
EXCLUSIVE: Platinum Dunes partners Michael Bay, Brad Fuller, and Andrew Form have moved their genre-making production company to WME. It’s a return to the fold after moving from WME and spending the last year at CAA. WME reps Bay as a director.
The move comes at a time when Platinum Dunes is moving into bigger budget fare after signing a first-look deal at Paramount Pictures. On their first seven films, Platinum Dunes averaged $18 million per film; the priciest was $30 million. They’ve had an enviable track record for covering their bets. Six of those films grossed their budgets on opening weekends, and two did so on opening night. Most were remakes of fright classics like The Texas Chainsaw Massacre, The Amityville Horror, The Hitcher, Friday the 13th and A Nightmare on Elm Street.
They’ll probably spend at least three times their highest budget rebooting Teenage Mutant Ninja Turtles, for which they just hired Iron Man scribes Art Marcum and Matt Holloway for a film the studio expects to be a tent pole-sized film on its 2012 release calendar. They are also making Ouija at Universal based on the Hasbro board game. Also at Paramount, Platinum Dunes is developing Upgrade, based on a pitch from Smallville creators Alfred Gough and Miles Millar; there is a sci-fi alien project for Bobby Glickert to direct at around a $12 million budget, and they are remaking the 1987 film Monster Squad. Bay, of course, is working on a third installment of Transformers for the studio.


Smart move.
Sounds like those guys have been printing money over there.
Seems like the wrong time to be increasing budgets. They should stick with making horror films in the same budget range they’ve been operating. I wonder if this means they won’t be making anymore horror films outside possibly of the board game adaptation?
And this is the thanks that CAA gets for taking you from a commercial director (and I’ll admit that I liked the “Aaron Burr” Milk commercial) to a tentpole director with a production company set up.
Way to stay classy, Michael Bay, you’re a real piece of work.
please.
simpson & bruckheimer took him there–not caa or any other agency/management.
Read the entire comment, Anonymous… Bay has been repped by WME for years.
Bay has been at WME as a director for years… This is about Platinum Dunes which was also with WME but they went to CAA for a year and then decided to go back to WME. It’s all pretty clear in the article.
Anonymous, you must be confused because your facts are straight up wrong. Platinum Dunes was put together at WME, where they came from before going to CAA. This is their homecoming, and now rightfully back where they belong. CAA did nothing for them, and WME is their future.
Great. Would love to see them make one good movie instead of shittier versions of the classics. And don’t point to box office as a measurement of quality. McDonalds and porn make money too.
jealous much?
CAA seems to steal away the nobodies and has beens from WME and elsewhere, this is the second BIG TIME steal from CAA by WME — the first being Steven Spielberg’s TV production unit. The last MAJOR steal CAA had was Reese Witherspoon in early 2007 and, despite still being an earner, she’s on the way to has been status given the crappy films she does.
These are companies/people, Bay/Speilberg, who actually MAKE MONEY, LOTS OF IT. Stealing away Rosario Dawson, etc. means nothing.
interesting. didn’t seem like caa was servicing pd well. can’t say i’m surprised
You are heros of your craft