Warner Bros and Paramount are getting closer on a co-production of Extremely Loud and Incredibly Close, the Eric Roth-scripted adaptation of the Jonathan Safran Foer novel that director Stephen Daldry and producer Scott Rudin have been working on for the last half decade. Sandra Bullock and Tom Hanks have been circling the project, a lot of journalists knew it but agreed to wait, and then somebody ran it. Oh, well. The film is not just Paramount, as was reported. Warner Bros has been the lead studio on the project, and now they and Paramount are figuring it out together. I’m told and they are in the process of making offers to talent. The book is about a bright 9-year old whose father is killed on 9/11. He finds a key left behind by his father and goes on a mission to figure out what it unlocks. The novel was a literary sensation when it was published and not the easiest film adaptation, which is why it has taken so long. But it is superb subject matter for Bullock to potentially make her first project since winning the Oscar for The Blind Side.






Why Streep? For that silly accent? Philip Seymour Hoffman should have walked off the set the first day he heard it. Streep’s accents and their self consciousness have always gotten in the way of her performances. Why she chose that accent for that part is a mystery and an insult to the other actors on set. The character didn’t need that at all. It’s as bad as Brando’s accent in THE MISSOURI BREAKS. An actor of her gifts doesn’t need that and she was blown off the screen by Viola Davis. Ms Davis not getting an oscar is a real tragedy.
Yippee, Universal just called! They’re making my shopping list into a movie!
I’ll bet there’s a sequel in this!
There are so many book adaptations, because it’s much easier for development executives to put their approval on a film project based on a book than an original script, which takes risk and actual knowledge of story.