
After HBO screened the Martin Scorsese-directed pilot episode of Boardwalk Empire in NYC ahead of this Sunday’s opening show, the pay channel threw a full frills bash that evoked another era. It was the first showbiz party I’ve attended in a long while where somebody spent real money in a time when many premieres seem one step away from a cash bar. Not the case at HBO. Guests marveled how the Rockefeller Center skating rink was transformed into a Prohibition era New Jersey boardwalk. Everyone was breaking the law by drinking at a replica bar that must have been 40 feet long. And I counted three endless steam-table serving stations heaped with lobster tails, king crab legs, steak and other posh nosh. I overhead one guest ask an HBO executive how the pay channel could make such a pricey series and host such a lavish affair to launch it. “28 million subscribers at $10 a month.”
Series stars like Steve Buscemi, Michael Pitt and Shea Whigham held court until late into the night at an array of rooms. Stars from other HBO shows, like Sex and the City‘s Chris Noth and Oz‘s Chuck Zito, were omnipresent. I came across a back room filled with many cast members from The Sopranos, including James Gandolfini and series creator David Chase as well as A.J. (Robert Iler), Janice (Aida Turturro), Paulie Walnuts (Tony Sirico) and actors who played a lot of second-tier wiseguys. They were there to support exec producer Terence Winter, a made man from his Sopranos days. My first reaction is to realize how much I miss that series, and the second to appreciate how these actors are still welcomed by HBO. Nice to see some companies remembering this is showbiz which on occasion still requires a show of decadent excess.


I have high hopes for this show but dampened by the fact that whoever the hell is in charge of HBO hasn’t picked a good show in a couple of years. They better this time or my subscription will join the thousands I read left HBO ober the past few months
Boardwalk Empire is going to be huge. Critics like Alan Sepinwall are already saying that it could beat Mad Men at next years Golden Globes. I hope Steve Buscemi wins.
I really do hope that it beats Mad Men, Im terribly sick of the show, I was such a fan until last season, and now its looks cheap, the dialogue is boring, and the characters are so…. pretentious, and pathetic.
HBO is back. (then again did it ever really leave???)
“My first reaction is to realize how much I miss that series, and the second to appreciate how these actors are still welcome by HBO”.
It’s just too bad that the only place those actors are welcomed is at an HBO preem where the paynet scrounges for any dribble of a celebrity face. No one else seems to want the old Soprano gang. A side note, someone should tell them it’s over.
Where was Marty? Did he phone in his attendance to the premiere on the same line he phoned in his HBO directing debut?
Marty Scorsese w/o Bobby = BORING.
@ Johnny: Are you kidding? Scorsese has directed a lot of films that were good that didn’t include DeNiro.
Name one.
Uh, The Last Waltz?
Plus: Alice Doesn’t Live Here Anymore, The Departed, Kundun, Age of Innocence, The Last Waltz, The Color of Money, the Life Lessons segment in New York Stories, The Last Temptation of Christ, After Hours
None compare to his work with DeNiro.
@Johnny – You’re going to seriously tell me “The Departed” was boring? Or “The Last Temptation of Christ”?
Scorsese has even proven to me that DiCaprio can really act, something I was never convinced of before The Aviator.
Yes, they are boring and compromised when compared to Scorsese’s best work with De Niro, TAXI DRIVER, RAGING BULL, THE KING OF COMEDY (highly underrated), GOODFELLAS, CASINO,and even much of NEW YORK, NEW YORK. As for DiCaprio, his talents were confirmed with his work in GILBERT GRAPE. Nothing he has done since has transcended that, certainly not, THE AVIATOR.
Scorsese is currently in London filming.
@Justin – AGREED!!!!
Still miss that Mad Men isn’t on HBO so it could have it’s fully sharpened edge that you know was/is in Weiner’s head. Hopefully they will do Sandman right. Anxious to check this out and no surprise at the money on display it’s always available it’s just a matter of the fat cats choosing to show it or not.
