UPDATE 2PM: The Final Live+Same Day ratings just came in. Veterans Dancing with the Stars (5.1/13 among adults 18-49 in the finals), Two and a Half Men (4.9/12) and House (4.2/11) as well as rookie Hawaii Five-0 (3.9/11) all gained .1 from this morning’s fast nationals, while The Event (3.6/9), Castle (2.7/7) and Chuck (2.0/5) dropped .1, and Chase (2.3/6) was down .2. (NBC’s early numbers were boosted by an NFL game in New Orleans.)
9:30AM: And they’re off! The broadcast networks last night began what is shaping up to be one of the most competitive seasons in years. The opening night featured the premieres of 5 new series airing against Monday Night Football on ESPN. No blockbuster out-of-the-gate hits despite heavy promotion for Hawaii Five-O and The Event. But three of the rookies did solid business: the new Chuck Lorre comedy for CBS Mike & Molly (3.9 rating/10 share in adults 18-49, 12.2 million viewers overall), the Hawaii Five-0 reboot on CBS (3.8/10, 13.8 million viewers), and NBC’s The Event (3.7/9, 11.2 million). One did just OK: NBC’s Jerry Bruckheimer-produced drama Chase (2.5/7, 7.9 million). And one flat-out bombed: Fox’s much-lauded Lone Star (1.3/3, 4.1 million).
Here is a rundown network-by-network:
For me, one of the biggest surprises of the night was how well Two And A Half Men did. In its eighth season, which hung in the balance when star Charlie Sheen threatened to walk away in the spring, the veteran sitcom drew a 4.8/12 in 18-49 and 14.5 million viewers, up 7% from last year’s premiere, which faced a two-hour House. As expected, its new lead-out, new comedy Mike & Molly, was down from what the time slot’s predecessor, Big Bang Theory, did last year (-17% in 18-49). Nevertheless, its 81% retention of Men‘s demo lead-in against heavy competition is respectable. It was better than the 72% retention the last new series, Worst Week, did in its premiere behind Men. Similarly, Hawaii Five-0‘s numbers at 10 PM are solid and it won the hour but was down 12% from the season premiere of CSI: Miami in the time slot last fall. CBS opened the night with How I Met Your Mother (3.6/10, 8.8 million), which was flat with last fall, followed by Rules of Engagement (3.1/8, 8.3 million), which was down 6% from last fall’s premiere of the short-lived Accidentally on Purpose. Overall, CBS was solid second for the night in adults 18-49 (3.8/10) and total viewers (11.9 million)
At 9 PM, The Event was up 68% from the underwhelming premiere of Trauma in the same period last fall. The drama starring Jason Ritter scored NBC’s highest non-Olympic rating in the hour since Feb. 2 2009. At 10 PM, Chase was down 17% from the last scripted premiere in the time slot, My Own Worst Enemy, in 2008. (Vs. the inflated Jay Leno Show premiere last year, it was down 53%.) At 8 PM, the fourth season premiere of Chuck (2.1/6) was down 19% vs. its spring season premiere last year but up 17% from its May season finale. Overall, vs. premiere Monday last year, NBC was up 12% in 18-49 and 40% in total viewers, though the network’s fast national numbers were probably inflated a bit because of NFL coverage in New Orleans last night.) NBC edged Fox for 3rd place in 18-49 (2.8/7) and total viewers (7.3 million)
Bristol Palin and the ghost of Patrick Swayze drove the Dancing with the Stars premiere to a 5.0/13 in 18-49 and 21.9 million viewers overall. It was up 22% in the demo from last fall’s premiere (but down 22% from the spring cycle’s debut.) It did particularly well in the young demos, logging its highest-rated premiere in 3 years among adults 18-34. At 10 PM, Castle (2.8/8) was up 22% from last fall’s premiere for its best numbers since April but may have been inflated by a DWTS overrun. Overall, ABC posted its most-watched opening Monday in 11 years and won the night in 18-49 (4.2/11) and total viewers (17.7 million).
The season premiere of House (4.1/11, 10.5 million) was down 37% from its two-hour debut last season. Lone Star was the lowest-rated program on the Big 4 networks by a mile, squandering whooping 69% of its House lead-in and bleeding profusely from the first to the second half-hour. This marks a drastic reversal of fortune for Fox, which finished fourth last night (2.7/7, 7.3 million) after winning its first premiere Monday last year.
