EXCLUSIVE: Atlas Comics, the short-lived 1970s imprint founded by Marvel Comics founder Martin Goodman, is rising from the ashes. Goodman’s grandson, Jason, has dusted off the original titles and the characters will relaunch with new story lines that begin with the release of The Grim Ghost and Phoenix. The first two titles will be unveiled at New York Comic-Con next month. According to comic book lore, Martin Goodman sold Marvel to Cadence Industries in 1970 for millions of dollars and the promise that his son Chip would stay on as editorial director. When Stan Lee — Martin’s nephew by marriage — instead showed Chip the door, Martin and Chip hatched Atlas with the goal of vanquishing its rival. It created a battle for some of the era’s top artists, and launched such Marvel-esque Atlas heroes as The Scorpion, The Cougar, Planet of Vampires, Ironjaw and The Grim Ghost. The rivalry dissipated shortly after and Atlas folded, but Goodman is remembered not only for giving Marvel and DC a run, but creating an ownership/profit sharing concept and return of original artwork. These things have become important, particularly as superheroes became huge Hollywood currency.
“Although my grandfather eventually sold Marvel, he insisted on keeping Atlas Comics in the family,” Jason said. “As a result of his vision, Atlas Comics is the largest individually-held library of comic book heroes and villains on the planet. We have 28 titles and hundreds of characters imagined by some of the greatest minds in the industry.”
What’s potentially intriguing about Atlas is that film, TV and video game rights that are available for all the characters. Considering that Disney paid $4 billion to exploit the Marvel Comics library, the Atlas relaunch will reveal soon whether there are any make-able gems in there. Phoenix is a sci-fi saga about one man fighting an alien invasion; The Grim Ghost is a supernatural horror/thriller about a man who arrives on the fringe, the world between life and death that the living can’t see.
Spearheading the relaunch is Brendan Deneen, a former development exec for Scott Rudin and Harvey Weinstein who by day is a mild-mannered editor for the St. Martin’s Press/Macmillan imprint Thomas Dunne Books. By night, he’s a comics nut who with Rich Emms operates Ardden Entertainment, a comic book imprint which relaunched Flash Gordon and Casper the Friendly Ghost. Vet comic writer J.M. DeMatteis will be editor-in-chief.






Looking forward to this. I’ve recently been rereading and reviewing several of the old Atlas (Seaboard) books on my Web site, Comics Bronze Age, and the publisher has a lot of material ripe for exploration. The Grim Ghost, in particular, has a great back story, and the involvement of J.M. DeMatteis gives me high hopes.
Hope this mean collected editions of the old material might be on the way, too.
Andrew
ComicsBronzeAge.com
Atlas is back! Big deal. The company may even survive in today’s comic book industry more than just a few years (just look at the decade-plus pile of trash produced by Image and Wildstorm and anything seems possible). But so what? Some movie producer wants to be at Ground Zero with regard to a comic book character property so he can foist it off on the public. It might make money. That awful Spawn film did. Ghost Rider did. The truth, though, is the Atlas comic line will not compete with Marvel or DC. ‘Nuff said.
Wow think out of the box much?
You think only DC or Marvel has the market when it comes to comic book based movies?
You really need to address the fact that other comic book companies HAVE had major success stories in regards to movies – Hellboy, Scott Pilgrim, Wanted, and others.
Oh but its all about Marvel or DC?
Not quite!
Danger Room I think you missed Doc Ock’s point.Other than Marvel and DC characters how many of these trendy/indy films were seen by large audiences and made any real money? I’d prefer it if they did but what are the real numbers here? I can’t wait for Red 5 to get going with an Atomic Robo film, live or animated,but if only me and 30 other people see the thing then what’s the point?
Please, no more super heroes! I’ve no problem with them in reasonable doses, but super heroes are killing comic-books in America- lets try something atmospheric & adventurous like the Europeans would, or something different & age/genre specific like the Japanese would. Otherwise your paying customers’ comic-book good-will is going to dry up all too quickly (again). Creative people of America- you can be creative & lucrative (here’s a tip: write/draw what you love), but please no more super heroes.
Marc-
Best of luck to you. I miss you from our Spider-Man days. Hope this is a great boon to the industry.
I miss those characters myself.
Take care.
Tom
I was born after Atlas/Seaboard folded,
I found Atlas/Seaboard comics in the 25 cent bins as a kid back in the mid/late 1980s and I LOVED THEM. Now as an adult I have a huge collection that I have re-read several times. I LOVE ATLAS COMICS. I wish I could be a part of bringing the company back to life!
I am looking forward to the return of some of my favorite characters ever!! GO ATLAS!! I’M ALL IN!
TEX
Way to go. Can’t wait for the launch. Go ATLAS.
Love,
Unc Geo
I’m on the fence about this. I remember when these comics came out when I was a kid. Back then it was exciting because there really wasn’t a lot of competition for Marvel and DC in those days. The characters were somewhat derivative of Marvel characters, but then again there are only so many origins and powers out there. I do see potential if they are handled well. However amongst comic fans I think most of the excitement we feel (I count myself amongst this group) is based more on nostalgia then how truly great the books were.
I read every Atlas book…am a fan…they had some great characters and titles…at least 60% or better of the titles have legs if well-done. They tried too many titles at much and I believe the money train never really left the station. I believe they might have had some distribution issues too trying to cut into the big dogs territory. This was prior to comics only being sold through specialty shops or via subscriptions. Ad sales were also a large part of the process. I would love to be a writer and tackle these characters. There were many great story-lines that us, the reader, never saw resolved.
I hope that the stories are better than what I’ve seen.
(1) Phoenix went awry in #4 the last issue, when he got a new costume, new weapons (Buck Rogerish), new enemies, and an impossible mission by very harsh overlords. I hope that does not happen in the new series.
(2) Brute had no human identity and killed good people as well as bad ones,(and ate a boy !) He was not a hero, but a monster a la the old horror comics and films. The last issue left the battle unfinished.
(3) Bog Beast was a brillaint scientist, BUT was from a race of subterranean people who looked like corpses in the last stage of decay- instant Misunderstood Monster. The last story had a needless fight with a werewolf !
(4) Tarantula was the latest in a line of Tarantulas who ate people, but the latest one swore to eat only bad people. The character generally had control over his changes and retained his human mind -tho he had NO qualms about cannibalism. The last issue had him unable to control changes and had Hulk-like personality changes in doing so. No effort was made to explain how the world abided such a long line of man-eating monsters or why they had children -who would inherit the curse.
(5) Finally I must address “Planet of Vampires” which was a viable concept the first 2 issues. The last one went awry, hog-wild, killing off the main characters one by one, as earth becomes a hell-hole of vampires. Where the series was intended to go is anybody’s guess.
(6) Morlock 2001 – a 1984ish future where reading is forbidden, and a plant man-monster is created. His powers are meant to destroy and kill. He’s killed in the last issue published. The series SHOULD have had him go back in time to PREVENT our fair world from becoming that dystopia he came from.
Muddled writing and frequent changes in direction did this company in.