And since Mad Men came up let me say a big FU to Cablevision for still holding an actual quality broadcast of the show hostage from DirecTV viewers. They should be ashamed how that show looks on standard def on HD on all those HD sets across America. Rank incompetence.
Weiner doesn’t take a single note from executives on his show. What you see IS his ‘fully sharpened edge’…
HBO executive says they can afford big budget productions and wildly indulgent parties as a result of “28 million subscribers at $10 a month.”
And by paying experienced actors way, way below their established television quotes.
Those actors are all free to say “no” to the money that HBO is offering and work elsewhere. I’m sure there’s a great part for them over on one of the CSI franchises at CBS.
It’s a free market…but there is more to life than MONEY. I would think (I’m not an actor, btw) that great writing, meaty roles and superb production values might be taken into account by actors accepting “less than their rate” to work on an HBO series. Were I an actor who had choices like that, I would hope that I’d have the sense to take the good projects which come along over the ones that just pay me off for my name value on some mediocre network series.
Greg, It’s painfully obvious by your post that you’re not an actor- no need to tell us. I respect your views and thanks for sharing them. If you have the opportunity at some point in the future to speak with a working actor (below A-list) who is trying to make a living in this business, you may have second thoughts about the HBO pay issue in these comments. Best, Dave
Greg, I agree with you wholeheartedly. I have family who are in the business (Not A-list, btw) and I think it would be more fulfilling to work with quality scripts and people than to cash in. My humble opinion, is all. Many actors get one big gig, get a bmw and big mortgage, then count on that paycheck and can’t support the lavish lifestyle they’ve created once the series gets canceled. Then they have to take shit roles for the bigger paychecks to stay in their house in the Hills.
Yo, Greg…your response misses the point of my comment. I know it’s a free market. I know it’s nice to work on great material. I was only commenting on HBO’s propensity for throwing lavish, multi-million dollar parties with their money, rather than spending it on salaries more equitable to other networks’ (after which an exec makes haughty comment about how much spare cash they have…for parties). Are you (and others) really defending those priorities?
And writers.
Hey, we’re onto the Emmys already and who beats what! Yeah! Show has’t even aired yet! I LOVE this focus.
Go fuck yourselves, you miserable losers.
Really looking forward to this. It’s exciting to see the massive marketing blitz all around New York city. Everywhere I go there’s a billboard or bus or bus shelter, and today everywhere online – from YouTube to NY Times to CNN to here at Deadline, is championing this bold new series. Thanks for bringing back appointment viewing, HBO. If BOARDWALK is a direct descendent of THE SOPRANOS just as MAD MEN is, then I’m excited.
Bold, new series? Saying “fuck”, using gory violence and showing tits on a HBO period show is….bold?
Did anyone else notice that the guy claiming that Scorsese is “boring and compromised” without De Niro is named “ari”?
The term ‘boring and compromised’ pertains to work over which Scorsese didn’t have full control. Two of his films (with DeNiro) are masterpieces with RAGING BULL always in contention for being the greatest film ever made. Each piece of this film is close to perfection and transcendent. As for his others, would he ever cast Tom Cruise in a movie by his own choice? The cast of THE DEPARTED doesn’t compare to the perfection of RAGING BULL. Scorsese himself disowns ALICE and AFTER HOURS is an insignificant compared to his great works. You do not find these obvious flaws in his films with DeNiro. DeNiro may act as a conscience against compromise. Their collaboration in RAGING BULL is a story for the ages worthy of comparison to Boswell and Johnson or even Pound and Eliot. Compare all the works to TAXI DRIVER and RAGING BULL and none contain the power, therefore they are relatively ‘boring’ and obviously compromised. Scorsese is a modern master, one of film history’s greats and his accomplishments are even more amazing because they were accomplished in a studio system, but like the man said, “Nobody’s perfect.”
This will put HBO back on the map.
The show is a visual feast. Gorgeous and mesmerizing. Shut up and watch 12 episodes and then weigh in. Stop getting so bent of shape.
what is the pay (actual dollars paid per episode) to lead actors like Buscemi?