EXCLUSIVE: The writer/director Wachowski siblings have begun to invite actors to meet on their new film Cobalt Neural 9 about a taboo gay romance
between an American and Iraqi soldier. But agents are telling me it has become yet another “top secret” project they and their actors can’t read. That means they can’t advise their clients whether to be in the pic sure to be controversial because of its “Hard R” storyline. But I’ve learned there is an increasing Hollywood obsession with keeping scripts under wraps right now because of the ease with which these copyrighted documents get published on the Internet. So much so that this is changing the way actors audition for hot button or fanboy friendly projects. More and more, reps don’t get to read full scripts. In some cases, on films like Spider-Man or The Avengers, the actors don’t, either. “CN9 is just the latest of a growing list of scripts that are being kept under lock and key,” one frustrated dealmaker tells me. “How do you do your job and advise clients when studios and filmmakers don’t want agents and managers to see scripts? If actors are lucky, they go to an office and read it with somebody watching. This kind of secrecy only used to happen with Woody Allen and maybe Steven Spielberg. But now it is rampant.”
Reps say it has happened recently on such scripts as Universal’s Battleship, the Planet of the Apes prequel Rise of the Apes, Thor, X-Men: First Class, X-Men: Wolverine, the Twilight Saga films, and the two installments of The Hobbit. Regarding actors, agents said filmmakers are shielding scripts is focused on newcomers trying to jump start careers in superhero roles, not with big stars. I’m told that many of the actors vying to play superheroes in Marvel Comics films, Spider-Man included, didn’t get to read entire scripts when they were testing. Instead, they were given pages with villains glossed over to keep their identities fuzzy and had to rely on director Marc Webb to explain the plot and character.
It’s no mystery why this is happening: security. Producers and studio executives claim that if they email or messenger even one copy to an agency, it goes into that tenpercentery’s library — and then becomes fodder for low-level employees who trade the content of those scripts like currency. Suddenly, that copyrighted document is on the Internet. Disturbing but not illegal is having the script picked apart in a forum, or presented as a blog scoop that gives away story reveals. ”I doubt a blogger with 60 readers will ruin a movie even if they publish a script or rip it apart,” said one dealmaker who considers the increased secrecy “ridiculous” but acknowledges the bigger problem. “What is more important is the number of movies that are being leaked onto the internet before they are released.”
The box office success of Chris Nolan’s Inception demonstrates the benefit of keeping story details secret. Expect the same under cover treatment with Nolan’s next Batman and his production of a rebooted Superman. Every superhero movie gets this approach nowadays, and increasingly controversial motion pictures like the Wachowskis’ Cobalt Neural 9 whose “Hard R” gay romance storyline Deadline revealed.




Firstly, agents and managers deserve to see the scripts that they are attempting to get their clients in on. Despite what actors like Edwards (whose previous post said that reps’ opinions don’t matter), I think the majority of actors do want to know that they are repped by people with good taste and will often rely on them for opinions. I am a manager, and not a day goes by that I’m not asked to talk extensively about material. It is insulting to suggest that we should advise a client to work on a project only knowing the creative elements attached as even Spielberg has made some God awful movies.
I can understand this behavior for some pictures but for such films as Battleship and Thor this is absolutely ridiculous. Anyone who works in this industry knows that after reading a great script you want to see the film. Never the other way around.
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Okay, here’s my take on this. Why should an agent EVER read a script? He or she shouldn’t. He should be soliciting ideas from his clients what type of scripts they’re looking for, then putting that info out to writers how have those type of finished screenplays. Put it out wide. The writers, new or old, sign releases, send them to the agents who send them to their clients to pick and choose. The client then picks, tells his reps he LOVES this one, the rep then read it or not, (again, not necessary since the client is the only one at this point that needs passion to finish the project through), then sell that script with his client’s attachment, passion and interest to the appropriate parties. Which is a reason for every actor to have a manager/producer, if he isn’t one himself, who can also see this project through to fruition. In the old days of theatre, there were no directors, only actor/producer’s who made things happen from a writer and project they loved.
Agent’s job: (in my opinion) field offers. Sell a client’s passion project.
If this town would open their doors a little more, maybe some creativity could come back…but, alas…it will never happen…The same people get hired over and over and over…and the same crud leaks into the oceans of creativity…plug the holes with talent who have yet to be let in, discovered or re-discovered…End of Sermon
You are hilarious.
“GIMME THE LEADS!”
OK I get the reps not getting the scripts but how do you audition for or accept an offer for a major part in a film if you don’t have an understanding of the general tone and cadence of the story being told. I mean they can always messenger the script to the actor’s house, have the messenger wait and then take the script back when he/she is done with it. But to audition for a part other than “would you like fries with that” without reading the whole script is kind of sort of BS.
What’s next? Make Meryl Streep get a showfax account?
a movie without a script. Unknown actors.
No actors in all the scenes. Impromtu locations. The editor is locked in a remote location without possibility of Internet access.
She has Hollywood’s biggest secrets…and now it is her mission to tell the world. This summer: Angelina Jolie is: The Editor
Ape’s they can scratch there balls with the best of them, but they can’t read worth a damn.
Keep your script secret Wachowski brothers. Better yet, hide it under a rock somewhere.
Don’t know why all the secrecy regarding CN9. This has to be one of the least commercial ideas I’ve ever read about. No one wants to see this much less read it.
Regarding superhero and tentpole movies, that I can understand.
