
The Way Back, Peter Weir’s first film since 2003′s Master and Commander, has come off the board as an acquisition title before it screens in Telluride. Newmarket acquired U.S. rights and will distribute the film next January. It doesn’t exactly count as a real acquisition, since Newmarket is owned by Exclusive Media Group, which financed a film that was shopped for a long time. The cast is strong but the subject matter grueling. Colin Farrell, Ed Harris, Jim Sturgess and Saoirse Ronan star in the fact-based tale of prisoners who escape from a Siberian gulag and walk all the way to Tibet, and freedom.
It will be very interesting to see such tough subject matter in the hands of an iconic filmmaker like Weir, who has shown mastery on tough subjects in films like Gallipoli and The Year of Living Dangerously. Just as it will be interesting to see what Danny Boyle does with 127 Hours, where James Franco plays Aron Ralston, the hiker who was forced to cut off his arm after it was pinned for days under a boulder, and who then walked down the mountain and lived to tell about it.
Newmarket also acquired and will release through early next year prestige festival pickups Agora, Creation and Hesher. The indie community is hoping Newmarket can reestablish itself as a formidable distribution company–its past successes under other regimes include The Passion of the Christ, Memento and The Prestige–and those questions should be answered soon enough.


Outstanding, even eerie source material. I’m sure in Weir’s hands it will be amazing.
Oh, God…they don’t really have a great Oscar-track record, do they ? Hopefully it will all change with this film because quite frankly Weir is long overdue. He has 4 directing nominations, he is one of the very best today, even if he will be once again snubbed, his film deserves at least a decent shot at the Oscars. And that would require a decent marketing/Oscar campaign. Hopefully Newmarket will be able to provide it.
It’s Peter fucking Weir. He gets his movie on a screen okay? Okay. Thank you.
THE PRESTIGE was distributed by a little company called Disney. The only reason Newmarket’s name is on it is that they paid for the book option way back when Nolan was working with them on MEMENTO.
AGORA and CREATION have already been released–with a pair of tongs. Neither did any business.
Interesting to see how Newmarket will handle all four. But the fact that they couldn’t get a better domestic deal from Fox or Uni doesn’t bode well for this movie.
I wish them well, another viable indie distrib would be helpful to the whole indie biz.
Wow, all of us here in casting love Peter Weir.
He’s one of the greatest directors of our time and the most under appreciated.
Another great film (under the radar) that’s coming out next year is about a guy who sues the devil for $8 trillion. Everyone’s talking about this, too.
I’ve seen the movie and it is BRILLIANT.
Definitly should be a best picture nominee….The acting is supurb, particularly Jim Sturgess, and
the cinematography is gorgeous. I’m happy for Mr. Weir that this will be coming to theatres soon.
Curiously, for all the happy sanctimony implicit (or explicit) in Nikki and others’ TOLDJA posts, and your collective eagerness to laud – albeit often deservedly – your scooping and sleuthing, I’m surprised by how gleefully DHD has inhaled and regurgitated apparent publicist cum distributor spin.
I love Weir’s work so I’m elated we’ll see this one distributed somewhere other than Apple TV. Especially since it was orphaned for months; despite major stars and truly positive buzz. But to say that this doesn’t ‘technically’ constitute an acquisition understates how the byproduct of Newmarkets and EMG’s merger is being here repurposed as the kind of risky but enlightened assumption that could likely pay dividends; like so much Hollywood lore (see MEMENTO or THE PASSION). It also feels like the kind of complicity between Producers, flacks and press that supposedly afflicts the ‘lamestream’ Hollywood rags; but not DHD.
Sincerely,
Notavarietyreporter