EXCLUSIVE: Since he left The Hobbit, Guillermo del Toro’s next film has been a hot topic of conversation. I’m hearing he will next direct At The Mountains Of Madness, an adaptation of the HP Lovecraft tale that will be shot as a 3D film for Universal Pictures. The big surprise is that Avatar director James Cameron will come aboard as a producer. Del Toro was non-committal when I asked him about the prospect of Mountains days ago as we discussed the Comic-Con reaction to Don’t Be Afraid of the Dark. But when del Toro announced at Comic-Con he’d cowrite and produce Haunted Mansion, he told the crowd he’d set his next film shortly, and that it would be scary. At the Mountains of Madness fits that bill, even for del Toro and Universal. The film will be a big ticket item, shot in 3D where Cameron’s expertise can really help. Cameron has said he won’t put his name on many future movies outside of the 3D reboot of Fantastic Voyage at Fox, but I’ve heard he’s making an exception for del Toro. Cameron’s presence helped win over the studio. I’m told the film will begin pre-production in the next few weeks, and shoot next summer.
In the Lovecraft tale, a gruesome discovery made during a scientific expedition to the South Pole in the 1930s hints at the true origin of mankind having come from elder gods from another planet. Bad things happen when those life forms are awakened.
The project is years in the works for del Toro and producers Susan Montford and Don Murphy, and it is easily the most ambitious project contemplated by the Pan’s Labyrinth director. I just put the film high on the list of dream projects for the geek crowd, after it came up numerous times in discussion with geek-savvy film executives, writers and dealmakers.
Mountains was first set up at DeamWorks in 2004 by del Toro and Real Steel producers Montford and Murphy. Del Toro and Matthew Robbins wrote the script, which they are now retooling. The package was acquired by Universal when del Toro made a big overall deal there in 2007, when Universal green lit del Toro’s Hellboy 2 and hoped to establish him as a cornerstone filmmaker. Those plans were put on hold when del Toro surprised the studio and accepted the offer to co-write and direct two installments of JRR Tolkien’s The Hobbit.
Del Toro dropped out of that project earlier this summer, after completing the writing of the two films, and the design of the first installment and half of the second. He cited the uncertainty of a production start due to the paralysis of MGM, which controls the rights along with Warner Bros. Del Toro pledged that he would return to the many plum projects his company is developing at Universal, including films like Frankenstein and the Kurt Vonnegut novel Slaughterhouse-Five. I’m confident that shortly he will be giving Universal one of the most ambitious films on its slate.
Del Toro is repped by WME and manager Gary Ungar.






Never read Lovecraft’s original novel (novella?), so open question, kids: Is it really as great as they say?
Maybe I’ll pick it up this weekend.
I guess the way to describe it would be ‘darkly enchanting’. It’s worth the read.
It’s probably the second-most “movie-friendly” tale Lovecraft wrote, after Shadows Over Innsmouth, in terms of adaptability – although I think you could get a pretty kick-ass film by combining the two big Randolph Carter stories together.
And Mountains is among the better things HPL wrote. Whether that makes it great would depend on how you feel about his writing in general.
@ Classic Liberal: I came to Lovecraft worship late in life. I’m re-reading Mountains of Madness for I think the 5th time in the last 18 months or so (and yes, when I get new music I play it over & over, new shirt gets worn for weeks, etc.)
@ Mike: Series would be wonderful!
That’s a movie to be put on top of anyone’s list. Although I’ve always seen the Hellboy movies as barely 3-out-of-5-star stories, Pan’s Labyrinth is a masterpiece by any measure.
I just worry about big name directors messing with the mythos. But then I am maybe too much of a pureist
It will be impossible to make it anywhere near as good as what Lovecraft saw in his mind while writing the story, but with del Toro at the helm it might just have a chance of being good enough.
i think del toro is the only filmmaker, with this kind of resources, who has the vision and skill to make lovecraft work right. he’s already a lovecraftian filmmaker.
i don’t care about cameron’s involvement, it just means the film will get made. sounds like he’s backing del toro up. i know about the harlan ellison stuff and it irks me, but i don’t see it as being a cameron project in anything else but name.
also, i’ll wait till i read the script before i actually believe the some anonymous cat callers on the internet.
Agreed. dT is the only director I can think of that has elements of H.P. Lovecraft throughout his career. I am a little leery of Cameron’s involvement, but as another commenter mentioned it will mean that the movie gets made.
Can anyone watch Dark Knight and not think of Black Scorpion?
Or Next of Kin, for that matter?
This sounds great, but is this confirmed by Universal Pic?
Wait! Did I read that Harlan Ellison sued Cameron for The Terminator vs. Demon With the Glass hand and WON? That’s a bit absurd, really. Did the estate of Daniel Defoe sue Tom Hanks for Castaway?
Anyway, I am glad that someone with a budget is finally approaching Lovecraft with respect. I am so tired of hearing King’s name as the last word in horror, and Clive Barker has gone way too far in his more recent works for me.
WOW!!! Whole lot of geeks here.