Stop working for the majors and then you wont have to worry about it. Lets shut em down. Somebody will fill the void of the multinationals. Come on we all know they are bankrupt already anyway.
A movie about the Iraq war is a tough sell, but the gay theme really makes this high risk! Now if it was about a female soldier who doubles as a domme starring mistress strix it could be something !
As if actors auditioning for tentpole movies need anything else to guide them but Joseph Campbell’s “The Hero With A Thousand Faces” and an understanding of the stock character archetypes of commedia dell’arte. (rolls eyes)
If these actors can’t audition just by reading from sides and some basic information from directors/producers/casting directors, then they should find a whole ‘nother career.
— Rob
Too bad these guys don’t have the same feeling about secrecy when they release their promos with every plot point revealed until you feel like you don’t need to see the movie to know what happens. Get real – this is just another stupid Hollywood power play.
A gay romance between an American and Iraqi soldier. If my agent asked me to read for a role in this I wouldn’t need to see the script. I’d laugh in his face and ask him/her what they really have for me.
Saved by the bell was the best show ever made.
As a onetime talent manager repping actors, I can’t imagine suggesting they take a role without reading it myself – the exceptions were James Camerons’ Avatar which wasn’t available during first auditions, and Tarantino’s Inglorious Basterds where only the required scene was provided. Other than that kind of situation, “just say pass”. Unless you are desperate to work, you need to know the quality and content of the script beforehand. Period. Use better security, watermarks, etc…Any audience member who loves being entertained wouldn’t want to read the thing in advance anyway. Its not as much fun going to a film you already read the script for.
Whenever I get a request for one of my scripts, I ask the requestor to remove an article of clothing and send me a photo of themselves, then I send him/her 10 pages. It goes on like that until the person is naked or I run out of pages to send.
This is dumb….no wonder movies suck now. No one is trust worthy enough to even read the damn script.
What happened to Hollywood?
Secretaries and non paid intern readers read scripts.
Not agents, not managers…and surely not actors until the check has been cashed
and their lawyers say — give it a go.
Ohhh…and let’s blame the internet and piracy once again for all
of Hollywood’s problems and woes. Problems that are direct result
of so called talented and so called hard working powers that
be just simply not giving a #%^**.
Until their stock shares drop or they get fired.
When I look at all the real solid, and in some cases, great movies
coming out of foreign countries…by screenwriters and acting and filmmakers
with no Hollywood connections or hardly any budget money at all…
…and watch these movies become so successful that they are immediately
bought and remade in a Hollywood versions — as opposed to distributing the
same film in its original state to America — and letting the original filmmakers
have a piece of the pie they shaked and baked on their own.
People stealing from Hollywood?
Who do you think I feel sorry for?
Batman & Robin, Bewitched: aren’t those the kind of movies that get made when actors commit to a project without reading the script?
Clearly no one writing on this board has never had to way two job offers at the same time… If supposedly all an agent’s job is to get an actor an offer – what happens when two offers come in… according to those who subscribe to this ridiculous notion, an agent should back the bigger money offer, without caring about what the role is, what the project is, or who the elements attached are. Any actor who has had several offers on the table at the same time has asked everyone on there team their thoughts on material.
You can all any agent – with a coverage system – they read religiously, and it is indeed expected of them. To think otherwise is quite simply absurd and would be a view espoused by an actor of no consequence whose agents do not think enough of his career to proffer opinions of their own.
If you can’t take a good guess what’s in the script of “The Hobbit” (a published novel) Twilight Saga films (novels), then there is something wrong with you. It’s not as though they will suddenly go all surreal and have dominatrix characters in them. Ok, maybe twilight.
As to this.. yeah, you have to bank on the director. Trying to think of how that works out. Speed Racer or The Matrix?
Also as a one time manager , First off INGLORIOUS BASTERDS was flying around town with the assts. and QT had been working on it for years so it was leaked , just not for actors to pass around but it was on the script websites same with the scriptment of avatar and spiderman by cameron- I remember Matrix 2 and 3 auditions when i was an asst. at a big mgmt co and they were tightlipped- with NDAs being signed before going to culver city to audition… and those movies blew chunks but made money- this is not new to the process but if u are dim enough not be read the book or play the video game from which the property is made then you as an actor are not doing the work- that is why actors make 90 percent and and reps make ten
Um…. movies aren’t harmed by their scripts getting out unless the script and subsequent movie sucks…. which is all too often the case.
This is definitely an issue, not because enough people will actually read the screenplay in question to make a dent at the box-office but because the resulting “buzz” whether good or bad can spread like wildfire all over the ‘net. How many times do you hear “I heard that movie sucks. I just saw a headline online but it sounded really bad to me.” No one even remembers the source or read the entire article, but the seed has been planted in their head that this movie is a loser. It’s sad because there’s a lot of good movies out there that people should give a try.
INCEPTION is a great example of a movie being an EVENT in large part because of its SECRECY. The “cool” factor of a movie nowadays goes way up when no one knows what the hell it’s about, so it behooves a studio to keep the script under wraps and make sure they have a team of interns monitoring the web every day for their titles; Google alerts and searches can do wonders, people! Do the grunt work.
I lost count of the number of forum posts that said “INCEPTION is just a rip-off of Dreamscape” but I disregarded it because I knew the poster had not seen the movie. But if there was a website that listed the beats of Inception and Dreamscape side by side and they were identical (like happened with Avatar and Dances With Wolves) I may not have rushed out to see it on opening night as I did. I dunno, tough call.
Anaylsis of Inception Screenplay: http://bit.ly/bifC2L