
UPDATE: Lloyd Kaufman disputed my assessment that The Toxic Avenger doesn’t belong on the short list of the elite indie films of the 1980s. I’m letting him have his turn, though I can’t say he has changed my mind.
Dear Mike,
Your article impugning the integrity of the IFTA Board of Directors, suggesting that its choices of the 30 “Most Significant Independent Films” have been foisted upon it by me, its Chairman, is absurd and an insult to the entire Board.
Everyone on the 27-member IFTA Board of Directors voted by secret ballot and I had absolutely no influence on the outcome. In fact, there was no politicking involved at all. These are the Board’s choices and the board’s alone. It is ridiculous for you to state that a group that includes film icons like Roger Corman, Avi Lerner and Mark Damon would be led around by me!
IFTA, for whom I’ve had the honor of serving as chairman for the past three years, is recognizing the “Most Significant Independent Films” in terms of both art and commerce. Nowhere did IFTA say “Best” or “Top” independent films. In fact IFTA took great pains to avoid using those terms.
Regarding you dismissal of The Toxic Avenger, I really wonder if you have seen the film. In every respect, The Toxic Avenger is worthy of receiving an honorable mention as one the “Most Significant Independent Films” of the past 30 years. Toxie is responsible for Troma Entertainment which, at 35, is the longest-surviving independent film company. The Toxic Avenger launched Troma, like Disney and Miramax, one of the few consumer film brands. Consider its signficiance: three sequels and a new $80 million re-do in the works by an Oscar-winning producer, according to, er, Mike Fleming. Top directors across the globe, including Quentin Tarantino, have written and spoken about the heavy influence it had on their work. Numerous films, including the Scream series and Robocop, have been clearly influenced by it. Toxie brought enviornmental issues to consumers long before Al Gore did. There have been Saturday morning cartoon shows, Marvel comics, books, a hit off Broadway musical (featuring songs specifically written by Bon Jovi’s David Brian), action figures and 200 other pieces of merchandise based on Toxi. And that’s just to name a few.
I mean, how significant does an independent film have to be to receive an honorable mention in your eyes? Contrary to the title of your story (IFTA’s “Toxic” 30 Best Indie Film List) and in spite of everything above, sadly The Toxic Avenger DID NOT make the list of 30. It was just an honorable mention. Best regards, Lloyd Kaufman
EARLIER: The Independent Film & Television Alliance marks its 30th anniversary by selecting what it considers the “30 Most Significant Independent Films” of the past three decades. The choices were made by IFTA’s 27-member board of directors. But they take on a toxic sheen in my opinion with the inclusion of an honorable mention for The Toxic Avenger, which was directed by IFTA head Lloyd Kaufman (and Troma Films impresario) under the pseudonym Samuel Weill. American Cinematheque and IFTA are scheduling screenings of the top indie films, beginning September 29th with My Left Foot, followed with a Q&A featuring the film’s director, Jim Sheridan.
Now, My Left Foot was certainly a milestone game-changing indie and a tour de force by Daniel Day-Lewis. And I was liking some of the choices on the IFTA list, even though films like Braveheart, The Lord of the Rings, and Inglourious Basterds strain the definition of independent. Major studios were backing those releases and Harvey Weinstein spent a lot of Disney burnishing Miramax’s library on other films on the list. I had more of a problem when I got to the end of the 1980s choices and saw that, alongside Gandhi, sex lies and videotape, and Platoon, IFTA gave an honorable mention to The Toxic Avenger. WTF? Was that silly, schlocky film more seminal to the indie film movement than 1980s efforts like Blood Simple, She’s Gotta Have It, A Room With A View, Sid and Nancy, El Mariachi, or My Life As A Dog? I guess it is if one of the decision-makers directed the movie.
At least Kaufman didn’t try to sneak other Troma epics like Surf Nazis Must Die, Who Flung Poo?, or Poultrygeist: Night of the Chicken Dead onto the roster. And since Toxie only got honorable mention and didn’t actually crack the list, maybe there won’t actually be a screening people feel obliged to attend. But, really, this self-congratulatory gesture undermines the roster. But I’ll play along: here is IFTA’s prestige indie roster:
1980s: Amadeus; Blue Velvet; Dances With Wolves; Das Boot (The Boat); Gandhi; My Left Foot; A Nightmare On Elm Street; Platoon; Sex, Lies and Videotape; The Terminator. (Honorary mentions: The Killing Fields; The Last Emperor; The Toxic Avenger.)
1990s: Braveheart; Crouching Tiger, Hidden Dragon; Fargo; Four Weddings and a Funeral; Life Is Beautiful; Pulp Fiction; Reservoir Dogs; The Silence of the Lambs; The Usual Suspects; Where the Day Takes You (Honorary mentions: Basic Instinct, Good Will Hunting; Trainspotting.)
2000s: Brokeback Mountain; Crash; The Hurt Locker; Inglourious Basterds; Juno; Lord of the Rings: Fellowship of the Ring; Million Dollar Baby; Monster; The Pianist; Slumdog Millionaire; (Honorary mentions: Bowling for Columbine; Memento; Twilight.)