Against stronger competition and following a soft season premiere last week, Gossip Girl (1.5/4 in 18-34) was actually up in the 18-34 demo by 7% last night. It was also up by a sliver in total viewers with a 1.9 million.
TV Editor Nellie Andreeva - tip her here.




I don’t see the Event lasting, and 5-0 is going to need more than that Cylon to get me to watch week to week. House and 90210 are still by far the best shows on Mondays.
90210, really? I caught a glimpse of it last night and what I saw was atrocious!
90210……Are you 16? If so, then that makes sense why you would like such an awful show as 90210. WATCH REAL TELEVISION PLEASE.
Lonestar. Unclear title, fuzzy marketing. People tune in for characters and story. I couldn’t tell what it was from the marketing campaign. And if I dug to find out, the story was unclear. It’s a shame, because the writing was so strong. It’s the climate — if you wanna get through the clutter, you gotta have a simple, clear message.
“the writing was so strong”…?
Wow. It really does take all kinds. Newsflash: the writing blew.
Lone Star was by far the best of all the new series…
Writers take note, if you wanna write character, don’t sell to Fox.
The best? Pilot script was incredibly boring and overpraised and the complete rejection by the audience, I hope, does not go unnoticed at Fox. I fear a season of critics bemoaning the lack of viewers for another dull drama (like they do about Friday Night Lights) that real people just don’t give a crap about. So over hyped.
Amen, brother. Amen. I cut out after 10 minutes to watch Family Guy reruns instead.
Yeah, there some lines that were terrible. I enjoyed it, but it was not great. He pulled a trademark con at the well, and his dad said he has never seen anyone with moves like him. A couple things like that made me roll my eyes. Hope it gets better. Been a big House fan for the past year, but I thought last night’s episode was absolutely terrible. The Event was good. I’ll dick with it. Hawaii 5-0 was just horrendous. The characters seem like they came out of a cookie cutter. It is Lost minus the great characters and story. I feel sorry for Jin. Looks like he may have to move back to the main land.
Terrible marketing for Lone Star… a sexy shot that could have come from an old James Bond film. Nothing to make you want to learn more.
HOUSE was horrible last night. Badly written like an episode of Grey’s Anatomy. No mreal medical mystery, just billing and cooing with House and Cuddie and other flirtations from the subs. Not a good direction. Please end this show while we can still remember it as a brilliant Sherlock and Watson medical solving cases.
Agree. And it moved at a snail’s pace. The lead-up promos included scenes that weren’t even in last night’s show — they’re in next weeks. Sex like watching paint dry. Moving on.
HOUSE did not “jump the shark”, it was swallowed whole!
Ditto. I DVR’d House and I fast forwarded over the Cuddy/House scenes, only watching the bits when House picked up his phone to talk to someone interesting. Note to Networks: Sex isn’t automatically interesting… it’s the process and tension of two people getting to sex that’s fun to watch.
Jimmy Wolk is not a star. He is way way too freaking young, shallow and inexperienced. Dude looks like a puppy, not a star you hang a show, let alone a network, on. LONE STAR was a great script – seriously, it was THE BEST. Too bad it was ruined by an inexperienced actor we were supposed to believe has the life experience of a guy in his 30′s or 40′s, and a couple of actresses who lead with their chests, not their talent. Whatever agent/agency jammed these crappy actors down our throats did FOX no favors and crapped on a project that HBO or AMC would’ve easily turned into an Emmy winner. No wonder American actors constantly lose roles to Australian or English actors – at least they’re trained, and look/act like human beings, not mannequins. This should’ve been a winner – and it was ruined by the same boring, irresistible impulses that have driven viewers to cable for quality storytelling. Another nail in the coffin of broadcast. Good job, FOX!
I couldn’t agree more about inexperienced actors. That said, I’d take late 30s – 40s over late-20s any day. Same thing for The Event. Sorry 20-something execs but it’s hard to care about 20-somethings on a cruise, drinking fruity drinks on the beach. The reason I loved Lost was they were (mostly) adults experiencing real life adult problems.
