
EXCLUSIVE: Atlas Comics, the short-lived 1970s imprint founded by Marvel Comics founder Martin Goodman, is rising from the ashes. Goodman’s grandson, Jason, has dusted off the original titles and the characters will relaunch with new story lines that begin with the release of The Grim Ghost and Phoenix. The first two titles will be unveiled at New York Comic-Con next month. According to comic book lore, Martin Goodman sold Marvel to Cadence Industries in 1970 for millions of dollars and the promise that his son Chip would stay on as editorial director. When Stan Lee — Martin’s nephew by marriage — instead showed Chip the door, Martin and Chip hatched Atlas with the goal of vanquishing its rival. It created a battle for some of the era’s top artists, and launched such Marvel-esque Atlas heroes as The Scorpion, The Cougar, Planet of Vampires, Ironjaw and The Grim Ghost. The rivalry dissipated shortly after and Atlas folded, but Goodman is remembered not only for giving Marvel and DC a run, but creating an ownership/profit sharing concept and return of original artwork. These things have become important, particularly as superheroes became huge Hollywood currency.
“Although my grandfather eventually sold Marvel, he insisted on keeping Atlas Comics in the family,” Jason said. “As a result of his vision, Atlas Comics is the largest individually-held library of comic book heroes and villains on the planet. We have 28 titles and hundreds of characters imagined by some of the greatest minds in the industry.”
What’s potentially intriguing about Atlas is that film, TV and video game rights that are available for all the characters. Considering that Disney paid $4 billion to exploit the Marvel Comics library, the Atlas relaunch will reveal soon whether there are any make-able gems in there. Phoenix is a sci-fi saga about one man fighting an alien invasion; The Grim Ghost is a supernatural horror/thriller about a man who arrives on the fringe, the world between life and death that the living can’t see.
Spearheading the relaunch is Brendan Deneen, a former development exec for Scott Rudin and Harvey Weinstein who by day is a mild-mannered editor for the St. Martin’s Press/Macmillan imprint Thomas Dunne Books. By night, he’s a comics nut who with Rich Emms operates Ardden Entertainment, a comic book imprint which relaunched Flash Gordon and Casper the Friendly Ghost. Vet comic writer J.M. DeMatteis will be editor-in-chief.


Exciting news!
Great news a little competition might get the collective creative juices in gear as there is a new kid on the block with some chops.
I would be VERY interested in revisiting any of those properties. contact me at earlysunpat@aol.com
Pat Broderick
Pat, that would be sweet to see you take on these chracters!
Take Care
Atlas: What a happening to have Atlas back …and Pat doing some stuff would be sweet…one of the great 70′s gang along with Neil Adams and Ploog.
Elbow your way in there Pat we need you!
I know these comics, great stuff!! Can’t wait for the Phoenix movie!
Exciting indeed. A new player in town, wants to give Marvel and DC a run for their money. The stories sound pretty cool. I’ll definitely check out the Phoenix book.
Awesome!
Looking forward to some of this quite a bit!
I wondered what happened to them.
Glad they are back.
I was a big fan of the Atlas series back in the 70s and still have several copies of Ironjaw (The Atlas version of Conan the Barbarian) and Phoenix. They really were a good alternative to Marvel, leaning far more in that direction than toward DC. This is great news (and may make my old funny books worth more money!).
I remember these! Reprint the originals!
Brendan Deneen is a smart guy with some very clever ideas. Excited to see where he takes this.
Wow, great news! Where can I send in some art samples??????
The problem with the old Atlas/Seaboard comics were they took Marvel characters like the Hulk and simply reskinned them as the Brute. Readers saw right through them as cheap copies and the company went away. While it’s definitely true that some of the absolute greatest artists of the period came to work there because Goodman was incredibly artist-friendly, the idea of comparing their catalog to Marvel’s is laughable.
All that said, for fans of good comics J.M. DeMatteis’s name should’ve been the first in the story, not the last. Been one of the most interesting and creative voices in comics for years. Congrats, John!
Congrats to Brendan and Marc!
Interesting… but…
The $4 billion Marvel catalog includes hundreds of titles and thousands of characters, with a core couple dozen boasting broad pre-sold awareness. Atlas apparently comprises a small handful of obscure, short-lived titles/characters that no one has ever heard of, and that have been out of print for over a generation. They might as well be original IP – which is fine, but there’s no real comparison.
The point was that Atlas HAS good material to be used that may undermine the Marvel/Disney efforts for similiar material.
Image if for example The Brute was made into a motion picture and because there aren’t comic book critics enough to slam it like they did for the last two Hulk movies it became a hit.
It all about the angle, you can assume lots of things but the more you suggest that there is nothing much there you missed the potential in the right hands.
Such exciting news!
This is great news, I loved these comics and I’m glad to hear they’re back in the game. Pretty rotten thing for Stan the man to do. I never knew that part of their history. I wonder if there was a reason Stan would do that, other than out of greed or for total control? As in was there something personal going on behind the scenes? I guess only the actual players know the real story, Still it would be interesting to know.
Given the level of quality of the Atlas releases versus the resurgence of Marvel just around the corner, perhaps it was less vindictive and simply wise?
