
UPDATED: ABC’s freshman Modern Family was the big series winner at the 62nd Emmy Awards, scoring 3 awards for a total of 6 Emmys, including best comedy series, while AMC’s Mad Men was once again named top drama. In the top comedy category, Modern Family overtook three-time winner 30 Rock, which, in one of the biggest surprises on a night full of surprises, was completely shut out this year. Modern Family and fellow freshman Glee, which earned a total of 4 Emmys, including 2 tonight, brought the breath of fresh air many were predicting. It was a big night for first-time winners overall, with awards for Modern Family, its co-star Eric Stonestreet, Glee‘s Jane Lynch, The Big Bang Theory‘s Jim Parsons, The Closer‘s Kyra Sedgwick, The Good Wife‘s Archie Panjabi and Breaking Bad‘s Aaron Paul, as well as Ryan Murphy and Steve Shill for directing Glee and Dexter, respectively.
Things were mostly status quo on the drama side, with AMC’s Mad Men extending its winning streaks in the best series and best writing categories to three each and Bryan Cranston three-peating as best lead actor on a drama series for another AMC drama, Breaking Bad. Meanwhile, there was no farewell love for ABC’s Lost, which was completely snubbed tonight and ended up with one Emmy out of 12 noms, winning for best sound editing for the finale at the Creative Arts Awards.
Overall, HBO’s The Pacific and Temple Grandin scored the most awards with 8 and 7 statuettes, respectively, including wins at the Creative Arts Emmys. Temple Grandin dominated the long-form field tonight with 5 wins tonight, including best made-for-TV movie, directing as well as acting in all 3 categories it was nominated. As expected, The Pacific nabbed the best mini-series award. And underlining an ongoing trend, all 4 acting awards in the long-form categories went to portrayals of real people: Claire Danes as Temple Grandin, Julia Ormond as her mother and David Strathairn as her teacher in Temple Grandin and Al Pacino for playing Dr. Jack Kevorkian in the HBO movie You Don’t Know Jack.”
With help from long-form, HBO led the network pack with a total of 25 Emmys, followed by ABC (18), Fox (11) and CBS (10), NBC (8), PBS (7), tied with Showtime, which posted a new record of Emmy wins and more than doubled HBO’s series Emmy haul. With the 30 Rock shut out, NBC, which carried the awards this year, became the only broadcast network not to win a series Emmy tonight. (It got an Emmy for directing the Vancouver Olympics opening ceremony.)
Modern Family and Glee, both from 20th Century Fox TV, got off to a great start. They absolutely dominated the first 40 minutes of the Emmy telecast – from the Glee-themed opening number, which featured 4 of the show’s cast members, through the first 4 categories, which were swept by the two freshmen: supporting actor in a comedy series (Modern Family‘s Stonestreet, who delivered one of the most heartfelt acceptance speeches of the night), best writing for a comedy series (Modern Family creators Steve Levitan and Christopher Lloyd for the show’s pilot), best directing for a comedy series, Ryan Murphy for helming the Glee pilot) and supporting actress in a comedy series (Glee‘s Lynch). That was followed by the announcement of the two comedy guest actor awards presented at the Creative Emmy Awards last week, one of which went to Neil Patrick Harris for Glee (the other one was won by Betty White for hosting SNL). The Modern Family-Glee streak wrapped with a pre-taped segment featuring the cast of Modern Family with cameos by Family Guy‘s Stewie and George Clooney.
None of the 4 wins for Glee and Modern Family were that surprising: Stonestreet has been the breakout co-star of Modern Family, though it was sad to see Harris snubbed again for his work on How I Met Your Mother (I guess the guest-starring Emmy ought to make up for that). Lynch had been the frontrunner in the supporting actress in a comedy series category, and the pilots for Glee and Modern Family splitting the writing and directing categories was also kinda expected (though Modern Family won at both WGA and DGA Awards, sharing an WGA award with 30 Rock)
Also not surprisingly, Glee and Modern Family‘s early steamrolling run came to an end in the lead comedy acting categories. Both shows are ensemble series with no strongly defined leads. In fact, the Modern Family actors all submitted themselves as supporting. After his surprise loss to Alec Baldwin last year, Big Bang’s Parsons landed his first Emmy. And Edie Falco became the first actress ever to win Emmys in both comedy and drama, following up her three Emmys for HBO’s The Sopranos with an award for Showtime’s Nurse Jackie.