I will never again waste half an hour of my life watching The Event. I know it’s an hour show, but I only lasted for the first half. Talk about not living up to the hype. It was just plain dull. The Chase was bad and the ratings reflect that. Mike & Molly has promise.
Same. It sucked. It was like it was trying to be too many shows at one time. You have to start somewhat simple at first to introduce viewers to characters, then and only then do we care what happens to them. It probably won’t last long.
it’s a shame that the networks can’t seem to launch classy well done shows anymore. LoneStar would work on cable, and well. I don’t understand TV audiences anymore, and i certainly don’t know why they’d rather watch drivel than stuff that is well written and has a lot of heart. Then again, only a tiny portion of (non DVR watching) people in the U.S. are determining what millions of people are watching, which sucks. When are they gonna make the ratings system more accurate?
Lone Star:
Thanks for tanking, as I just about dry heave whenever I’m forced to drive past a billboard for this stinker.
All the shows that Fox makes in Texas bomb and they always will.
Hollywood is the place you make quality TV shows.
Buh Bye “Lone Star”.
Uh, dude: Prison Break? Get your facts straight.
Uh dude, where is “Prison Break” now? Answer, it went the same place “The Deep End” went. BTW “Prison Break” moved around to different cities. It wasn’t a Texas right to work show. I work on the Fox Lot and “Prison Break” was on Stage 5.
FOX promos are all about information, never about emotion. People need more than a boyish con man smiling in every shot to buy in. Who are the women in his life? Male, male, male. And if they’re all watching football…
The Event was great…lets hope NBC doesn’t kill it off or try and get involved with production.
Hawaii Five-O was very surprising. I wasn’t expecting such a big budget action show. Len Wiseman did an amazing job directing the pilot.
Lonestar – It’s on the DVR. I hope to get to it tonight.
THE EVENT is a sad, unoriginal, sloppy mash-up of 24, LOST, and FLASH FORWARD. I don’t see this series lasting very long.
A promo that aired a few minutes prior to The Event beginning was “24 + Lost = The Event” I laughed so hard, they hope on getting the viewers from both shows. Besides I agree, it seems they rushed this project quickly in hope of getting some sort of Sci Fi show on TV.
No sci-fi element at all until about 58:50. Just a dumptruck of character intros and setups and teases, but nothing happened that you couldn’t have gleaned from the promo campaign. (Oh, and they ripped off the we-never-heard-of-you-on-this-ship thing from CAPRICORN ONE, Hyams / 1977.) The pace had better pick up fast.
I’m willing to stick with it for the first few episodes, but I wish the pilot had manned up and revealed who the prisoners were. From the conversation between Blair Underwood and Zeljko Ivanek (“releasing them will make a lot of Americans nervous”, “they’re not Americans but we are dammit,” “we don’t know if we can trust them” etc.) they seemed to be obviously setting up for a “the prisoners are aliens!” reversal. Given all that teasing, that would’ve been a better final reveal than the plane vanishing.
How come the crappiest network always gest desperate then puts on the minorities? NBC – The Event, Undercovers, Outsourced.
Really?! ABC has had Grey’s, Private Practice, the other canceled Taye Diggs show, TWO canceled Chi McBride shows, Lost, Ugly Betty, Flashforward, V, a crap load of other moderately diverse shows and they don’t seem too desperate.
I would not chalk NBC’s spotty casting of non-white people to desperation. In short: shut up.
It’s hilarious that ‘The Event’ made it to air. The pilot spec wandered around town a while ago and everyone hated it. Another bomb for NBC and the clueless people at Madhouse.
HATED 5-0. Tuned away at the half mark. I’m a drama writer and I think they made a huge mistake with the whole “you killed my dad” backstory. That gets old old old, real fast. The greatness of the original 5-0 was the bones of a great weekly cop show with an interesting ensemble and of course, the Islands. I’m terribly disappointed and probably won’t give it a week 2 try. If this is the series, I’ll choose Castle for Monday at 10.
I don’t think it counts as a backstory, because he killed that mofo at the end of the episode. I think it just set up the meeting of the characters.
Unless I totally missed something.
You only missed the part where the previous poster stated that she turned the show halfway through; she didn’t see the resolution.
I watched 5-0 for Daniel Dae Kim and Scott Caan, but I still find Alex O’Loughlin devoid of all charm. He’s hot, but he doesn’t make me care. Just a very dull actor.
