
Despite all the skepticism it would ever get to Broadway because of its prohibitive running costs, Spider-Man Turn Off The Dark has been set to begin preview performances on November 14, with opening night set for December 21. Julie Taymor will direct from the book she wrote with Glen Berger, with music and lyrics by U2′s Bono and The Edge. The musical will play the Foxwoods Theatre on West 42nd Street. Reeve Carney plays Peter Parker, Jennifer Damiano plays Mary Jane Watson and Patrick Page plays The Green Goblin. The musical shapes up as one of the costliest ever to hit Broadway, and tickets top out at $140. Carney, a rock musician, plays a lead role in the Taymor-directed The Tempest, a film that will play both the Toronto and Venice festivals.


props to Bono for being so prolific. Not many rockers would take on a project like this. Hope it’s a success. Not many action heroes have survived on Broadway. If this hits, then maybe we can expect a musical of “Iron Man” (with songs by Sting).
What ever happened to Evan Rachel Wood & Alan Cumming starring in this as Mary Jane and The Green Goblin, didn’t Bono say part of the reason it took so long to get to Broadway was because Sony backed out of financing due to the high cost of the cast and production and he had to help find new financing to allow for the cast to stay intact? If they are out something tells me the show has issues bigger than just its costs.
All in all, this looks like good news to me. In particular, I’d regard having Patrick Page attached to the project as a good sign; while he is probably best known on Broadway for his roles with Beauty and the Beast, The Lion King, and as the Grinch — good experience for a job involving a lot of green makeup — he’s also got a very strong classical track record (as witness his work in the recent Duchess of Malfi and opposite Frank Langella in A Man for All Seasons.
All of which suggests that this script — and the show — may do well by the Norman Osborn character.
Wow. It’s like Paul and David want to take U2′s position in the pantheon and see how far they can drive it down with schlocky stunts.
Well, if Bob Dylan can shill for Pepsi…
Does anyone care about Broadway??