What else is missing? How about Boogie Nights, Seven, Sling Blade, The Crying Game, The Passion of the Christ, Drugstore Cowboy, In the Bedroom?


There really needs to be a better definition of Indie film since so many of these titles qualify as Dependies. Braveheart an Indie film? What counts as Studio Product? Inglourious Basterds only was funded and distributed by Universal.
Toxie is much more influential than Blood Simple.There is a Toxie cartoon show,Off Broadway Musical with David BryanBonJovi music,three sequels,Marvel comic books,about two hundred licensed toys,dolls etc,books,and now a PG 13 multi-million big budget remake by an Oscar Winning producer as per Deadline.com.Lloyd Kaufman is one of my favorite directors and he has influenced a generation of filmmakers all over the world.
Listen, if it wasn’t for the toxic avenger we would have never had Spiderman movies, Lord of the Rings, Kevin Costner, or even Samuel L. Jackson! Give the film its credit!
It’s what started the whole troma movement in the 80′s with that meteoric rise, Troma in turn discovered such talent as the above mentioned mega stars.
Now, I say that if it wasn’t for Lloyd, Toxie and Crew, there would be no Spiderman movie, or LoTR. How do I defend that?
Lloyd was a visionary, taking a small budget and making an incredible profit out of it, and making himself and his company at least known to any film buff. I honestly believe if the Toxic Avenger wasn’t such a big hit, that Sam Raimi would have never had the Evil Dead’s, and Peter Jackson would have never done Dead Alive, or Bad Taste (Both 1980′s ultra gory horror flics with small budgets that turned novice directors into multi-millionaire hollywood stars.
Its disputable, but for what it counts. Give Lloyd and the whole troma crew credit where credit is due.
TROMA FOR LIFE !
Well hoepfully now that Toxic Avenger iis on Hulu, more people can realize how truely great it is. Tits, monsters, and, people getting torn apart streaming for free. How do you top that? Granted, some would say the whole low-fi crummy VHS feel is the true nature of Toxy, and not a polished website, but the way I see it, the more people see Toxie, no matter where, the better.
Blood Simple not making the list is a travesty.
BLOOD SIMPLE is and always has been grossly overrated. A quality film? Yes. But overrated none the less.
Thank you.
Troma has been an inspiration to many young filmmakers since TOXIE had it’s tiny cultural explosion. Their ability to unapologetically make EXACTLY the films they want and be proud despite negative reviews is commendable to say the least.
Blood Simple is a great movie but to me, Toxie, is proof that if you want to make something happen, if you HAVE to tell a story, no matter what the content, it CAN be done and people WILL respond.
Completely agree, Frank, and also with your assessment, Mike. Toxic as the “Toxic Avenger” mention is (by now people should know that the appearance of conflict of interest is as bad as any actual conflict), worse is the pandering to studio-financed films. Lord of the Rings? Million Dollar Baby? Both terrific films I admire, but they got made as studio-committed movies.
As if IFTA would know what the best films are. They don’t do much for the indies. Offer no discounts for buyers on anything, same venue in SM, should move to Miami and NYC, let the world see the USA.
AFI has more of an insight.
Are you kidding me? This list is a joke. 90% of these are not “independent films”… Hemdale, Orion, New Line, Paramount, Cinergi… While the production companies may like to think of themselves as independent, that’s big studio money being spent on those films. “The Lord of the Rings” and “Braveheart” are independent?! Puhleeze!
Where’s “Clerks”? Where’s “The Blair Witch Project”? Where’s “Blood Simple”? Where’s “The Man From Earth”? Where’s “Once”? They need to rethink this list and what it truly means to be “independent”.
Clerks was unwatchable.
Thank you.
No Evil Dead or Evil Dead 2? Those films defined independent, several years before Sundance movies broe out big.
Actually, this list seems to consistently ignore the really major independent films of the 80s and early 90s that made a huge impact on the indie film market. In addition to El Mariachi and She’s Gotta Have It (good calls), where’s Stranger than Paradise? Where’s Roger and Me? Where’s Longtime Companion? And nothing from John Sayles — no Seacacus Seven or Lone Star or Matewan?
Not to mention seminal British flicks like My Beautiful Laundrette or Withnail and I.
This list is a joke.
Agree with all. We’ve just opened nominations for CulturalWeekly.com’s Most Significant TRULY Independent Films!
Why do people take these lists seriously. They are 100% subjective and when you have to choose 30 out of 1000 you’re never going to get any kind of consensus. They’re no more credible than who wins the Oscar.
where the fuck is jim jarmusch? this list is a joke.
Uh…. Twilight was an honorary mention?
I don’t think anyone views that as an “indie” film.
“Hey man, let’s head down to the single screen theater in bumfuck college town and check out this new indie flick, Twilight. After that, we’ll go to this killer taco stand – Taco Bell – it’s really authentic.”
With all the studio movies on the list, Twilight definitely deserves to be included considering that it is one of the only movies listed that was actually released by an independent distrib.