The first big surprise of the night came in the best reality competition program category where Bravo’s Top Chef broke the seven-year winning streak of CBS’ The Amazing Race. That left The Daily Show as the sole record holder after the Comedy Central show won the variety music or comedy series category for an eighth consecutive time. The Daily Show‘s win also meant that The Tonight Show with Conan O’Brien was shut out in all three categories it was nominated, including best VMC series. And it also meant that fellow best VMC series contender, HBO’s Real Time with Bill Maher, once again failed to convert any of its nominations, extending its losing streak to 12 noms and 0 wins.
Mad Men creator Matt Weiner and Bryan Cranston, star of another AMC drama, Breaking Bad, also kept their streaks alive: In addition to a third best drama series Emmy, Weiner earned a third consecutive win in the best writing for a drama series field for co-writing the third season finale with Erin Levy. Cranston also made it a three-pete, winning a third consecutive lead drama actor Emmy for his role on the dark AMC drama. To win, Cranston prevailed over the other big contender in the category, Dexter’s Michael C. Hall, who was coming in with victories at the Golden Globes and the SAG. And this time, Cranston was joined by his co-star Paul, who was a somewhat unexpected supporting actor winner.
As expected, CBS’ freshman drama The Good Wife won a female acting award. But surprisingly, the award didn’t come in the lead category for star Julianna Margulies, the clear frontrunner in the category following her wins at the Golden Globes and the SAG Awards. It came in the supporting category for Panjabi, who won over her co-star Christine Baranski as well as Mad Men‘s Christina Hendricks and Elisabeth Moss in the category.
Margulies was upset by Sedgwick, who finally landed an Emmy in her fifth consecutive Emmy nomination for TNT’s The Closer. Fellow fifth-time lead actor nominees, Steve Carell from The Office and Hugh Laurie from House, weren’t as lucky, still looking to capture their first Emmy.
TV Editor Nellie Andreeva - tip her here.


I think that anyone with three consecutive wins in the same catagory should be dropped from the next year’s list.
Why? If a performance deserves it more than three years in a row then it deserves it. Any previous wins shouldn’t be taken into account.
no
That is a brilliant idea, except for the fact that this isn’t the “Give Everyone an Award Show” and is instead supposed to reward excellence. And people can be good three years in a row. As often as this awards process is wrong, if there is a better actor than Bryan Cranston on TV, I haven’t seen him.
I think if he deserved to win, he should win. It’s not about how many you have. It’s about who was the best that year. He was the best, he won, deal with it.
if your good why ?
I would actually have to agree with this, it just is getting to be a bore to have the same winner every year. At least next year, bryan cranston and breaking bad will not be in the running. But really it’s up to the actors themselves to take themselves out if they’ve won. I mean, is Mad men really that good to deserve 3 emmys, i don’t foresee them taking themselves out because they need the attention to survive.
No farwell love for Lost?
Good.
I loved Lost, but this was not their best year – glad to see the politics of a series ending didn’t play into the hands of the voters.
Maybe, but it at least deserved to be recognized for the enormous impact it has had the last 6 years.
Why should anyone who wins 3 in a row be removed from consideration from a 4th chance at winning? That’s bull. It’s not the actors fault they are THAT good that they deserve continued recognition.
If I were an actor, and I kept doing my best work every year, I would be insulted to have to take my name out of consideration if I have already won 3 times in a row. Most TV series no longer have long lives. So let Mr. Cranston enjoy his streak while his show is still on the air. Not everyone is lucky enough to get another good role once their show is over.
If anything, people should be angry with the Academy’s very loose definition of what is considered Comedy. Edie Falco winning for a role that is more dramatic than funny is unfair to the straight ahead comedic performances of the other ladies in the category.
Is there any reason no blacks, Hispanics (besides Veraga) or Asians were nominated or are part of the network programs in any meaningful way? I mean, why isn’t an Asian the star of a show? The awards are showing just how “white” and exclusive they are.
