One of the most successful creatives ever to work in the television business has died. Rockford Files and The A-Team and 38 other shows producer and writer Stephen J. Cannell passed away at his home in Pasadena last night due to complications associated with melanoma. “He was surrounded by his family and loved ones,” his family said. He was 69. Cannell also was the bestselling author of sixteen novels, most recently the critically acclaimed Shane Scully series and the newest installment, The Prostitute’s Ball, will be released on October 12th.
The Emmy and People’s Choice award-winner was also a savvy businessman. In 1979, he formed his own independent production company, Stephen J. Cannell Productions, in order to achieve creative control over material he was writing and producing. Seven years later, he formed The Cannell Studios to oversee all aspects of the organization’s operations. Having surpassed the $1 billion mark in production outlays, the studio experienced remarkable growth and diversification in producing films, mini-series, and commercials, merchandising, and first-run/off-network programming. As Chairman of Cannell Studios, Cannell fought his entire career to protect independent TV production from being swallowed up by the networks. Unfortunately, his was a Quixotic quest against Big Media’s power.
Still, in a career that spanned three decades, he created or co-created more than 40 shows, of which he scripted more than 450 episodes, and produced or executive produced more than 1,500 episodes. His hits included The Rockford Files, Greatest American Hero, The A-Team, Hunter, Riptide, Hardcastle & McCormick, 21 Jump Street, Wiseguy, The Commish, Profit, and the hit syndicated shows, Renegade and Silk Stalkings. Cannell still owns the worldwide distribution rights to more than 1,000 hours of Cannell-produced series and TV movie’s.
Cannell was less successful bringing his TV shows to the big screen. Unfortunately, Fox’s release of The A-Team this summer as a major motion picture was also a major disappointment for the studio and filmmakers as well as Cannell who received a “crated by” credit. One reason the film’s too-long development process that included no less than 11 writers got so screwed up is that the then studio executive in charge of the film, Alex Young, did everything possible to keep Cannell away from the project even though he was the genius behind the TV show who had script and story approval on the pic. Finally, director Joe Carnahan brought Cannell back into the process, but it was too late. Despite Cannell’s illness, his studio is developing new television projects and producing a slate of independent films as well as feature films of Cannell TV shows including 21 Jump Street and The Greatest American Hero.
Instantly recognizable from linking his face to his shows (that shot of Cannell running paper through a typewriter as if he’d just finished another TV script was his signature), Cannell also made many TV cameos and, as an actor, had a recurring role on ABC’s Castle.
Additionally, Cannell was the author of the novels The Pallbearers, On The Grind, Three Shirt Deal, White Sister, Cold Hit, Vertical Coffin, Hollywood Tough, The Viking Funeral, and The Tin Collectors. At First Sight, Runaway Heart, The Devil’s Workshop, Riding the Snake, King Con, Final Victim, and The Plan.
During recent years, Cannell received numerous career honors including the Paddy Chayefsky Laurel Award from the Writers Guild of America, and the Marlowe Lifetime Achievement Award from Mystery Writers of America, the NATPE Brandon Tartikoff Legacy Award, multiple Saturn awards, the 2008 Final Draft Hall of Fame Award, which recognizes entertainment industry luminaries who foster the art of screenwriting, as well as the Caucus for Writers, Producers and Directors Producer award. Having overcome severe dyslexia, Cannell was spokesperson on the condition and an advocate for children and adults with learning disabilities. His web site is www.cannell.com.
Editor-in-Chief Nikki Finke - tip her here.


whoa. The typewriter goes silent. Condolences. We’re losing a lot of people lately.
Damn, that one shocked me! I didn’t know he was sick. Cannell was one of TV’s greats, and he segued into a good mystery writer too. He’ll be missed.
RIP Mr. Cannell. You will be greatly missed. This is a sad day, indeed. Your wonderful work influenced a generation. Quite simply, one of the greatest TV producers ever.
Some years ago, I was privileged to attend his book signing at the Tattered Cover in Denver. Mr. Cannell was so genuine his presence immediately filled the room. He spoke of his inability to spell and how he dealt with that. He also shared his rouine of writing early morning, then heading to the studio. When Mr. Cannell was asked to reveal his favorite actor with which to work, he was again the gentleman saying each actor brought different talents to a project. I have commented many times how fortunate I was to visit the man behind the typewriter. He remains one of my favorite writers/producers. You simply can’t replace the man or his gift. RIP
What a shocking loss.
Cannell was not just a great TV writer and producer but a wonderful novelist too.
A great guy who could still deliver on time and under budget.
RIP
This is very sad news. He was a terrific writer/producer. He had a hand in so many shows that I loved throughout the ’70s and ’80s. From “Adam 12″ to “Rockford Files” to “The Greatest American Hero” to “Wiseguy,” well, the list is extensive. My heartfelt condolences go out to his family, friends and fans.
Steve was one of the finest people and writers in the business and very loved. It was a gift to work with him and call him my friend. I will miss him deeply.
OMG!!!
Not Cannell!
He wrote like a streaming water fountain.
He was the writer’s writer.
May his soul circumambulate his creator enthusiastically for perpetuity.
