception copied a lot off ideas from those movies too. For me The three directors had there own style and they are all great!.
Actually ‘Soldier’ starring Micheal Ansara & Lloyd Nolan was the Outer Limits episode that Ellison wrote and whose many similarities found in ‘Terminator’ caused Ellison to sue Cameron. Ellison eventually won and I believe any subsequent media versions of ‘Terminator’ are required to give Ellison a writing credit.
Ellison never “won” the suit — as in a Judge or court siding with him — Orion pictures settled out of court and gave him what he wanted. Not all parties agreed to this, some were effectively removed from the final decision.
John Chambers — You think Nolan is original? Crackling dialogue? Um… ‘The Prestige” was nothing without Christopher Priest’s writing. There might be some differences, but the inherent structure of the film was derived from the novel or from Priest’s other novel “Affirmation.” In fact, Nolan seems to get a lot from Priest — for instance, there is a passage in “Affirmation” which goes like this:
“The mind erases backwards, re-creating what one remembers.”
“Memento” anyone? This is after other countries and even Seinfeld had films and commercials that told their stories backwards. In fact, “Affirmation” reads like a cross between “The Following” and “Memento.” There is lots of both movies in that book.
Still not convinced? Well, Christopher Priest came out with a book called “The Dream of Wessex” in which a group of people create an ideal community through — oh, gasp! A COLLECTIVE DREAM! If you read the book, there is so much “Inception” in there, you can’t even call it original. Also, Christopher Priest was hired by Cronenberg to write and adapt a comic book version of Existenz because Cronenberg himself was such a fan of Priest, and actually was kind enough to admit that most of Existenz was a blatant rip off of Priest’s works — something Nolan is not man enough to do.
It’s funny you bring up Ellison, because, you could argue that Nolan ripped off half of Ellison’s simulated realities fiction. So I’m not sure how using that to indict Cameron helps your cause any.
See I’m a huge sci-fi fan so when I see a director who rips off the ideas of writers he read about as an English major, and then casually gives general credit after hardcore sci-fi nuts call him on the similarities — I have a problem seeing how his stories as stories are truly original, or how is craft or style is unique. We all know that Pfister and Nolan were huge fans of Michael Mann’s “Heat.” According to all the reports they talked incessantly about it when they exhibited their first features together. From the music, to the lighting, to the scripting, to the Batman-Joker duality between Pacino and DeNiro, to the hackneyed plot twists in The Dark Knight… Heat is all over Memento and The Dark Knight, stylistically, structurally and thematically.
I guess things like Necker cubes and Penrose Stair, and infinite regression and dreams are fascinating to people who haven’t looked at an Escher lithograph — but Nolan’s work is derivative and sloppy pseudo-intellectual b.s. that’s already been explored in better movies, novels, and Tv shows.
Yeah, totally bro. The devil. Sweating. Great imagery. You should be, like, a screenwriter.
There’s only one thing wrong with your comparison…
Nolan can spin a yarn.
If I was a suit at one of the studios, I’d bet on Nolan any day of the week, and twice on Sunday.
regardless of this producer/director dispute the big picture is being lost, Lovecraft is being displayed on the big screen with some serious back-up. the fact that a major motion picture company, paralleled with some behind the scene talent is offering a legitimate film, of one the most prolific american horror writers known! Be ready for a great view of the Lovecraftian state of mind!
Lovecraft and Del Toro. A match made in… Well I’m afraid if I type it out I’ll summon some Thing that will end us all.
FINALLY. Amazing.
Yes please. I’ll take two.
best news ever!!!
best news ever!!! and in other awesomeness, can’t wait for reel steel!!!
finally something to be EXCITED about! my head is hurting just thinking about the imagery.
Wow! Cameron and del Toro are both taking this on?!… A mounting of magnates indeed!
i’m a fan of anything that keeps him far away from slaughterhouse five. i don’t care how talented he is. the best book-to-film adaptation ever (this according to vonnegut himself, and he’s right) does not need a remake.
There is a God, and His name is Cthulhu.
All hail Hypnotoad!
I’m crying. Tears of joy.
