Tarak Ben Ammar’s Quinta Communications has brought the Doha Film Institute aboard as a co-producer of Black Gold, the Jean-Jacques Annaud-directed feature that began production in Tunisia on October 18. DFI, making its first foray into a major international feature production, will provide a mix of equity, services and locations. Even though the $55 million picture is directed by a French helmer, Black Gold is shaping up to be groundbreaking for a film that is back by Arabs with subject matter about them. An adaptation of the Hans Reusch novel The Great Thirst, Black Gold stars Antonio Banderas, Tahar Rahim, Mark Strong, Freida Pinto, Riz Ahmed and Liya Kebede. The drama is about the rivalry between two Emirs in Arabia in the 1930s, just as oil is being discovered, and the rise of a young dynamic leader who unites the various tribes of the desert kingdoms. The film is being earmarked for Christmas, 2011 release, and Warner Bros has signed on to distribute in France, UK, Latin America and the Middle East, while Universal Pictures International will release it in Germany and Spain and Quinta’s Eagle Pictures has Italy.
“One of the goals of Doha Film Institute is to support and showcase Arab storytellers and expand the reach of Arab films globally,” said DFI executive director Amanda Palmer. “Since our launch five months ago, we have been looking for film financing opportunities that provide unique educational experiences to Qatari youth, and it was important for us to find a production to film here. Black Gold will enable us to give Qatar’s young talent hands-on experience on a major international production, so that we can train and develop a skilled film community here in Doha and then build an infrastructure regionally to capitalize on growing global interest in Arab cinema.”


More so than the premise of the film I applaud the stated goals and objective. Hollywood need not be the only option. Especially when you’re loaded with cash and the industry gives you its ass to kiss. At the end of the day if there’s money to be made telling your own stories from your own perspective to your own market then to hell with everything else. Bollywood is all the proof anyone needs.
Ammar and Annaud have a really bad record of making bad films. If you look at the films Ammar’s produced, he seems like an Avi Lerner in terms of quality. And Annaud’s are mediocre and boring. While the talent attached is top notch and the story definitely sounds intriguing, I’m very pessimistic about the film actually being any good. Ammar should seek out a better director if he wants to enter the big leagues of producers making quality films.
@Bad track record:
Are you out of your mind? You _dream_ of having a resume like that of Jean-Jacques Annaud. Sorry your attention span is not up to the task of such a beautifully realized film as NAME OF THE ROSE.
Better get stick to answering your bosses phone @Bad track record, ’cause you really gotta get through that call list before running home to “Dancing With the Stars,” right?
WHOA – this post disappeared from yesterday….how come, I’m just debating the guy above using criticism and examples??? Ok, I edited a couple things out, so please don’t erase this time…
I have to agree w/ Bad Track Record. THE NAME OF THE ROSE was 24 years ago, and it was pretty good, but quite dark – and it’s not like it’s a classic everyone still talks about. SEVEN YEARS IN TIBET, while visually appealing, was too long and didn’t live up to the hype, or the film it could have been. ENEMY AT THE GATES was forgettable – ok performances by good actors, showing again, the director is just mediocre. As an investor, I certainly wouldn’t stake $55 million on this guy.
Lets look at Ammar now. Sure, he was an EP on LIFE OF BRIAN over 30 years ago. But then he produced the Polanski bomb PIRATES, the awful DePalma FEMME FATALE, the critical and box office bomb BALLISTIC: ECKS VS. SEVER (great title by the way, NOT), HANNIBAL RISING – the worst of the Lecter films, and VIRGIN TERRITORY, which was absolutely dreadful (Tim Roth appeared in the film as if he could have been drunk or high on drugs the whole time he was shooting), which is why it went straight to DVD without a release, despite having STAR WARS boy Hayden Christensen. This guy produces awful, awful films (recently).
So I really do not have faith, based on the producer and director’s track record, that this will be any good. Hopefully, I will be proven wrong, as they have an excellent cast and I’d love to see a good story…
With you 110% on this one, Mr Scoon. There are more stories to be told than in all of Hollywood. Given the distribution involved so far it will at least get out into the market. I’m hoping it avoids the obvious cliches and stereotypes because it could be a very solid flick.