
EXCLUSIVE: Two months into the job, Showtime entertainment president David Nevins is already hard at work building a development slate with some big-name auspices. Among the latest to sign up for projects at the pay cable networks are Mark Ruffalo and Anthony Edwards who are working on a drama project together, and Jeff Daniels and Timothy Busfield, who are collaborating on another project, Happily Ever After, which would star Daniels.
Zodiac co-stars Mark Ruffalo and Anthony Edwards co-created and will executive produce the Showtime project. There is hope that they may also star but that is still unclear as Ruffalo’s feature commitments may get in the way. Weeds writer/executive producer Roberto Benabib is writing the script set in the morally ambiguous world of media crisis management and centered on two partners running such a firm. CBS TV Studios is producing. It was was during the filming of David Fincher’s 2007 movie Zodiac, on which they played partners Inspector David Toschi and Inspector William Armstrong, that Ruffalo and Edwards hit it off and began talking about possibly doing another project together. They remained close and kept bouncing around different ideas for potential TV series until they settled on the one about a crisis management firm and brought in Benabib, who has been developing it with them. The three and Cheryl Dollins will executive produce the project, which expands Benabib’s relationship with Showtime where he has been a key writer-producer on Weeds since the beginning. Ruffalo next co-stars in Joss Whedon’s The Avengers. Edwards, who has been focused on features since leaving ER in 2002, most recently executive produced HBO’s Emmy-winning film Temple Grandin.

Daniels and Busfield co-created Happily Ever After, which was written by Daniels. It would star Daniels as a Michigan factory worker who quits his job to pursue music. Busfield is set to direct the potential pilot, with him and Daniels executive producing. In addition to his acting career, Michigan-native Daniels is a playwright, songwriter and a touring club musician. Like fellow thirtysomething co-star Peter Horton, Busfield has build a solid second career as a TV director-producer.
At Showtime, Nevins recently greenlighted his first pilot, Homeland, from 24 showrunner Howard Gordon, and has also put in development projects from ER executive producer John Wells and director/producer Richard Shepard. He also recently renewed the network’s comedies Weeds and The Big C.
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All seven people who were given deals were white men. I hope David Nevins will find a way to support female voices the way Bob Greenblatt did.
I agree. These deals sound great but not very diverse. Showtime got to where it is via minority shows, Soul Food, Queer as Folk. Time to show some love to the people who got you where you are.
Oh GOD. Seriously? Showtime makes two deals and you already pull out the racism/sexism card? Give me a damn break.
Projects rise and fall on the strength of their concept, their appeal and marketability. Showtime’s running a business, not an arts-grant foundation striving for gender and race equality. More deals will come down the road, and if the concepts meet the business criteria, they’ll be bought. Everything else is secondary, including the gender/race of the creators.
So I’m sorry if your screenplay hasn’t sold yet. I’d recommend a rewrite, and not bitching about how the system’s screwing you.
I think I just fell in love with “This crap again”. Call me!
While it is true there is a disparity in minority deals. You have a point.
I think we [writers of color] need to also make sure we are not writing to the very stereotypes we gripe at seeing produced which gives our scripts that been there done that in the first three or four paragraphs. I’d pass on it too!
Too many writers in general get stuck in formula land [often this is the main networks [beyond cable], exec formulas at work, but for the pay check many conform I might do the same if I was in that situation times are tough…
I truly believe that if what you write strikes a chord, if it is inventive, creative and says something, anything a little differently then it has been said, from a point of view [good or bad] with depth of vision, it stands a chance of getting scooped up.
I have seen a lot of ethnic shows that seem to feel the only stories we or anyone else, is interested in seeing, must deal with baby daddies, crack hoes, gangsters, rappers troubled families, urbanism etc.
But not all of us experience/d that. It is not our lives, so our stories are different. I would like to see those other stories represented more often. But who says all we can write about is our stories anyway unless you’ve got some point not yet made we get it already….
What I would like to see! Go deep into our folklore and rituals etc and pull up something unique without dumbing it down.
Showtime has been a staple for me in programs I tune in to watch.