Andre Braugher was nominated for “Men Of A Certain Age” & Paris Barclay for best director. That’s pretty much it in the main categories.
Hollywood is the hypocrite’s Apartheid. @ least the GOP is overt in their racism. These bigots vote 1 way, then to appease the masses they laugh @ & call stupid & keep the power to the male supremacist oligarchy, make sure no minorities are allowed to make decisions.
Disgusting.
…”at least the GOP is overt in their racism”? Really. Really?! Read a book sometime. KKK started by Democrats. Sen. Robert Byrd (D) former Grand Kleagle in the KKK. Bull Connor, Democrat. 1964 Civil Rights act filibustered by DEMOCRATS. Jim Crow laws, enacted by DEMOCRATS. “Diversity” in Hollywood is overseen, by Liberals.
Reading comprehension is obviously not your strong suit.
Reread the post.
But make no mistake, republiklans are racist.
“The NAACP should have riot rehearsal. They should get a liquor store and practice robberies.” Rush Limbaugh
http://www.youtube.com/watch?v=S38VioxnBaI
GOP activist says escaped gorilla was “ancestor” of Michelle Obama
current.com/…/90200507_gop-activist-says-escaped-gorilla-was-ancestor-of-michelle-obama.htm
& read a history book for frak’s sake!
There’s obviously a prominent aspect about today’s republiklan party you seem to be forgetting. The Dixiecrats.
http://en.wikipedia.org/wiki/Dixiecrat
Didn’t want to say it, but I don’t think anyone of color was nominated for anything. TV does look quite inclusionary to the point of almost disenfranchisement.
you should tell emmy winner Archie Panjabi that
Wow. 3 Emmy noms for people of color instead of 2 in the major categories. & for supporting, never lead.
Definitely changes everything.
name two non-white leads who should’ve won instead
There aren’t any, you myopic idiot. That’s the f-ing point!
All awards who continue to be more white than any other ethnicity, because Hollywood insists on casting that way. Every year they insist they are adding diversity and every year I watch the awards shows an play “find the ethnic person.” It’s a drinking game that will keep you stone cold sober.
I was really disappointed in this year’s broadcast. The only thing they got right was ending the damn thing on time. Other than that, wow, what a disappointment. They should just forget about Fallon ever hosting again, because he was terrible, and never generated a hearty laugh by himself, he had to rely on someone else. They should just start calling the Emmy’s the Primetime Cable Awards, or the Who-The-Hell-Is-That-Guy? Award Show, or the “I’ve Never Even Heard of That Show” Awards.
Congratulations to Kyra Sedgwick for The Closer.
What – no “HOT IN CLEVELAND” nomination? I am a big fan of Modern Family, but HIC is the best new comedy this year. I love Betty white’s spunky old lady character and all the other regular cast stars. Seems like there’s been a great guest star every week, with Carl Reiner and Tim Conway becoming regulars.
Watch the first 6 shows and you’ll see what I mean.
Hot In Cleveland wasn’t eligible to submit this year. They will be eligible next year with all 30 episodes (10 from Season 1, 20 from the upcoming Season 2) under consideration.
Either case, I don’t see the Academy giving any love to Hot in Cleveland. Maybe Betty White because she’s Betty White. I’d love to see Wendie Malick get a nomination, but the Lead Actress in a Comedy Series category will be so packed with cable actresses (Toni Collette, Edie Falco, Laura Linney and possibly Lisa Kudrow, Mary Louis-Parker and Diane Keaton) that there will be no room for her.
It’s a shame that a woman in a traditional sitcom can’t fit in the category because it’s being overcrowded by single-camera dramadies!
HIC wasn’t eligible. It premiered after the nominations. So, it would be eligible next year.
Too bad about Fred Savage… er… Corey Haim. Wow. I still can’t get over the fact that not once, but twice they used the wrong photo for Haim and before a commercial break and during the Memorium..
Too bad, Fred, just goes to show no one watched “Party Down” at all.
