
After watching most of their summer sequels and branded pictures underwhelm audiences while original stabs like Inception and Despicable Me drew plaudits and profits, studios this week have a chance to get bold. I’m told that agencies have about 8 spec projects circulating. Two in particular have the town abuzz: a live action adaptation of the Seth Grahame-Smith macabre novel Abraham Lincoln: Vampire Hunter with Wanted helmer Timur Bekmambetov as its director and Tim Burton its producer; and Snow White and the Huntsman, a revisionist take on the fairy tale scripted by Evan Daugherty and produced by Alice in Wonderland‘s Joe Roth. Attached to direct is Rupert Sanders, who has been on a short list for many plum studio jobs including The Hunger Games and All You Need Is Kill, based on his reel of stylishly-directed commercials that include Microsoft’s Halo. Now, some studios claim they are out of development money and all of them have grown accustomed to making conservative spending decisions, but my bet is they will make an exception here and that both of these will sell in big deals possibly before the week is out. Word is both potential tent poles have offers already.
The Abe Lincoln yarn has had heat on it since Burton and Bekmambetov used their own money to option the book earlier this year. I’m told that it’s a large canvas re-imagining of the Civil War. Turns out Lincoln’s mother was killed by a vampire and a big motivation of his war effort is to crush the scourge of bloodsuckers and their slave-owning supporters. Burton and Bekmambetov are producing with Jim Lemley.
Snow White is taking advantage of a Hollywood fascination with public domain fairy tales sparked by the billion dollar grosses of Alice in Wonderland. There are several versions of The Wizard of Oz being developed at studios, and more than one revisionist version of the Snow White saga. Disney attached director Francis Lawrence and producer Scott Rudin to Snow and the Seven, which transplants the heroine to the world of Shaolin monks, who train Snow to take on evil forces in Hong Kong. We’ll know soon if the fairy tale Snow White and the Huntsman has a happy ending.


Stop the adaptations. Again, just holding on to false security. Let’s get fully original. Many of the remakes could never be remade without an original.
Shot, score!
OK, I’m whole-heartedly for more original material in Hollywood, but I’m not sure either of these projects really qualify as truly original. The whole historical period/vampire mash-up has been a trendy thing in the lit world for a couple years now, and will probably quickly runs its course once people tire of the novelty and the catchy titles.
And the Sci-Fi/Western hybrid is one of those genres that looks good on paper, but hasn’t seem to catch on with actual audiences (“Wild Wild West,” etc…).
Studio interest in the fairy tale re-make thing is likewise still rooted in pre-awareness, so it’s still some of the Same Old studio thinking, and also smacks a little of trend/novelty that I doubt will have legs.
Incidentally, “Alice” was NOT a fairy tale — it was the work of a single writer using his own talents and imagination, precisely the thing studios these days are trying desperately to avoid supporting.
Also, let’s stop the pointless use of “re-imagining” when we mean remaking or simply just making. The movie world has been making/remaking/adapting stories for over a century and never needed a pretentious word like “re-imagining.”
It’s a bit of a stretch to call a couple of adaptations with serious package deals signs of life in the spec market. Sure, they’re not technically studio development, but they’re about as relevant to 99.9% of the writers out here.
This IS the new spec market. You put everything together: script, producer, director, actor or two or three, and then present it to the studios. They should call it the spec package because it’s not a spec script, except the writer is the only one who has done any serious work on the project for no money before it’s set up.
Yeah, that is what used to be called being a producer.
I completely agree, re-imagining is a ridiculous term. Let’s stick with rebooting.
Stuidios -pick a genre, then a classic out of a hat and find a way to combine them. Neither Rebooting nor Re-Imagining. More like De-Imagining. All of these sound ridiculous. Moviegoers are held hostage by an economy that wants to dip into familiar public domain options because of the built-in awarness and are now considered “fresh ideas” b/c they are given a genre (another familiar and lucrative option in this economy) “twist”.
Seems like we will need a better economy before Studios start taking any real risk again. Inception is about the only thing I’ve seen in a while that at least tried to have an orig thought.
I read Abe Lincoln Vampire Hunter and didn’t really love it. Left me “meh”. Wasn’t as fun as I thought it would be. Thought the second half was a bit weak. Haven’t read the Snow White one yet.
I did just read an original spec called Wesley Meeks vs. His Nightmares by Joe Lovero that just started circulating to some big directors and producers. Total four quadrant franchise potential. Best original thing I’ve read all year. Reminded me of Splash and Ghostbusters in a good way. Keep an eye out for that one.
Nice to see Joe Lovero pimping himself
we read the script too. well, the first act. there’s a reason that no one in this town knows who joe is. “Reminded me of Splash and Ghostbusters in a good way.” what kind of comment is that? is this person living in 1984 or what. Maybe you should throw in a little Karate Kid, Gremlins and Sixteen Candles while you’re at it. Are you in film school?
Love your shameless plug coverage slave. Hilarious. I’m sure your reps will groan at your comment on your own spec.
I guess we have a new definition for what constitutes as original material. I read a great original spec a few months back called Bar Mitzvah Boy…hilarious. The guys (newbies, don’t remember their names) also wrote another spec called Manquest, which was also great. They definitely deserves some love. Look out for those scripts.
This has ZERO to do with the spec market.
I just read one called “FDR: American Badass!” that completely blew my doors off. It was an action comedy. One of the wildest, funniest scripts I’ve read. We tracked the writer down, he said it’s shooting December. Anyone know any more details on this? Did this come across your desk?Can’t find it on IMDB. Curious.
Spec market used to be a great script would sell. Now it’s only a fully packaged spec with eight directors supervising a hot director, based on a book, etc that sells. that’s not a spec… that’s called a movie.
Bigjohn you crack me up! I love that these baby writers hop on here and pitch their unseen garbage like coverage slave. The comments that follow are – Priceless!