And when my script is tight enough you’ll be hearing [or watching] from me
Are they reading specs yet?
Reality Check to No Go: Have you been living in a cave for the past 7 years? Showtime didn’t get to where it is with QAF and Soul Food. Ever heard of a few of these: Dexter, Nurse Jackie, The Tudors, Weeds, United States of Tara, The Big C?
Not everything is about race/gender. These guys are all proven commodities in film and TV. That’s it.
There’s no inherent prejudice here, it’s just Hollywood. I’m a minority and even I’m getting sick of this. Yes, white men thrive in Hollywood AND EVERYWHERE else. Deal with it.
If Denzel and Thandie Newton wanted to do a project at Showtime, I’m sure they could. If Queen Latifah and Jamie Foxx wanted to set something up, I’m sure it would get greenlit in 5 seconds.
They’re just all too busy being movie stars and already head their TV careers.
QAF and Soul Food didn’t make Showime the powerhouse that it is. Sorry.
I totally agree and to be honest, I was not a big fan of soulfood,
I am still waiting for a show with a cast predominately of color /or not…. that tells a story I have not seen played again and again on the big n small screen already…I want a western, or a horror, or an I don’t know what, but something different then, the, he/she cheated, he beat me, he’s a bad baby daddy or leave them gangs son do it for your mama [repeating myself now I know but you get the point] There were shows around that did that. Some were sitcoms Cosby, A Different World, Living Single, [I am a woman I like my chic shows too] others were at the time ground breaking Fly Away Home …..So it can be done!
Showtime and AMC better worry about HBO again thanks to Boardwalk Empire (which has a metacritic score of 88) and Game of Thrones. Both shows will receive a buttload of Golden Globes and Emmy nominations.
No one is talking about Boardwalk. No one trashing it — it’s not a John From Cincinatti — but somehow, it doesn’t seem to be setting the world on fire.
I love Boardwalk Empire [Buscemi is amazing] and I love the whole concept of a period piece. Pulled from actual history of course with a lot of artistic license I am sure, but yes so good!
Neither of these concepts is all that interesting. Shoshone wanted to be involved with the talent, that’s why they took them. If a regular Joe came in with the same idea, they’d be politely passed on. THAT’s Hollywood!
Misogyny and racism is so entrenched in the white boys network of TV and film they don’t even know it’s there.
Then you point it out and they get defensive like the Jim Crowe era entertainment types writing these comments.
The reasoning commenters use reminds me of the reasons African Americans weren’t allowed into Ivy League colleges. Or become doctors or lawyers.
You guys are weak and pathetic and you hold the cards. It sucks.
Oh, This Crap Again, you really believe Hollywood is a meritocracy? It’s not. So let me explain what’s important about observing that they’re are no projects from women. David Nevins has just taken over a network. His first deals send a signal to the community. So far that signal is: white men over 40…welcome! I’m not saying Nevins is rejecting others. I’m not saying those people aren’t worthy. But based solely on the information provided by this blog post, it seemed worth pointing the inequality out. How does that offend you? (Or perhaps the more appropriate word is “threaten.”)
Holy shit, they ARE all over 40! That’s awesome. I guess ageism is dead! Long live racism and sexism!
The critics love Boardwalk Empire and so are a lot of people on Twitter.
Roberto Benabib is one of the good guys. Always glad to see him succeed.
Roberto Benabib is a mediocre writer and mediocre human being who should floss more.
Yes! Thank you Vic. Benabib has crept along by knowing the right people. He has no clothes. Never have I seen someone do so much with so little. But in this business that is a talent in and of itself.
Although there are plenty of handouts being given today and the sense of entitlement is at an all time high, I have just this to say, “earn your turn”. It is not only the way it should be, but it feels pretty good too when you get things based on your merits and not on some sort of program that slips you the “free meal ticket”.Racism, sexism, ageism, blah, blah, blah. If something is worthy and relevant (not regurgitated with smoke and mirros), it will transcend all those barriers. Showtime has been doing something right for some time now and based on all that I’ve read, it will likely continue under the “new guard”. Imagine if we started criticizing Obama after just a few months on the job…give the guy a chance…then take out your soap box.