UPDATE: Bizarrely, LA Times entertainment chief Sallie Hofmeister didn’t bother to even mention that Julie Makinen, formerly Julie Bowles, worked at The Hollywood Reporter briefly. Very briefly.
Previous: Earlier this week, I pointed out that both the new Movie Editor and TV Editor for The New York Times have zero experience with Hollywood. (New Movie And TV Editors For NY Times) Now the Los Angeles Times has announced its new Movie Editor replacing the incredibly mediocre Tim Swanson: her name is Julie Makinen, and she’s never covered showbiz or overseen its reporting. But the memo says she makes great ice cream. How can we take these newsosaurs seriously?
Editor-in-Chief Nikki Finke - tip her here.


Newsosaurs is sooo right! They are like ancient at the times! It’s really frustrating. I have MAJOR NEWS PUBLICATION credits and when I once pitched an editor and inside Hollywood story, she literally told me to write it in as a comment on their website!
I was like… W.T.F!?
When one of the columnists a few years ago mentioned a RADIO SHOW in her column, my eyes bulged out of my head at their complete GEEZER irrelevance. And geezer has nothing to do with genetic age but everything to do with being plugged into relevant popular culture.
it’s especially frustrating to all the writers out there who have bylines and film experience. What gives?
Nail on the head (maybe, in the coffin). Just read a review of weekend’s big release from a major Midwest daily by a guy being paid big $ to do so, and still have no idea if it’s worth seeing, when it opens, what it does well, poorly or imaginatively. Guy basicly gives out gold stars. There’s two column feet of print plus graphics for an unreadable article.
The news room old guard is protecting its own. They all know newspaper readership is going down the drain, so what difference does it make if a clueless reporter gets the job. All they need to do is hold on until government subsidies kick in.
And the Fed Gov’t is talking about a tax on the internet to “save” newspapers.
Save them from themselves, evidently.
actually, i believe julie worked at the hollywood reporter for a few months. as julie bowles.
The LATimes is great for checking the weather forecast.
Considering that “This American Life” has about a dozen of it’s stories optioned, not to mention two seasons on Showtime, and it just happens to be a radio program shows exactly how much you know. Also David Edelstein regularly does reviews on NPR, I’m pretty sure he’s about as irrelevant as it gets in your opinion.
Frankly, with comments like that I wouldn’t want to work with you either regardless of your “major news publication” credits.
Who in their right mind would want a job in a dying medium? The L.A. Times let their book review be run in the ground by letting semi-literate bloggers start writing their reviews. Listen, they should be glad anyone wants to work for them.
They don’t see “Hollywood” as a real industry, and so they don’t think they need journalists with actual knowledge to cover it. As far as they’re concerned it’s just fluff articles about summer box office and celebrities. They could write nothing BUT fluff and think they’re doing a great job. It’s pathetic.
All it does is over and over and over again show the entertainment industry that they don’t care while at the same time begging for their money to support their newspapers.
With the exception of a few reporters over there like John Horn and Claudia Eller and Joe Flint, etc., the Los Angeles Times is a big joke.
When I worked there and wondered why an exclusive story didn’t run, he said to me, “Well, we don’t always like to be first.”
Another entertainment editor asked me how to spell Steven Spielberg’s name and how to refer to him (“as a director or producer or writer or what?” I said “Academy Award winning filmmakers is just fine.”) The same editor wondered if the passing of Lew Wasserman was a big deal.
Another time, we were sitting in a meeting where they tried to explain to two very seasoned marketing people at a production company that the redesign of the newspaper was being done to draw in a younger audience of readers. How young, they asked. The editor answered, “12 to 16.”
Does anything more need to be said?
Yes, what really is needed is the hiring of people with no journalism or reporting skills, a knowledge of Worpdress, a desire to turn all newspapers in TMZ and a desperate need to be liked by movie stars.
Julie (Makinen) Bowles is a lot more seasoned than you think. Hello, she worked at The Hollywood Reporter in 2000 or 2001. Perhaps even during Anita Busch’s tenure. She probably blocked it out of her mind, as many of us have.
Isn’t Julie Makinen one of the plaintiffs in the big class action lawsuit filed against Tribune?
http://www.scribd.com/doc/25227582/Zell-Amended-Complaint