
EXCLUSIVE: The Wolf of Wall Street, Jordan Belfort’s memoir of 1990′s stockbroker decadence, is back on the prowl. I’m hearing that the film is being put back together, with Ridley Scott in early discussions to direct Leonardo DiCaprio, who once expected to make the film with Martin Scorsese. In the scenario under discussion, Scorsese would join DiCaprio and his Appian Way shingle as producer, and it is likely that Scott Free would board the project in a producing capacity as well. Scorsese and DiCaprio nearly did the project together two years ago, but it got stalled in a tug of war between Warner Bros–where the project was developed–and Paramount, the latter of which gave Scorsese a rich overall deal. Instead, Scorsese and DiCaprio teamed on an adaptation of the Dennis Lehane novel Shutter Island.
The Wolf of Wall Street is still in the process of being figured out for budget and distribution, but Scott loves the script by Terry Winter (the writer/producer of The Sopranos and the upcoming HBO series Boardwalk Empire). It is funny, dramatic and fast paced, and manages to make something of a sympathetic character out of a stockbroker who supervises a cadre of brokers who squeezed clients to buy stocks that paid off–for the brokers, who used the funds to live extravagantly until they were brought down by the feds.
I’m told that Scorsese–who’s directing for GK Films the 3D adaptation of The Invention of Hugo Cabret– is willing to pass the baton to Scott, who directed DiCaprio in Body of Lies. Scheduling is an issue for all involved. It is unclear whether Scott can squeeze in the film before the 3D Alien prequel, a priority project for the director’s home studio, Fox. DiCaprio, who opens next week in the Chris Nolan-directed Inception, is next expected to play FBI director J. Edgar Hoover in the Clint Eastwood-directed biopic Hoover for Imagine Entertainment and Warner Bros.


Maybe the heat on Margin Call piqued his interest in revisiting his own similarly-veined project.
Did he change much from the book? I was amazed at how utterly boring the book was, considering all the author went through.
Terry Winter’s script for this is so fantastic. I hope they don’t change a word of it.
Has all the earmarkings of “Wallstreet” but better with DiCaprio in the drivers seat. I’m game for this one and hope there won’t be anymore difficulties with the project.
Glad this one is coming back together… but I’d still love to see Leo tackle Beat the Reaper, or buy Apaches from Bruckheimer and take a supporting role…
Who knows about the rest of the world but does America even have an appetite for this kind of “rise and fall in the world of high finance” story? And does Warner Bros (OR Paramount) even have a clue as to how to market something like this?
Leo is long overdue to try something light and funny, btw. He hasn’t had his Jerry Maguire yet…
CATCH ME IF YOU CAN was pretty light and funny
“Rise and fall” wall street story? I think America will eat it up. Sounds like a great storyline, script and team.
Re Leo DC, I thought Catch Me If You Can was light and funny.
NO, America does not! A movie about Wall Street will work only if the audience is intrigued by what Wall Street people do, plus the audience envies them. But that type of audience reaction ended 10 years ago. Now the only feeling the American audience has for Wall Street is out and out hate. I don’t care how great the script or the book was – today’s audience will only go see a film about Wall Street if the audience is first assured that the inhabitants of said street are shot, their bodies burnt and the corpses hung from lamp posts – in the opening credits. Seriously. Don’t make this film now.
I reccommend that some of you read the wolf of wall street. The author really tells a real interesting bio about his life on the street,drugs and chics. His second bk is out which is a contution of his first book. I’m a Ridley Scott fan–if scott can tell this right he might can take on Oliver Stone. Afterall MoneyNeverSleeps is coming out in September.
This is so lame. Wall Street looks good so now Wolf of Wall Street comes together. Body Of Lies was similarly late to the party…it was like the 4th Iraq/MiddleEast movie after Kingdom, Rendition, Jarhead, etc. WB- just say no to these guys! You dont have to make what they want, pay 120m for a bloated drama about Wall street and a drug riddled crook, and then lose money and wonder why! We’ve seen it a thousand times! And movie stars dont exist anymore! Give us more Inception type original ideas!