Just please make it the way Lovecraft wrote it. I have yet to see a movie based on a Lovecraft story that didn’t deviate wildly from the source material (like “The Shuttered Room”).
I guess Don Murphy should be thanking Scriptshadow after going Mel Gibson crazy on his site after the positive Mountains review. Looks like Universal was listening.
Del Toro and Cameron? Yes please!
I give major kudos to Del Toro for sticking with this, his dream project. He’s a devout Lovecraft fan and has always wanted to make this. It should be awesome because he’s got the love for the Craft.
Read the script a few years back. M-eh. What is it about Lovecraft that doesn’t translate to modern sensibilities? Del Toro is great talent, but he can’t make this stuff relevant to contemporary auds. I love everything period from Doc Savage to Indiana Jones, but this story is just.. not good enough. This is going to waste a lot of money. I mean: who cares, it’s only a studio’s slush fund, and GDT will make it wonderful and poetic and as least worthy of a trailer, but… it’s not that great a script.
Let it go, Guillermo… Don’t make the equivalent of Peter Jackson’s “King Kong” squib…
You know that quote about saying something and removing all doubt about whether or not you are a fool? Yeah, you just did it.
Lovecraft influenced every single horror author worth a damn for the last 50 to 60 years. This is not an exaggeration but pure, simple fact. You are non-plussed by the script because H.P.’s influence is that ubiquitous. King, Bloch, and just about every notable horror writer and film director all, I repeat ALL, acknowledge his shaping of their careers.
Lovecraft and Cthulhu own your ass, you just don’t know it yet.
Have you read the script for Avatar? I mean, we ALL know that movie lost a ton of money, right?
GDT can make watching paint dry interesting, so I think I’ll trust him more than some b1tch complaining on the internet.
Oh, and by the way – King Kong won 3 Academy Awards, made something like 600 Million at the BO and currently holds a 83% “Fresh” rating at Rotten Tomatoes. So yeah – Fail.
Sounds cool! Hopefully, the involvement of uber-hack Don Murphy won’t screw this up like his pudgy fingers screwed up League of Extraordinary Gentlemen.
perfect. was hoping that Del Torro would wind up doing at the mountains sooner then later like maybe after he got the haunted mansion or what ever his next film was going to be. and if Cameron is on board hope fuly he uses his clout and keeps any exec who may try and mess and screw up del torros vision of the film he was born to make.
I really hope they nail this but I’m not sure that anyone will see it besides core horror audience.
E S…..WTF??? Do you really think Nolan sweats over other filmmakers projects?? sheeesh why should he care….if anything he applauds their collaboration.
Cameron pulling GDT’s cohones out of the fire, because GDT once spent a ton of time sleeping in his guest house (all documented in the Futurist biography of Cameron), and all of Hollywood knows GDT raised the ire of P.J. for leaving Hobbit?
Simonpod is right. The script sucks. And what the hell is Uni thinking? They already have a tentacled creature in the snow movie coming out: the Thing prequel.
Did IQ points on Lankershim drop sharply while GDT was away?
They should make a series of three, starting with Poe’s “Narrative of Arthur Gordon Pym,” continuing to Jules Verne’s “Le Sphinx des glaces,” and ending with “At the Mountains of Madness.” They could cover the origin of the story and the two “sequels” this way.
The interesting thing about all these three books is that at the time each of them were written Antarctica was still the last frontier to a greater or lesser extent, and each of the books was “obsolete” in a way within a decade of being written. For Pym it wasn’t known if there was any land down there; for Verne, the nature and extent of the continent wasn’t known; and for Lovecraft, the interior was not well explored.
But the books are all intriguing, even if they are a bit “canals of Mars” like.
The post with the reference to Jackson’s underwhelming “King Kong”? That’s exactly what this is.
Only one problem…
3D movies have an issue putting enough light on the screen. Avatar worked because everything glowed.
How are you going to tell a dark and scary tale where the shadows are malevolent if you can’t see a single fucking thing on screen?
It’ll be set in Antarctica. Ice and snow and white, not dark shadows and black and gray. I don’t think that’ll be an issue.
Wonderful! I hope it would be like Guillermo likes.
¡Valor, Guillermo, y al toro!