
EXCLUSIVE: Writer/director Richard Shepard has teamed with producers Sean Furst and Bryan Furst to launch television production shingle Olé. The new company has already set up two series projects, including Corkscrew at Showtime, which Shepard is writing and directing. Both projects are produced by CBS TV Studios which will handle Olé’s development under Shepard’s overall deal there.

Shepard’s spec Corkscrew, which he describes as “a black comic look at marriage,” was one of the firsts script that new Showtime entertainment president David Nevins read after he joined the network 2 months ago. It represents Emmy-winning director Shepard’s first foray into TV writing. (On the feature side, he has written and directed such features as The Matadors and The Hunting Party). In fact, Corkscrew was first envisioned as a feature before Shepard converted it into a TV series project with the scripts for the first 2 episodes written on spec.
Olé ‘s other project is an untitled medical drama from writers Jennifer Levin and Sherri Cooper, which recently sold to CBS. Shepard, Sean and Bryan Furst are exec producing with Cooper and Levin.
Shepard, who won an Emmy for directing the pilot of Ugly Betty, has also helmed the pilots for CBS’ Criminal Minds, and its upcoming spinoff Criminal Minds: Suspect Behavior. Shepard said he had been looking for awhile to parlay his experience directing pilots into a TV producing operation and now feels he has found the way to do it with the Fursts. “Sean and Bryan and I bring a creative edge to producing that can help drive smart, character-based shows from initial idea to realized series,” he said.
Shepard first worked with Sean and Bryan Furst on his 2006 film The Matador starring Pierce Brosnan, and the three recently reteamed on the HBO documentary I Knew It Was You: Rediscovering John Cazale, which Shepard directed, and the Fursts executive produced. ”We’ve gone to the ends of the earth with Richard, and now we’re going into television with him too,” the Fursts said. On the TV side, the duo are executive producing the Epix pilot Tough Trade, which is still awaiting a series pickup while the pay cable service is trying to get additional carriage.
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Congrats to all; may the marriage rear success.
Sean and Bryan are two of the smartest, most dedicated guys I’ve met in this town. They have a great eye for material and truly seem to love what they do. I have a feeling that these projects are going to be the first of many…
Any news on “Tough Trade”?
Interesting. I don’t think Nevins could care less about the quality of the script. He got a script with a writer with a credit so he made a deal. If you look at many of the production deals writers get today it’s often made by execs. just happy to have a script or project from writers with credits. Doesn’t matter if the credits lead to films or tv that made money and in fact lost money. That’s the silly part. If many of these “writers” submitted their scripts under a no name, none would be purchased. Come on, you think Nevins would have made this deal with this writer if it were sent to him with the name Tom Thumb on the cover?
Oh yea, congrats to all. Well deserved. Best producers and writers out there today.
In response to the previous poster, I don’t know anything about the quality of Corkscrew but the field is certainly extremely unlevel. A writer with a sale or two but no real credits has to write an infinitely superior script to a more established writer’s script and then hope to get lucky that someone will notice and the stars will align. It’s very dispiriting and no doubt some truly talented writers quit out of frustration or the need to earn money while some very mediocre writers have shining careers because they were better connected or simply got a break someone else didn’t. I sold my first pilot script to a studio when I had no credits, so I know it does happen, but man is it hard. I think you just have to have faith that good work will eventually get noticed and keep plugging along. Focus on what you can control and try to have a sense of humor about it. And if none of that works… go to law school.
I Love the Furst brothers. These guys are a rare combo. Super smart, great taste and talent loves them.
The Furst’s are dopes. Look what they did to Overture.
That’s what Shepard gets for leaving Gersh. WME knows how to make a deal and Shep can do it all. Nice to see him work in TV. Watch out Mark Webb. Sorry Lonestar.