HIC is not eligible until next year.
it will be next year . it was too late for this year
Couldn’t believe Matthew Weiner started his acceptance speech for best drama with “Where Was I?” It wasn’t funny, just incredibly arrogant. I think it will come back to haunt him as James Cameron’s “King of the World” comment did (which at least was a reference to the film). Mad Men is a very good show,but let’s not kid ourselves, it’s not in the same league as the Sopranos. At times it’s brilliant and at times like watching paint dry. And where was Christopher Lloyd last night and why did Levitan fail to thank him. Isn’t there enough glory to go around? Manners, gentlemen, manners.
I’ve always thought that Matthew Weiner was arrogant and cocky, but this was the most obnoxious I’ve ever seen him.
I find it VERY hard to respect someone when they behave like such pompous morons. What a shame!
Actually, I think Mad Men IS indeed in the same league as The Sopranos, and frequently exceeds it in overall excellence. It’s certainly a more consistently excellent show, and that’s coming from someone who thinks Gandolfini and Falco gave two of the greatest performances in modern American drama, period. I can’t see how anyone who loved The Sopranos wouldn’t be enthralled with it’s two heirs to the throne, Mad Men and Breaking Bad. Excellence all around.
Matt Weiner will fire Erin Levy by Friday. Just like he fired the writer last year who won as well as Robin Veith. He’s snarky, insecure and crazy. Crazy like a fox. She better watch out as Matt is literally capable of anything. He is completely out of control.
Mad Men is nowhere near as good a show as The Wire was. You take Jon Hamm out of the show? You don’t have much. He’s excellent, and yet the Emmys keep ignoring him, Carrell, and Laurie, all of whom are the core of their respective shows.
Weiner is a poseur, some talent, but he’s not doing near as inventive or exciting a show as Gilligan is.
He only said it because he was cut off by the music from his previous win.
Exactly. I dont know the guy nor have i ever watched Mad Men but it was really rude how he was cut off and yet some other people (whom no-one would dare to cut off) went on for almost 2ce the time he used in his speech (and they weren’t even saying anything profound…AP anyone??). That’s why he said “Where was I”.
Was so glad to see Modern Family pull in the Emmy for best comedy. Best show on TV right now. 30 Rock had an uninspired season and I find it hard to believe anyone over 12 can take Glee seriously. A decent show, but really belongs on ABC Family.
Emmy Awards = Hollywood Apartheid.
Congrats Modern Family & Mad Men! Clearly, shows that are a step above….
Matt Weiner’s toxic ego wins again. Love the series — maybe it deserved more awards/nominations tgan it got — but this guy needs to pat himself on the back a little less. He really should hear what people say about him and his wacked out personality when he’s not around.
I don’t understand why the focus is so squarely on Matthew Weiner’s shoulder for some of the most awkward speeches of the night? His writer’s assistant Erin Levy basically usurped the moment from him and rambled so long that when his moment to speak finally came he got cut off. And thanking Lionsgate, AMC and her parents before thanking him?! Who are we kidding – he wrote that episode and she was lucky to get on that ride. The fact that she was so class-less and inconsiderate was way more obnoxious than anything he did.
I was so happy about Aaron Paul and Eric Stonestreet victories- both very deserving. Hopefully, after their respective wins, they will receive many film offers. Paul has the potential to be a wonderful character actor, similar to Ryan Gosling. Stonestreet has better comedic timing than Kevin James and Adam Sandler combined. Movie casting directors truly need to cast Eric opposite Ed Helms , Zach Galifianakis, and Danny McBride in some quality comedic films. Also, I can see Stonestreet working with the Christopher Guest acting crew.
Honest reaction: Fallon did a fine job.
Prerequisite internet snark reaction: Fallon as host was like a puppy humping someone’s leg with a guitar.
Yay Cranston and Paul. But Hugh Laurie’s gotta take home a statue before House packs in all in.
Let’s face it folks…Hollywood has always ben about politics and personalities.
And the bottom line.
Until the people at the top — casting, exec. prod.-writers, showrunners, studio execs.,
many who are constantly playing these games…to get promoted; satisfy the top shareholders of their respective companies, owned by multi national corporations — change that…you’re not truly going to see the best win.
And the fact that there just isn’t enough inclusion of top talents of all kinds in color — and overall diversity — is extremely sad.