What about these wonderful films: ” Say Anything ” , ” Secret And Lies” , “Tigerland”, “In Bruges”, ” Election”, ” The Commitments” , ” Full Monty”, ” Like Water For Chocolate” , and ” Maria, Full Of Grace” ??
Hey DEADLINE – I thought one of the posting rules was “Don’t get your facts wrong” – so why let the retards play?…
That being said, um Jen, not even half the films on your stupid list are definitively “independent”. Election was released by Paramount for ball’s sake. Unreal you people.
Mark, you said a mouthful. “Toxie” is the closest thing on the list to a true independent film. Where’s Bill Sherwood’s “Parting Glances”? The 1986 film helped launch Steve Buscemi’s career (and a few others) and was one of the only movies (of it’s time or ever) to deal with people with AIDS (and finding the humor in the subject).
How is “Dances With Wolves” an indie movie?
Agreed with everyone above… to be independent the films have to be conceived, shot, and posted without a dime of big studio money. If they get distribution after that through one of the majors, that’s OK.
But mostly this list is crap.
Most of these are not independent films. Braveheart, Crouching Tiger Hidden Dragon, Silence of the Lambs? Might as well put Titanic in here.
No SWINGERS from the 90′s????? Blood Simple is a horrible omission.
To me, the real interesting thing about this list is it perfectly show the progression of Indie film that led to it’s demise.
The 80′s – genuine ingenuity.
The 90′s – honing that ingenuity to crossover mainstream. Indie films becoming more of a hybrid of Indie Spirit on Pop Culture pleasers.
The 00′s – Studio films masquerading as Indie’s. The studios killed Indie cinema.
A………………….MEN!!
The IFTA best indie list is a drive for credibility and new membership. Including the big studio financed films in this list bolster’s IFTAs spurious claim to have participated in the success of these films.
It’s really all about IFTA becoming largely irrelevant as the indie film market continues to crash and burn. We hear IFTA’s pre-registration for buyers for this year’s AFM is down 30%. Very few films sold at AFM ever get theatricals in international territories, as DVD sinks below the horizon, TV is the last hope which means MIPcom and MIP become much more valuable markets than AFM for indie film makers.
When the major euro digital platform suppliers hit black in 2012 you won’t need an IFTA, just upload your film on line and collect the small checks from each supplier.
Agree that at least one horror should be included, since they’re usually independently financed productions that launch bigger and better careers, but I’d argue they should have gone with Evil Dead or Halloween, both of which are far more significant in terms low-budget innovation. I do have a soft spot for Toxie, though, as a genre geek.
What a worthless, buncha-schlock of an article. The Toxic Avenger is a total genre-definer and just because you don’t enjoy it doesn’t mean it didn’t spawn, or at least help create, an entire genre of modern indie-gore-B-movie-with-a-heart type films. I wish I had the time/concentration to type out a more intelligent and relevant response but I’m hammering this out while also trying to take notes in my film studies class.
The Toxic Avenger was a great indie film. It spit in the face of big studios and created a cult classic. The Toxic Avenger has also inspired numerous filmmakers to take the plunge into the art and some of those people have become big names in the industry. To say that the movie had no redeeming value would be a lie.
Do they even know what an inde film is??? and why the knock on Troma. I have loved the “Toxic Avenger” since “Up All Night With Rhonda” was on USA. and what about “Citizen Toxie”??? that one was even better and still more Independent then most of those other films.Also, to anyone who hasn’t seen a Troma movie, through out the years many actors and directors got their feet wet in a Troma Production Such as Matt Stone and Tray Parker who first film was “Cannibal The Musical”.
And where the bleep is the “Evil Dead”
God, next year they’ll have Advatar and Harry potter on the list.
She’s Gotta Have It was the first film about a modern sexually independent black woman who wasn’t portrayed as a whore. It’s a landmark in both African American and feminist cinema, and it 100% should be on this list.
Both The Crying Game and The Blair Witch Project were so big in impact that their absence from this list is pretty shameful.
TWILIGHT…..An “honorable” mention. Are you F-ING kidding me!?!?!?! That film is about as independent as Die Hard With a Vengeance.
Braveheart was considered an “indie” film, and it REPLACED Trainspotting!?!?!?
This list is RIGGED!
WRONG. The Twilight Saga are 3 of the top 5 highest grossing indie movies of all time, and the 3rd one is the 2nd highest grossing indie of all time. Just because Summit has done as good a job with this franchise as any major has done with theirs doesn’t mean they’re not an independent. And if it wasn’t for all those Twilight profits, The Hurt Locker would still be languishing on a shelf waiting to go straight-to-Redbox.
Toxie is unbelievably significant;It presaged the “green” movement later exploited by Albert Gore.Toxie has influenced filmmakers all over the world: Eli Roth,Gaspar Noe,Takahashi Miike,ROBO-COP,SCREAM etc.among countless others.Also Toxie has 3 sequels,a cartoon show,an award winning musical with music by Bon Jovi’s David Bryan,and now an $80,000,000 remake by an Oscar winning producer,according to Deadline.com.How much more significant must an independent movie be?