
After years of languishing in last place in the fall before coming to life in January with the return of American Idol and 24 to win the season, Fox turned the lights on in a big way last fall. There was the introduction of Glee, solid performances from its returning shows led by House, and an ALCS championship and World Series won by the Yankees. But this fall, the network has returned to its old struggling ways, leading the broadcast networks with the steepest ratings declines for the first 4 weeks of the season, down 12% in adults 18-49 and 8% in total viewers. It’s been a rough fall for Fox from the start, with the shockingly low-rated premiere of the now-defunct new drama Lone Star on the very first night of the season. Fox was at a disadvantage going into the season as it was saddled with the less watched NLCS championship this year as part of its arrangement with TBS, in which the two finals alternate between the two networks. And then on Friday, the Rangers beat the Yankees to become ALCS champions and make it to the World Series for the first time — a great feat for the Texas team but a big blow to Fox as Yankees-less World Series generally draw significantly lower ratings than those with the MLB’s marquee franchise in them. Also, the NLCS final on Fox failed to go to 7 games this year, with the deciding 6th game falling on the least watched night of television, Saturday. (Fox still did respectable business last night with a 3.0 rating in 18-49 and 10.2 million viewers.)

There have been bright spots: sophomore Glee is on fire, topping all network series this fall, and reality veteran Hell’s Kitchen is doing solid business on Wednesdays, the only reality series to grow since its season premiere this season. But beyond that, things have not gone well, with new series mostly faltering (though Raising Hope has showed promise creatively and has received a full-season order) and returning series mostly soft, including flagship drama House. And then there is Friday where Fox is practically nonexistent, with The Good Guys falling below Dollhouse levels, most recently logging a 0.6 demo rating this week. On top of that, Fox has embroiled in a nasty carriage dispute in the country’s biggest market, New York City, where the network has been blacked out in some 3 million Cablevision homes for the past week. (On the bright side, the impact of the blackout on Fox’s World Series ratings would not be as great with New York’s home team out.)
The problem with the ratings declines this fall is not isolated to Fox. ABC is down 8% in 18-49 and 4% in viewers from last fall, its new series have largely misfired (ABC is yet to hand out its first full-season pickup), and its returning shows are also down year-to-year. Even CBS, the most successful broadcast network this fall that has dominated the ratings race for the first 5 weeks, has slipped below last fall’s 18-49 levels by 1%. (It is still ahead in total viewers, by 2%). With red-hot football season this fall and dismal ratings performances for its shows last fall that makes for favorable comparisons, NBC is running higher in 18-49 (+1%) and total viewers (+3%) despite middling performances from its series this season. As a result, Fox, ABC and NBC are all currently tied for second place in 18-49 with a 2.8 rating, trailing leader CBS (3.3).
But, unlike ABC or NBC, Fox has a lot to look forward to in midseason. While ABC no longer has reliable midseason replacement Lost waiting in the wings, and NBC has no Olympics like last year to carry the momentum when its football coverage ends, Fox has American Idol, which, even if it continues to decline, is still expected to deliver respectable numbers. And it also has a little sports event called the Super Bowl.
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I don’t know . . . Simon’s gone, so American Idol is going to be a lost puppy. The show is overdone already, and with an overpaid ‘Jenny from the block’, a male/female former rock star and Randy-the- bore many have already given up. And then there’s Seacrest.
If any of the networks program against AI they might find gold. I’m sticking with USA and their goodies – Burn Notice, White Collar and the rest. Also, Warehouse 13. Nope, don’t need American Idol.
AI is going to at least going to have a “new car smell” going for it, so it won’t be too far off. IMHO, I think the quality of the singers they choose will be the real tale. Even fans of the show say last season’s people were woefully faceless and this years’ AI Live tour played mostly to half-empty arenas. (Well, the shows that weren’t canceled that is)
Simon will be missed, but I don’t think judges will affect the ratings as much as the talent.
And they aren’t purchasing the high-action 24-esque shows they need for next season. They continue to dig…
I think you’re underestimating ABC’s midseason a bit, with Mr. Sunshine and a winter run of Wipeout on tap.
American Idol gets about $700 K per 30 second spot, about what the Superbowl gets. It adds about 200-300 mil to the bottom line every year says FT.com.
BUT … all nets are facing the same problem. No guys watch their shows, which are shockingly female skewing (save Fox’s Sun Animated block and Chuck, Fringe). That’s thin butter spread on toast when problems happen. And problems always happen.
AI gets about 5-6 hundred thousand per :30. The Superbowl goes for about $2.3MM.
Excellent point. I wonder who’s running the networks. Their choices for programming, and unwillingness to hang with some programs (like cable will) is bizarre. Oh well, their lost money, not mine.