I hope his writing art and creative talents ever trickle down from the realms above to me as his gift back to the evanescent world.
A true legend – blazed a trail for all to follow. He will be missed.
Cannell was a great producer and a brave man: I saw him testify against media consolidation at an FCC en banc hearing in 2006. He told how his shows were held hostage by network gatekeepers who wanted to own everything and give nothing. He spoke openly and articulately — at great risk to his career — showing that he was more concerned with the public’s right to watch than the conglomerates’ right to control.
RIP Mr. Cannell. I met him in the early 90′s. Very nice man. Very giving. Very inspiring.
When I came to California, in 1975, to manage the play SOUVENIR, (Shubert Theatre-Century City), written by George Axelrod and Peter Viertel, starring Deborah Kerr and Tony Musante, I mentioned to Tony, and his wife Jane that I was interested in attempting to write for television.
They sugggested I call Stephen Cannell and use their name as my entree. (Tony starred in the 1973-74 TOMA for Cannell.) Much to my surprise, it was a successful telephone call, and he asked me to see him at Universal. We chatted, and he suggested I try my hand at writing a Rockford episode. It was a bust on my end, but he had went gone out of his way to see me. He was a generous individual. RIP.
Mr. Cannell was one of the most prolific people in television. His legend will live on forever. In a climate of television plagued with so-called “reality” shows, he will be missed more than words can express. RIP.
I will never forget him. May he rest in peace.
A really decent guy and a friend to the working writer. When he Exec Produced the first series on the first night of the brand new Fox Network — yeah, 21 Jump Street — he wouldn’t give in to substandard non-network rates and resids. He simply said he couldn’t hire writers who could get the job done without it.
This wasn’t a union move, it didn’t affect his bottom line by much of anything — it was just one guy standing up for the people who worked for him.
25 years later I still remember the thrill when he knocked on the door to my office (his building, his name on the top, he still knocked) and congratulated me on an episode I’d the night before. Between his support and the guidance of Executive Producer Patrick Hasburgh, I learned more about writing in 2 years than I could anywhere, while I able to make a decent living and get started in the business.
When I think of the people along the hallway of the building who have since run networks, been nominated for Oscars, and Exec Produced their own hit shows, I can only think about Steve backing and supporting us all along the way.
A decent guy in a business that rarely is. Wish I still had a typewriter, so I could pull a finished page out out and toss it in the air in his honor. RIP.
Nice tribute and anecdote Jonathan. Thank you for sharing. Another class act is lost to a business increasingly devoid of mensches.
– bobby the saint
This is a huge loss for our community. He was one of the great icons of our industry and his impact as a creator is obvious, but the quality of his decency and collaborative nature was unparalleled and is ultimately the tragedy of him being taken so early from us.
I was provided with a writing scholarship from Mr. Cannell while an undergrad at USC, which helped pay my tuition. He was a great guy. Inspiring. Generous. Down to earth. He’ll be missed.
Sad & surprising news. His shows were schlock but the best schlock on TV for the time. His novels were better. Condolences to all who love him.
Great man, great shows.
His legacy is made and won’t be forgotten.
As someone who became a good friend of Steve after developing network shows with him, this is a very sad day indeed. Steve was a talented and obviously successful writer, he knew how to create hits and was shrewd enough to own most of them. Steve reinvented himself as a prolific novelist, and he never lost his wonderful sense of humor. Most importantly he was loyal and enormously proud of his wonderful family who were there with him early last evening.
God Speed my friend.
Condolences to his family. He’ll be greatly missed and it would be impossible to understate his contribution to television.
Damn… Rockford Files was one of my favorite shows as a kid… FYI – F/X’s Terriers is what the revamped (and failed) Rockford Files should have been…
I wonder what Cannell thought of The A-TEAM films?
Stephen J. Cannell was the rarest of men on the planet, let alone in Hollywood. He was a wonderful writer, a generous producer and a true gentleman. Much will be written of and said about him in the coming days and all of it will be laudatory because he led an exemplary life.
It’s been a long time since news has made me this sad. But I know I’m not alone. Personally he touched thousands of lives; professionally, millions. The world is a little darker today.
My love and condolences to his family.
- John McNamara
I hope there will be a longer write-up than this! Here is a man who helped change TV. A-Team will always be trotted out, but he also did Tenspeed & Brown Shoe, one of the best series ever on TV (so of course it got mishandled and canceled). He did Stingray. He wrote scripts unlike anyone else — they always contained what TV at that time hated: reality. Which made them hugely funny (Rockford complaining how his hand hurt after punching someone). He was also damned astute: he saw his days in TV were numbered once GE was allowed to buy NBC and the walls between program production and program ownership fell. He saw the game was fixed and bailed. He was an inspiration to many of us on the outside — a Cannell production *meant* something, in the way a Jack Webb or Quinn Martin production meant something. Who the hell is “ABC Studio Productions”? R.I.P, Cannell. You will be missed.
Did not see that one coming. Wow.
I’m stunned and saddened. A giant, Steven J. was a great guy and a tremendous writer with a wonderful sense of humor. He will be deeply missed. My thoughts and prayers are with his beautiful wife and family.