Where you’ll see a continual inclusion of all talents, is in cable.
No deal with the ratings and huge profits associated with that cat and mouse.
And that’s why the majority of the EMMYS have been going to cable shows and
will continue to do so, until the status quo networks basically break apart and
have to start over again. Which is why, as far as fresh and inclusively new and successful,
creative talent is going to come out of cable…and the growing internet.
Am truly a fan of Mad Men– do think it’s the best drama on TV right now and Weiner wrote some of the best late Sopranos episodes as well. But before we put it alongside The Sopranos I think we have to ask why a show as hyped as Mad Men has never been able to find more than a niche audience. Both the Sopranos
And West Wing were also commercially successful. Can a show be truly great if no one really bothers to watch?
Look, I wasn’t a fan of the Sopranos, don’t do gangsters. But the show had a consistent and surprising series arc every season, a great acting ensemble, a deep range of fully fleshed out characters and took the audience on a great ride. Even I, non fan that I was, didn’t look at the writing awards and go yeah, sure.
Mad Men, is a slow moving pretentious bore, with one real actor and real character of depth. Once you strip out the period aspect of the show and the ride is like being on Its a Small World at half speed with no music. Where Chase is a master of the serial. He knows how to stretch out the revelations while keeping the audience on the edge of their of seats.
But he also creates a richer universe, which gives him more to work with. Think of it this way. While Tony was the force on the Sopranos, people were deeply attached and wanted to know what happened next to Christopher and to Carmela. you could probably have done an entire episode where Tony never appeared with Livia and Junior. Name one character even close to Don Draper on Mad Men. Tell me how you could do a show where he is just talked about.
Mad Men will always be niche. Despite the critical acclaim, the show doesn’t have either the depth of something truly great, nor does it have the charm and entertainment value of a populist piece of entertainment.
Matt Weiner is a such a douche bag. He is an out of control ego maniac. Can’t stand the show. Didn’t vote for it.
Who could vote for Mad Men over Breaking Bad or Lost? Voters are drinking the Kool aid.
Looking forward to the reign of Boardwalk Empire. Hear it is out of this world. Brilliant.
i reallly wish they actually showed the nominated actors performances in the categories so that we can get an idea why they were nominated and why they won.
The picture of Corey Haim used during the “In Memorium” Tribute was indeed Corey Haim, not Fred Savage.
Looking forward to Boardwalk Empire. Time for Matt Weiner to hang it up.
Hugh Laurie (House) nominated like 5 times he has a hit show and yet again the Academy snubs his nomination and gives it to the same guy 3 years in a row…will they ever get it right?
I was stunned that the Emmy Awards “In Memoriam” segment left out John Aylesworth, who passed away at the end of June this year. Aside from being the co-creator of “Hee Haw,” a show that, believe it or not, revolutionized shooting and editing styles and laid much of the groundwork for syndication as we’ve come to know it, Aylesworth, along with his partner, Frank Peppiatt, worked on most every variety show during the hey day of the genre–”Sinatra: A Man and His Music,” “The Judy Garland Show,” “The Jonathan Winters Show,” “Kraft Music Hall,” and “Hullabaloo,” for a start. Throughout their career they wrote for such performers as John Wayne, Jackie Gleason, Bing Crosby, Steve Allen, Sonny & Cher, Julie Andrews and Groucho Marx. They were nominated twice for Emmys. It seems a hideous slight to exclude him from the memorial section. I’ve heard that writers are shunned in LA, but this is ridiculous. The LA Times had a huge article about John Aylesworth’s passing and his career highlights… does no one from the Emmy read that paper? Or was it because he was not an actor? How could this have slipped by? A man who spent over 30 years working in television to be completely excluded is shameful.
um…. hate to break it to you…. the dixiecrats were democrats… hence the crats at the end of dixie(for the south). strom thurmond was later out a republican, yes…. but the dixiecrats were the direct result of a spilt in the democratic party.. they had a solely democratic convention in the south. nice try rewriting historythough.
I can’t believe Buffy only got like four noms in its entire 7-year run when bland period pieces like Mad Men sweep every year.