
In a pretty cool interview that Michael Mann gave to Financial Times’ Matthew Garrahan about his experience directing and exec producing the David Milch-created HBO series Luck, Mann dropped on Garrahan that he’s close on two features. Now, I’ve heard that the collision of alpha males Mann and Milch (not to mention Dustin Hoffman and Nick Nolte) on the set of Luck had the kinds of macho exchanges that could have been scripted by David Mamet, but hopefully the result will be another memorable HBO series. As for the features, FT reports that Mann is mulling a medieval European tale about the build-up to the 15th century battle of Agincourt between England and France. The other is a Chicago crime tale, Big Tuna, the story of Tony Accardo and his successor, Sam Giancana. I’ve spoken to Mann about the former project, which is based on Bernard Cornwell’s Agincourt, a bestselling novel that focuses on a young man with a death sentence on his head who is saved when his skills with the bow catch the attention of king Henry V. The archer develops into a warrior and falls in love with a young woman whose virtue he saved from a lecherous priest, and he becomes the portal to the bloody Battle of Agincourt, made famous by Shakespeare’s Henry V. Last time Mann tried this kind of historical stuff, the result was the classic The Last of the Mohicans. And the last time he plied organized crime in Chicago, it was in the TV series Crime Story. Feels like Mann fans can’t lose, either way.


I love period pieces but another Mafioso pic?! There are so many dimensions to the criminal underworld rich in material. Why not do something different for a change?
The mob mystique is so overrated. Years ago I was a member of a “coalition” in NY and we showed up on union/mob controlled construction sites in minority communities and demanded employment using very impolite language. Our success rate was high and our guys often got into the unions as a result. I’m so tired of these damn fairy tales. These guys are just like anyone else. They put their pants on one leg at a time.
You are a numbskull…..if in Chicago you crossed a line that you weren’t supposed to cross you wouldn’t get a job, you’d get a trip to the ER….and it doesn’t matter how tough you think you might be
Actually, the last time Michael Mann did gangsters in Chicago was last year’s boring Public Enemies.
who would in their right mind let this guy direct again? hasn’t he lost enough money for studios? miami vice/public enemies anyone?
mj
Mike, happily for you, ignorance is bliss. Mann has made many, many hits. lose on a few……win many.
I love Michael Mann, but if you do the math, he has lost far more money for studios than he’s ever made.
That’s a result not of his material but of the enormous budgets and cost overruns. Months over schedule on Public Enemies. He is simply not fiscally responsible.
As a result, his “hits” have been only modestly successful, while his misses have been ruinous.
He didn’t come in months over, he came in ahead of time because of a looming strike he needed to avoid….I worked on the movie as a teamster and the movie was a very high budget shoot with a lot of fluff, but thats what you get when your in demand….he’s made as many good as bad….THIEF-COLLATERAL-MANHUNTER TV SERIES CRIME STORY-MIAMI VICE….He’s made his share of money or they wouldn’t still be throwing it at him
So finally the remarkable life of Robert Capa – or, from what Mann says, at least a vivid part of it, will be made into a film. Since Mann paints on a large canvas – and since Capa was a larger-than-life icon – it seems like a marraige made in heaven.
PLEASE let Mann find a movie to direct so that he can leave LUCK to the very-capable hands of David Milch.
MM-is one of America’s finest film makers. It is just the fact that American Film goes would spend their money on JackAss 3D
than “Insider” one of the best movies the last twenty years.
And when you take the time to see “Heat” you understan the levels this man shoots on. There are very few of these types around.
BTD
Love Michael Mann…
But really disliked Public Enemies… like to the point of shutting it off and almost forgetting it was ever made.
But keep em’ coming, Michael! You’ve got quite the track record.
i just hope he’s not shooting digital again, because P.E. looked TERRIBLE… shamefully so for such a great director/dp combination.
@ Chris… In actuality Public Enemies had almost nothing to do with organized crime/ the Mob. It was about bank robbers. In fact there is only a brief mention of the Mob. It’s a shame the American movie going audience is too dense these days to even discern what is on the screen they are watching. Ask someone what they thought of Apocalypse Now(FFC) and they seem to to think it is about the Vietnam War, nothing more.
Mann is one of the few filmmakers today who still subscribes to an ethos of making meaningful, entertaining, and powerful films. Unfortunately the audience today would rather see a bunch of rice burners sliding around corners or comic book characters jumping onto moving helicopters.
Thank God we have Nolan, Mann, Boyle and the handful of others who actually inject meaning and thought into their films as opposed to the CGI, action driven films that studios seem to be in love with. That being said, if Agincourt is a go look out for the 3-D arrows popping off the screen.
In Hollywood directors and actors are damned if they do and damned if they don’t,ie; make movies that make big money and are purely commercial driven projects and or make films that are worth doing ,but may not be crowd pleasers. Michael Mann is a fine film maker and he has , in my opinion made films that are great to watch and savor.You know that the cineplexes need more, zombie movies, animated animal flicks,fantasy super hero/comic book movies and projectile-vomiting raunch comedies. Don’t those films make money?
A Mann film about Chicago politics (1960s, 1980s, present day — whatever) would be much more exciting than a film about the Chicago mob.
Forward Pass, if you read this: think Daley the First, think Royko, think 1980s and Harold Washington and aldermen.
you can’t do a movie about Chicago politics that doesn’t involve the mob. Hell, they were the same thing for decades. 1st ward, remember them? And who were they?
Can’t wait to see the 14′th century shot on HD. Keep up the good decision making MM!
Michael Mann is a great director. The digital format has been his downfall. The HD playback and his perfectionist nature, keep him behind the monitor doing take after take. It’s great for the crew, who make loads of money in overtime.
He would be better off shooting like Clint Eastwood, without monitors and on motion picture film.
Tony Accardo (Joe Batters, Big Tuna) was “the man” when it comes to organized crime in Chicago (known as the Outfit) for nearly 50 years. If anyone can tackle his story it’s Chicago native Michael Mann. There’s a movie here… can’t wait to see how (or if) it actually develops. Chicago mob stories are so much richer than NY. In regards to the above comment about Chicago politics… really? Chicago politics and the mob are one in the same my friend.
If I had a script I wanted made, I would want Michael Mann to direct it. Nobody works harder, nobody does more research than him. He knows his craft, and yours too.
After the dreadful mess he made with Depp as Dillinger this bombastic hack with the big budgets can only deliver large and loud. His films are little more than big helium balloons-big, colorful and empty.
A perfect fit however for our dumbed down society I must add with great chagrin.
Sad to see so many know-nothings deriding Mann’s films. Just shows you where movie goers have left their brains. “Heat” and “Manhunter” alone secured his reputation. And why no mention of his wonderfully matched scores in all his movies??
So go to your Cinema 64-screen theater, eat your double butter popcorn, suck down a 50 oz. Coke, and watch the schlock being fed to the public… but try to recognize a real film maker when you see one. Thanks.