Sorry that should read Dagonbytes.com
I’m not a fan of del Toro but maybe it will be good with Cameron producing.
cameron? ick! that guy is spielberg-lite with 500 million more dollars! the guy blows. and he’s going to produce an epic lovecraft story? man, the legion of cameron fanboys will line up around the block for it, but I hope the dyed in wool lovecraft readers will smell rotten fishman poop and avoid it.
a couple years ago, when del toro announced this, I was thrilled. he seemed alright back then… he might still be alright, and might have what it takes to do this. BUT, he’ll need to quickly detach himself from this t-shirt/action figure/sequel maniac that makes lowgrade hollywood cheez.
anyone seen that b+w silent Call of the Cthulhu a few years back? now THOSE people should be handed the rights to this story and about 2 million dollars. it would blow T2 out of the water.
The thing is, Del Toro’s AtMoM script substantially changed the dynamic from the HPL novel.
In HPL’s original, the first apparent “monsters” are the roughly man-sized barrel-shaped bat-winged starfish-headed Elder Things who’ve been frozen for geologic ages until dug up as fossils; slaughter the human crew that found them, and set out for their long-lost city; but they find it emptied out of their own species, and are themselves slaughtered by its conquerors — giant (subway-train-sized) Shoggoths, descendants of their amoeboid former slaves. The human explorers who have followed them narrowly avoid the same fate by madly fleeing, at the very end of the book.
In Del Toro’s adaptation, the emphasis shifts from the Elder Things to the Shoggoths, who here have shape-changing skills like another SF Polar monster, “The Thing,” inducing paranoid doubts about who is whom. Much more of the story is taken up dealing with Shoggoths.
In some ways, it felt more like a a sequel to “The Thing” than an adaptation of the HPL novel. (Chameleonic disguise hadn’t been so much the point of HPL’s Shoggoths; they’d merely added or reabsorbed such limbs, eyes, etc., as job needs required.)
Woody, the people who did “that b+w silent Call of the Cthulhu a few years back” are the H.P. Lovecraft Historical Society (cthulhulives.org), and they have also done a series of “radio plays” available on CD or as MP3 downloads, including “At the Mountains of Madness” — so you could be listening to their version within a few minutes, if you like. But the CD comes with expedition photos, so it’s worth waiting for and paying slightly extra.
You might also notice on the HPLHS site: their current B&W movie project is a talkie, “The Whisperer in Darkness,” now in post-production. HPL fans will remember this features the Fungi from Yuggoth.
Ignorance is… annoying. Do you decide not to take one of your kids to school today, because the other was better at not making a mess of her breakfast?
Why do we have to angle to amazing filmmakers into a pissing match? While others, (like shyamalan) are constantly adding to the crap that gets churned out by the hollywood shitmaking machine.
Not to mention those who market movies as 3D (and collect the price) that don’t have so much as a drop of water floating towards your face.
Not sure what to think. Previous Lovecraft films have been very mixed in quality. Some have veered far from any original storyline but maintained some sense of Lovecraftian feel, while others have had very little to do with storyline or feel.
If they completely mess around with the story, then there’s little point. But are there any significantly unexplored regions of the Antarctic that could possibly hide ancient cities like this?
It’s interesting because that story talks about archaeological evidence for civilizations dating millions of years or more into the past, staggeringly at odds with the accepted story of evolution on this planet but not at odds with many actual but not widely accepted archaeological finds.
The challenges here are:
1. Do they re-set the story away from the original location to try to make the initial context more credible? Will they lose something by doing this?
2. Will they re-set the story in a new time, and not early 20th century? The market for historical drama should allow them to embrace the concept of period setting – lavish costume and props, use of the contemporary planes, trains, ships, snow exploration gear, archaeological equipment etc.
3. Can they correctly capture the amazing calm-before-the-storm section where the explorers are venturing deeper into the frozen city:
- studying the rich carvings and friezes and learning the history of the culture/species that live(d) there, or will this be some lame musical montage of flickery candlelit images that make a rushjob of the history?
- making their way through the crazy architecture: will they do justice to the imagery and appearance of the city, the spires and towers, the levels within the buildings, the building materials?
- will they be able to portray the horrible creeping tension and the otherworldly fascination that accompanies the search of the city, that special mix of terror and wonder and the presence of the deeply alien but morbidly familiar which is the hallmark of Lovecraft?
4. how will they physically show the species? the barrel-like body, the five-pointed starlike appendages, the sucker-type mandible? how about the shapeless protoplasmic shoggoths that were created as dumb brutes, animals of burden, yet gained a measure of sentience and started an uprising? you can see from the image on the article, as well as on the covers of Lovecraft books, that Lovecraft entities have not always been visually captured with fidelity
5. how on earth will they aurally translate the “tekeli-li” cry of the creatures into something that inspires fear?
Will this just be another “Thing” rip-off that Lovecraft readers turn away from in disgust and disappointment?
Del Toro’s expedition is still a period piece set in 1930 Antarctica, a continent not yet fully explored. The physiology of the Elder Things and Shoggoths is still going to match HPL’s descriptions — in fact, we were allowed to catch a brief passing glimpse of a captive Elder Thing in Hellboy II, just to whet our appetites.
Here is Dejan Ognjanovi?’s review of the script: http://goo.gl/bK1X