I DVR’d this and haven’t watched it yet, but I don’t think O’Loughlin’s lack of charisma (although I agree with you– he has none) will hurt the show. Jack Lord was the weakest link of the original and it didn’t hurt it any.
As to backstory of “you killed my father,” it is trite and the show will no way recapture the thrill of the original. But it’s for the revenge motive, because the “mofo” of course is not dead. No body found. Now it’s you killed my Dad vs you killed my brother. This Hess character is supposed to be the old Wo-Fat character who would show up from time to time in the Islands to harass McGarrett. I just hope when they name themselves it’s not a bad pun on “you five, oh.”
The “new” version of Hawaii 5-0 is a metaphor for what is wrong with America today— no adults in charge.
Perfect example of these too hip for the room “Peter Pans”, is the moment when the Kono character — politically correctly changed from a tough guy to a cutesy 20 something girl— about to graduate from THE POLICE ACADEMY, punches a surfer on the beach in the face who accidentally got in her way in the ocean whilst hangin’ ten.
Believe this to be ASSAULT AND BATTERY even in Hawaii.
Of course, the new McGarret whom the Governor believes possesses the maturity to lead an elite state police strike force— and apparently does not own a suit and tie— promptly hires her!
Since when is incorporating a hot chick who spends most of the episode nearly naked “politically correct?” I swear, anytime a previously male character becomes female or a white character changes ethnicities certain people (ahem, white men) start crying “PC.”
LONE STAR is one of the best new shows of the season, but it was suicidal for FOX to program it against DANCING…, TWO AND A HALF MEN and THE EVENT. I mean, come on – it had no chance. They need to move it. (Though as soon as audiences realize THE EVENT has to do with aliens, its ratings will plummet. What a mess of a show that is.)
HOUSE continues to be one of the best written, acted, shot, directed, edited and produced shows on TV, though. Loved last night’s left-turn off-formula premiere payoff to last season’s punchline. Great work.
LONE STAR was great, can’t wait to see where this story is going!
Love HOUSE – don’t understand why they didn’t start off with 2 episodes back-to-back, though. First hour Huddy love-fest and Remy send-off, second hour dash into the new reality. I really wish they had.
PS – totally underwhelmed by this lame-o nerd Jeffrey. I know the hype about his internet persona, but sincerley hope we won’t see him ever again. Cuddy would hire this guy and keep him? Really? Somebody tell me he won’t come back. Please.
House took a nose dive in the ratings. I really thought H50 was going to do better. From all the hype, I thought it would pull in NCIS numbers. So far, Outlaw and Lone Star look to be the first cancellations.
Anyone who refers to 90210 as the best show on any day or in any universe instantly loses all credibility.
Second that!
Infinity that.
Lone Star lost me with the magazine ads; which reminded me of a cheap romance novel. I was disgusted to see that people still can’t get enough of Charlie Sheen, scumbag that he is. I was a little disappointed in Castle’s numbers; head to head Fillion is a better actor than O’Loughlin; but Caan and Kim did an excellent job of carrying him.
O’Loughlin is a terrible actor to begin with.
Lonestar has to be one of the most poorly marketed shows this season so it comes as no surprise that no one bothered to watch it. Just compare how aggressively NBC pushed The Event or how CBS went all out for Hawaii Five-O to the tepid promotional campaign for Lone Star. I saw ads for The Event everywhere; NBC pushed it on all it’s sister networks, televised football games, countless websites, magazine ads, billboards, posters, talk show appearances, even movie theater ads. I could probably count the number of ads I saw for LoneStar and all of them were during the few times I happened to be watching Fox this summer.
Frankly, I’m glad the ads for Lone Star sucked – at least they were honest.
Dear FOX, If you want people in middle America who seem to think the only television channel is CBS, you need to do more grass roots marketing there. No one in my home state of Colorado knew that this show even existed. So don’t be surprised by it’s lack of ratings. Hopefully those of us who are telling our friends on facebook to watch it, will help build some ratings for you. Sincerely, Lone Star Fan.
Watched Lone Star last night based on the rave in the Times and was reasonably impressed with the show and the script especially. But wouldn’t have tuned in otherwise because I had no idea what it was about from the Fox Publicity Dept.
