Ray Richmond is contributing to Deadline’s coverage of TCA.
Martin Scorsese didn’t meet the TV press during HBO’s panel on its new Prohibition-based series Boardwalk Empire. Instead, he was presented live via satellite from the London set of his latest film, the 3D children’s movie Hugo Cabret. Scorsese now has two projects with HBO — the gangster epic, and a history of rock ‘n’ roll with Mick Jagger, both with Terence Winter — so he talked about why he’s suddenly interested in the small screen medium at this point in his career. ”What’s happening the past 9 to 10 years, particularly at HBO, is what we had hoped for in the mid-Sixties with films being made for television at first. We’d hoped there would be this kind of freedom and also the ability to create another world and create longform characters and story. That didn’t happen in the 1970s, 1980s and in the 1990s I think. And of course …HBO is a trailblazer in this. I’ve been tempted over the years to be involved with them because of the nature of long-form and their development of character and plot.”
Creator Terence Winter, an alum of The Sopranos, told the critics HBO approached him to explore the subject of Prohibition. ”They told me, ‘Oh and, by the way, Martin Scorsese is attached if you find a series here.’,” Winter related. “I said, ‘I assure you I’ll find a series here.’” Scorsese, who directed the first episode of the expensive new period drama starring Steve Buscemi, said that he’s interested in directing more episodes if his schedule permits. The director of Goodfellas, Casino, and Gangs of New York said he was lured to the subject by Prohibition’s big crime figures of the time, like Luciano, Capone, and Rothstein. “For me, it was an opportunity to try to chart that world and see how those characters interacted at that time.”
Editor-in-Chief Nikki Finke - tip her here.


Already, TV Critics are calling this the best pilot in years. Steve Buscemi is a great choice. This is going to be epic. It will probably dethrone Mad Men at the Golden Globes.
I love that Scorsese is doing “Hugo Cabret.” And working with Jagger and Buscemi. What fun he must be having. And what fun I’m having imagining it all. This made my day, Ray.
I suppose the millions of dollars he pocketed had ABSOLUTELY nothing to do with his foray into television.
Throughout his career Scorsese probably could have made a hell of a lot more money than he has developing his own projects (up front, at least). Obviously, the pay is a factor, but I don’t think it’s of great interest to anyone, Scorsese included.
Interesting read. When you consider the wealth of talent increasingly working in the larger canvas of storytelling television affords, it’s clear that cable outlets like HBO is becoming the medium of choice for intelligent filmmakers who have something important to say.
Television has become the only medium for writers.
his name is martin. Get it right.
Great to see Ray Richmond here. Was a big fan of his column in HR when the print version was big enough to handle it.
Just a quick note- the live was via satellite from Westminster Live studios in London
This sounds like it could be BIG.
Here are my reasons why HBO won’t cancel Boardwalk Empire. When HBO canceled Deadwood, DVD sales weren’t as big part of the picture as they are now. Also, OnDemand was just starting, so there wasn’t as big of a ratings increase from OnDemand as there is nowadays. HBO counts DVR, OnDemand and repeat viewings because they are subscriber based and don’t rely on advertising. They’ve sold Boardwalk Empire to 160 countries, their biggest overseas sale ever. So, they will make up the costs of producing an episode by selling lots of DVDs and international tv rights.
The history of Rock And Roll??? How many Black Churches will they visit??? Will Chuck Berry be included? Or just “mentioned”? Maybe Jagger’s the choice but…
While other cable networks are scrambling to be like USA, HBO knows how to stay its course. What HBO has been doing for a decade is what Hollywood used to do in the early 1970s: produce work that appeals to a well-defined, adventurous audience that keeps coming back because there is a continuity of product. The fact that that audience is now 49+ empowers them while the other webs just ignore this 60 percent of the population. Being a premium channel helps, of course, but the premiums keep coming because so does the product.
Long form story telling. Just another spot on prognostication by William Goldman in Adventures in the Screen Trade. The man was/is a visionary. But his most powerful observation continues to resonate and decimate all aspects of life; love, politics and moviedom in particular. NOBODY KNOWS ANYTHING. (Fox News bloviates excepted.)
this looks BORING and OLD.
I think it’s going to BOMB.
could be wrong but my interest in watching it is about ZERO.
We’ve seen it all before!
Scorcese is smart. He knows that depending on movies in a climate where first-weekend receipts are everything is madness. I hope “Empire” is as good as the hype.
Alan Spinwall and other critics are saying that’s its the best pilot they’ve seen in years.
Sepinwall.
The pilot is excellent. But the series is very racist and misogynistic as it continually exploits African American men and all women for entertainment value. The show is sadistic. And clearly enjoys being sadistic. The violence has no ramifications of any kind. And the violence towards women doesn’t stop.
Audiences will be so impressed with the production values they may be distracted from the intensity of the sadism.
It made this male viewer very uncomfortable.
The 20s were racist. I think that’s the point. They explore that racism.
As a viewer, I’m thrilled that Scorsese is doing this, but I wonder how tv directors and writers are feeling. Work is hard enough to come by these days. When the film giants start dominating the limited number of slots out there … will work dry up for them?