The “Wolf of Wall Street” book got terrible reviews, and the last time Ridley Scott worked with Leonardo DiCaprio, the results were mixed; considering Scott is coming off a bomb with “Robin Hood” and DiCaprio is coming off a critically-acclaimed sure-to-be hit in “Inception”, why would DiCaprio pair up with Scott?
How is $306 million worldwide a bomb?
Ridley is a legendary director and to say he isn’t good enough to reteam with Leo is asinine.
$306M worldwide is a bomb when the film has a reported production budget of $200M and has a domestic gross of $104M, and the rotten tomatoes score is 44%.
“Master and Commander”, also starring Crowe, similar box office figures relative to the budget, in addition to having great reviews, yet the director of that film, Peter Weir, hasn’t directed a film in 7 years.
Most actors would be lucky to work with Scott, but not DiCaprio; which other actor will a studio green light to play the lead in a $200M film for adults based on an original screenplay?
DiCaprio is in one of the most envious positions an actor can be in; he gets paid $20M a film to star in adult dramas. He can do better than this.
Boardwalk Empire and Treme are putting HBO back on the map. Steve Buscemi is a great choice and he was great on the Sopranos.
http://www.youtube.com/watch?v=MXPqX5B_chY
Ok, it’s about time someone just came right out and says this: Leo is…yes, I think “is”…one of the greats. The depth of roles, the clamour of name directors to want to direct – I mean, really DIRECT – him, continues to be a drawcard (even if the $$$ don’t always eventuate like they should) and the really, really interesting stories he is tackling. He deserves respect and kudos. Shutter Island was godawful but at least he committed himself to it and managed to make it successful. For that, he should be acknowledged!
Boardwalk Empire will dethrone Mad Men and Breaking Bad at next years Golden Globes
Terry Winter is an excellent writer, BUT “The Wolf Of Wall Street” IS “Wall Street”. I got bored with the script halfway through thinking “How many times have I seen this before?”
Yeah, as America slips deeper into a depression, people are really going to want to spend what little money they have left on a movie that glorifies the self-indulgent ride of a callous, mercenary stock broker living the high life, paying a mild penalty, then becoming a literary and Hollywood sensation.
Good luck with that, morons.
Why do we want to glamorize another Madoff-like character? Not only did this guy steal from hundreds of hard working folks, but he lied and cheated his own family and put his wife and children at great risk. This is a guy who drove drunk and on blow with his little kid in the back seat. And we want someone to make him “sympathetic”?
A story about wall street brokers who rob people but we are supposed to be on their side. Nauseating….even with Leo. How out of touch can those involved be?
I too think that DiCaprio is one of the best actors around but this doesn’t look very promising. I think that Hollywood has become completely tone-deaf as to the mood of the nation; much as “war fatigue” caused one war film after another to bomb at the box office, I suspect that “financial fatigue” due to the constant media coverage of the economy since 2008 will lead viewers to stay away from films like this one or the new “Wall Street”. Also, America doesn’t think that Hollywood has a nuanced enough view of politics to allow them to tackle issues like the wars in the middle east or the financial collapse in an accurate, non-simplistic way.
Is it just me or Leo looks like he has a face inside his face. He still looks like a kid!!! I’m sure he’s a nice guy but it’ll always be miscast if he plays an adult.
Even if the script is outstanding,this is still a waste of dam good time and talent, precisely because this subject pisses people off royally. And if nobody wants to see your movie…
this is a little overdue as a comment, but the subject matter is actually fascinating. The only reason I picked up the book was because I worked at Stratton (for the 3 months prior to the feds shutting it down – as a cold caller). Its a character study, not a glamorization of what happened. Also, even a half decent actor could come away with a best supporting actor with 10 minutes of screen time playing Danny.