And really hated Five-O. Just another cop show with too-macho actors yelling in each others faces. Lame supporting cast. What a waste of Daniel Kim.
How the hell did Fox pick up Lone Star instead of Breakout Kings???
They are completely different shows, it is hard to compare. But, I totally agree.
As a script, Lonestar was superior because it was really different. But, after seeing both pilots months ago, Breakout Kings really surprised me. It translated much better on the screen. Lonestar was the opposite. It was a snooze. This is not a network show.
Network television keeps lowering expectations and standards – not sure why we’re expected to believe Lone Star, 5-0 or Detroit 187 are going to be any better than the middling shows they’re replacing (how edgy or compelling can a network series be, with corporate and sponsor limitations?)
Lowest-common-denominator, middle-of-the-road storytelling just can’t compare to what’s emerging on basic and pay cable. can’t imagine network models will last much longer – and glad to see ‘em go, if these shows are what they offer.
Spot on! Like we’re just supposed to sit here and be obediant and turn on the clicker when ABC puts out shows like: Detroit 187, My Generation and…..wait for it……No Ordinary Family.
Who wants to watch this SHITE!??!?
As soon as I was really enjoying “Lonestar” last night I was certain it would bomb and be yanked after three.
I was fine with FOX’s marketing of it, and combined with the good reviews, I knew just enough about the show but didn’t have everything spoiled. God forbid we actually tune into a new show and actually be surprised!
Loved Castle, loved Chuck, tried to watch 5-0 but frankly, the testosterone is ridiculous as is the cramming down the viewers’ throat of the the snarky buddy cop show set somewhere exotic. I taped Chase and plan on watching that tonight. And I’m looking forward to it! The reviews have been decent and the promos were great. I haven’t even seen the show and I hope it gets a chance.
Agree with you about the snarky 5-0. HATED IT. Please everyone just pirate HBO and watch the pilot of Boardwalk Empire again. Seriously. This network stuff is so terrible. The Chase? The Defenders? These shows are from hunger with no real wit or original story.
Do they think we are total idiots? Clearly the answer is yes!
the marketing of lonestar was all wrong judging by those posters alone. who was the show supposed to appeal to? if it were men, they got it wrong by casting a guy who looks like a young twit getting more tail than he deserves (if they’d cast a fat, older schlub they might have done better as more guys could relate to that!). if it were women, it’s a big turn off again – a poster of a young twit fooling two interchangeable looking babes and getting more tail than he deserves. what’s to love?
Spot on.
the marketing of lonestar was all wrong judging by those posters alone. who was the show supposed to appeal to? if it were men, they got it wrong by casting a guy who looks like a young twit getting more tail than he deserves (if they’d cast a fat, older schlub they might have done better as more guys could relate to that!). if it were women, it’s a big turn off again – a poster of a young twit fooling two interchangeable looking babes and getting more tail than he deserves. what’s to love?
Ladies and gentlemen,
NETWORK TV IS OVER.
Expensive, unoriginal, hackneyed filler.
My favorite of the year: CHASE, a 80lbs blonde with wind blown hair and a gun says: “I’m gonna get you, criminals!”
I watched the CBS line up for most of the night and wish I could get that time back. Rules of Engagement is the least funny show on television and I have never liked 2 1/2 men, and it was ridiculous that they continue to play up Sheen’s drinking and carousing, given the fact that in real life when he drinks he usually hits women. Mike and Molly was a decent show but most of the jokes were fat jokes and only half of them didn’t bomb. I can’t imagine they can sustain this show. 5-0 was so bad, I didn’t make it more than 15 minutes into this cliche crapfest.
What ever happened to great stories, and memorable characters, and multi-layered emotional relationships that twist the “guts” out of life? Too many writers, producers, etc. have relationships through their I-pods and computers. That’s not where life happens. Sorry.
Just goes to show you that the critics know nothing. Lone Star was unwatchable (if you could even get past the first commercial break) and it so desperately wanted to be a movie that it was painfully obvious. Which begs the question…does anyone know if this was just a busted Weitz brothers tv project? Just pathetic.
THE EVENT may have been a bit derivative and cheesy, but it’s totally entertaining and that’s what broadcast tv should be about these days…
Either way, nobody knows anything and that’s the bottom line!