
EXCLUSIVE: It has been a decade since Robert Zemeckis last directed a live action film, the classic Cast Away. It has been 25 years since he launched the time travel trilogy Back to the Future. I’m told that Zemeckis is plotting a return to both folds at Warner Bros, where he is at the center of a deal for the time travel pitch Timeless. It’s a big tent pole picture that will be written by Mike Thompson. Zemeckis and his ImageMovers will produce. Deal is mid six-figures.
Zemeckis and ImageMovers have been cozy-ing up with Warner Bros since Disney shuttered its Marin County animation facility ImageMovers Digital earlier this year. Even though Zemeckis once seemed comfortable directing pictures exclusively in the 3D performance capture process he pioneered in Polar Express, Beowulf, A Christmas Carol and the upcoming Beatles pic Yellow Submarine, Zemeckis has lately been rumored to be kicking the tires on such live action projects as Superman.
Since we’re in time travel mode, Thompson is best remembered for teaming with Brandon Camp and the spectacular deal made for their script Steinbeck’s Point of View. Warner Bros and the late Steve Reuther’s Bel Air paid the writers $700,000 against $1.5 million, with Camp to direct and Thompson to produce. When Tom Cruise wanted to star, they were paid a $2 million against $4 million deal to step aside, along with bonuses and other blind commitments that had them potentially poised to earn more than $8 million. Of course, Cruise then dropped out, the picture never happened, and they settled on the money. The team split last year and since then Thompson has scripted Oh Happy Day for Johnny Depp at Warner Bros, and he did a rewrite of The Last Summer of You and Me for Warner Bros and producer Denise DiNovi. He’s repped at ICM and Madhouse Entertainment, Zemeckis by CAA.
As for the prospect of Zemeckis returning to the live action fold: if he’s got another Cast Away or Forrest Gump left in him, welcome back Z.


thats great news. tired of him doing those Capture Motion 3D Movies
Really, Mike Fleming? “If he’s got another CAST AWAY or FORREST GUMP left in him, welcome back Z.” THOSE are the movies you want to see him make? Not BACK TO THE FUTURE? Not ROMANCING THE STONE? Not even CONTACT?!? CAST AWAY was meh, and much like FORREST GUMP does not really withstand the test of time. They are both overdone and sacchrin.
Mike Thompson owes me $24 for “Love Happens”
The “classic Cast Away?” Could we reserve the word classic for films that don’t involve emotional attachment to volleyballs?
You out-quoted me sir, very nice, made me laugh!
simply put, yay. the man’s movies have heart, which so many films seem to lack these days. maybe bag the computers for awhile, mr. z., and call the new process E-motion capture. waka-waka-waka.
Thank God he’s headed back to live action. I liked a few of the motion capture films, but he is too good a filmmakers to only dabble in that arena. Can’t wait for what’s next.
I sincerely hope he does Superman. It needs someone with a grand vision.
Hell yes.
If Warners isn’t full of complete drooling morons, they will make this happen. Superman needs someone with a grand vision. Someone capable of thinking in a giant scope. Their floated indie director list was sad and pathetic. Completely the wrong direction. Those directors might do a fine Batman reboot, all dark, contemplative and insular. But they can’t touch the grandeur, hokey Americana, big heart, big scope, eye-popping effects, and jaw-dropping action required of Superman.
“the classic Cast Away”
Not sure I would use the adjective ‘classic’ for CAST AWAY Mike. Forgettable or plodding is more accurate.
re “Forgettable”… If the movie was forgettable, you wouldn’t be on here (twice!) bad mouthing it, you would have forgotten it.
seems obvious, no?
“Forgettable”= “easily forgotten”. Yet we all remember CAST AWAY… Which is why Fleming refers to it as a classic, btw. B/c everyone remembers it.
Physician, heal thyself.
Show em’ how it’s done, Z!
“This is a job for Superman!”
or better yet, “Superman is the job for Zemeckis!”
He is the only director suggested so far that I trust with something as big and bright as Superman.
Zemeckis directing Superman would make me die of happiness. Just lay down and die. Epic. Amazing.
Personally, I’d be thrilled to hear he’s directing SUPERMAN. I did not enjoy a single minute of his animated work, but I consider him a national treasure as a live action filmmaker. The significance of BTTF to GenX and the Milennials can hardly be overstated. As an early 90s tour guide at Universal Studios and someone who’s hired several Milennial assistants, I can tell you straight-up: BTTF has shaped global perception of American culture than ET or JAWS.
Plus, he’s very tall. Welcome back.
Since when did we designate CAST AWAY as a classic?
What a butthead. Would be great to see him making movies with real people again. Superman would be my choice, but even a BTTF 4. Anyone, anyone?
Exactly wow I didn’t realize its been that long since he’s done live action. Back to the future finally makes it to blu ray in October and special movie theaters are gonna show it too.
His film What Lies Beneath (filmed in-between Cast Away shoots, BTW) is one of his best films, IMHO. The Back to the Future films are fun, but What Lies Beneath is the real classic.
If the glory days of a real ‘classic’ like Back to the Future are to return, then the team of Bob and Bob (Bob Gale) should reunite.
I think he’s still got it in him. Come on Who Framed Roger Rabbit 2!!!
Don’t forget Roger Rabbit, the incredible feat that took more than 2 years to finish. It rivals any accomplishment made in the last 30 years, especially now in the world where everyone lands on the CGI crutch.
I wish he would’ve been tapped for The Dark Tower instead of that bore Ron Howard
Bob’s kinda busy with the BTTF video game (since it’s going to be 5 episodes). Wonder what kind of movie Timescape will be like. Will it be like BTTF, Timeless, or Primer.
BTTF & Primer = Freakin’ Awesome!
Timeless = Meh, but worth watching.
Why should Zemeckis give up on Performance Capture? It was a revolutionary process, perfected by Avatar. Now is not the time to quit. Now is the time to make more technical improvements. I am angered by this news of Zemeckis “giving in” to the majority.
Imagine if video game makers quit in the early 90s because of the criticism of “bad graphics?” I shudder to think.