“American Idol gets about $700 K per 30 second spot, about what the Superbowl gets.”??? What are you talking about?? The Superbowl gets millions for a 30 second commercial. American Idol doesn’t even come close.
“shockingly” low rated Lone Star premiere? who could have been shocked by that? it’s a texas soap opera? what decade is this? how did this piece of junk even get picked up?
What’s more shocking is how well it tracked with critics before premiering. Somehow, people who are paid money to know better actually LIKED it.
It’s a good thing Fox seems to be actively developing new animated shows. Decent cartoons can perform solidly for decades. No reason to only produce enough for one night a week of programming.
The question is, can animation survive otuside of Sunday nights. Yeah, I know the Simpsons used to be on Thursdays, but that was ages ago. Attempts to copy the Fox Sunday strategy have fallen flat. (Take “Bob, God and the Devil.” Please!)
Animation that people WANT TO WATCH can survive anywhere. GOD, THE DEVIL, AND BOB was not something people wanted to watch. Animation wasn’t the problem, the concept in general was. If it was live-action it probably would’ve done even worse. That’s the kind of high concept that works better in a movie, not on TV.
Historically, the only kind of animation that adults have proven to want to watch in network primetime are comedies about relatable human families (THE SIMPSONS, KING OF THE HILL, FAMILY GUY, AMERICAN DAD, THE CLEVELAND SHOW, etc). Yet whenever other networks have tried to “copy” Fox’s success with animation, in almost every case, not only are their attempts NOT about human families, they’re not even about humans! CAPITOL CRITTERS, FISH POLICE, FAMILY DOG (not GUY!), FATHER OF THE PRIDE, etc. I think many adults feel too childish watching talking animals in primetime every week, so of course these attempts weren’t successful. They didn’t have a chance.
But there’s no reason to believe that animation can’t succeed outside of Sunday nights. It just has to be funny, relatable animation. (As opposed to God and The Devil making a bet about some guy named Bob.)
It’s also important to note that the most successful primetime cartoons in history all sprang from the creative vision of a CARTOONIST. Matt Groening (THE SIMPSONS, FUTURAMA), Mike Judge (KING OF THE HILL, BEAVIS & BUTT-HEAD), Seth MacFarlane (FAMILY GUY, AMERICAN DAD, THE CLEVELAND SHOW). All cartoonists! They didn’t just create their characters, they DREW them. Yet most animation attempts by other networks seem to be creations of live-action TV writers who have no experience in animation.
It does not help a cartoon’s chances for success to be created by someone who is not a cartoonist. Shockingly, cartoonists seem to know best about how to make cartoons people will want to watch. Crazy.
I think Idol could post a bigger decline than the past few seasons – possibly in the 20-25% range. There has been so much hype around it that I can’t see it totally flatlining. But even if you take the top end of that prediction, it will be averaging something in the 6.0 region – for 2 hours a week from January-May. That’s still huge.
Throw in The Superbowl, Glee (fuelled by Idol lead-in & a Superbowl showing)and the reliable Sunday animation block, FOX should win this season with ease.
And do their fall woes really matter? They only ever brought back shows like Human Target, Fringe and Lie To Me so as they had some cannon fodder when they have to clear some space for The X Factor and Terra Nova.
Words out of mouth.
I only got to watch ‘The Good Guys’ and was shockingly surprised at hour the series is. And then you’ve the awful time slot. It would be a perfect fit at USA.
Fox has major esp. given how steep ‘House’ has declined. We may all be surprised at how well ‘Idol’ does.
Glee does very well, but FOX is in for feeling what ABC felt when Alias followed the Superbowl. Both shows have/had their hardcore fanbases, but outside of that, I don’t see a Post Superbowl Glee doing well.
They should have just given the spot to a Family Guy/American Dad special cross over episode and called it a day.
“American Idol gets about $700 K per 30 second spot, about what the Superbowl gets.”
I think you missed out the words “a third of”. American Idol is very big but it’s not Super Bowl big — national spots at the game go for around $2m per 30 seconds. And given that Idol is going through something of a reboot, what will happen this season is very much in question. It wouldn’t surprise me for this to be AI’s last season.
The Super Bowl is one broadcast of 3.5 hours. American Idol is about 16 weeks or between 32-35 hours. While the Super Bowl is nice, it’s still only a one time event per year.
Kevin — nothing on Fox is sexy. I don’t mean overt. House was in it’s first seasons very sexy. Ally McBeal was sexy.
By aiming for guys in scripted you lost women.
Women viewers give you buzz and ratings.
Stop being a guy network.
A men and women office show like Ally would still work on your network.
You need shows with spin like House.
Different but not obvious.