However, same thing happened when Forrest Mars conned one of the Hershey’s partners into bankrolling M&Ms with the promise that the other “M”‘s son would come on to help run Mars if he could get access to Hershey’s suppliers. When it proved to be a total scam (the kid got a job, but it was the equivalent of being “retired” in the KGB – you go to an office and read a paper all day) and the guy realized he’d sold out Hershey’s to a huge new competitor, he went nutso.
Yeah, except most of the trademarks have been compromised (the Scorpion and the Phoenix, for example, are now Marvel trademarks) and they never had work for hire agreements for any of the properties. Exploiting them would be a chain of title nightmare.
Its’ cool to see the company back, but sadly are way past their prime. Even their characters aren’t that original anymore.
I have vague memories of these characters when they first came out-I was ten years old at the time, but if memory serves me- none of these titles lasted beyond two or three issues.
Let’s see if they set the bar to at least four or five this time.
~
Coat
I don’t remember Atlas and with the cutting edge of graphic novels well somethings are better left in the garbage pile.
The recent Green Lantern comic book I bought, Lantern cops totally sucked.
So will the Green Lantern movie.
Comics and their progeny need bigger then life characters to be great movies ( Batman, Spiderman, Superman, Iron Man)
Eventually the paying public will tire of Kick ass themed movies or deflated Spidermans.
The 70′s are dead and over more so then the sixties.
Sounds like you need a break from being a comic book fan and leave topics like this to the real fans. Thx.
Who cares? Do we really need more comic book characters? What’s with all the wacky “congrats” on this post? Just because they existed for a few months thirty-odd years ago doesn’t seem to make this important…
The praises on here surprise me. I wish anyone luck in comics, but as we’ve seen time and time again, big launches like this are hit or miss….more miss. CrossGen anyone?
I heard some of the guys from Atlas talk on indiespinnerrack just a few months ago so, just from that I’m curious. I’d be pumped to find a superhero book that is good (besides Powers which comes out 2 times a year now). I love comics but the spandex thing just always falls short with me. Phoenix looks like one of those titles. The other one Grim Ghost looks pretty interesting. I’ll check it out at the Con.
I was a VERY young teenager when the Seaboard-Atlas titles came out. I loved them, and it’s exciting to see them back! Colour me very excited! I hope they bring them all back, all the characters, all the titles!
Phil Latter
I remember these titles well they were some of my favorite books as a kid i don’t believe they were cheap copies of marvel characters (that was image’s thing & those guys made millions ruining the comic industry subtituting art for substance) they were similar to some characters but not clones I would like to see the origanal story lines continued like the brute & morlock 2000 as well as the destructor who had a kirby or ditko style that was pretty cool i hope they dont change from the original series that much cuz i will buy every tittle printed. they say the industry is stagnant and needs new life & all the crappy writers change the strongest tittles only to destroy the continuity of the character (thor,avengers,cap,wonderwoman,batman & jsa)to name a few so some far from outdated great characters like the atlas tittles would be great maybe alan moore would lose his disgust (which i also feel) with the industry and we could get him onboard so great characters could have a great creative writer because the main publishers have lost me and i was a comic freak who bought everything until they ruined themselves and my 40 year interest. I was almost angry when i read the 70′s were dead & over above. that was the second best decade after the 40′s for comic creativity nowadays you have to go to independants to find anything & even that is hit & miss i look forward to checking these out.
So excited that these Heroes are coming back. It’s time we bring these guys back for a larger audience.
Bravo! Nice to see that entrepreneurship is alive and well- especially in the creative field. Well done.
The biggest issue for these guys and any company trying to do comic book movies is determining what really works for a movie. Out of all of Marvel and DC’s library of thousands of heroes, you could count on your fingers how many you can actually make a successful movie with. Same reason Spiderman is being rebooted. And I would expect over the course of the next few years to see the same effect on Marvel from Disney that Warners had on DC, which is a lot more animated stuff because it’s cheaper and can be sustained.
Actually if Marvel avoids putting everything in one X-men or Avenger basket.As well as avoiding the eventual pitfall that will occur with the creation of Marvel Studios.This may allow for some individual character development to establish some characters before the wider audience.Dump all ties ins with the rest of the X-men and Sabretooth ,as a movie or FX series, might be one property that could work.If Atlas develops things at a reasonable pace and doesn’t try to do silly crossovers like the last 3 or so seasons of Smallville with every freaking superhero in DC’s catalogue running around in hoodies(despite what the salivating fanboys think…they are not the wider audience)then maybe Atlas will be able to make a wider transition as well.First,however,like Blacklines recent announcement they have to establish some success with their comics first.Another crash and burn like the 70′s Atlas and this new relaunch won’t amount to anything.The comics market is down right now,really down.Good luck,Atlas.
The common belief for years was that these characters were in the public domain. I wouldn’t 100% bet that they aren’t, if someone wanted to challenge Goodman’s claim legally. Anybody who pays big money to option these characters might find themselves with a pig in a poke.
Also, to the person who criticized Stan Lee for giving Chip Goodman the boot when his Dad sold Marvel–by all accounts Chip didn’t know comics from a hole in the ground and was just making a mess of things during his time at Marvel. I don’t think you’d find too many people who were around at the time arguing that Stan didn’t do the right thing.