
Things seem to be settling down on Tuesdays, with most series reaching their ratings comfort zones. After across-the-board declines last Tuesday, last night all but 2 shows stayed very close to their last week’s averages and, in some cases, bounced back. That includes the entire CBS lineup as all of the network’s dramas went up a notch. CBS tied Fox for the the top spot on Tuesday for first time this season, expanding the network’s nightly winning streak this fall from Wednesday-Friday to Tuesday-Friday. (CBS is also breathing down ABC’s neck on Monday, finishing .1 behind this week.) NCIS
(3.9/11, 19 million viewers), NCIS:LA (3.5/9, 16.1 million) and The Good Wife (2.6/7, 11.8 million) all went up .1 rating point from last week, with NCIS:LA and The Good Wife winning their hours in 18-49 and NCIS once again drawing the largest audience for the night (and probably for the week, football excluded.) CBS averaged a 3.3/9 in 18-49 and 15.6 million viewers, tying Fox in 18-49 for No.1 and winning outright in total viewers.
The two series, both freshman, that posted double-digit drops last night were ABC drama No Ordinary Family and Fox comedy Running Wilde. In its third week on the air, No Ordinary Family (2.3/6) was down 15%. Vs. last week’s fast nationals, it was down 12%, which is a more accurate comparison since the superhero family drama added .1 in the finals in each of its first 2 airings. The Dancing with the Stars result show (3.4/9) featuring the dismissal of Jersey Shore star Mike “The Situation” Sorrentino, was up .1. New drama Detroit 1-8-7 (1.8/5) was virtually flat. Last week, it posted a 1.8 in the fast nationals, before dropping to 1.7 in the finals, something it may do again over a possible Dancing overrun.
Fox’s Glee (4.6/13) was even with last week and will probably pull ahead by .1 in the finals judging by the pattern from the past few weeks. It was once again the top-rated program on Tuesday among adults 18-49. Raising Hope (2.6/7) was also virtually even with last week when the recently renewed new comedy posted a 2.6/7 in the fast nationals before adjusting down to a 2.5. Fellow freshman Running Wilde (1.5/4) was down 17% from its fast national result last week, which also went down .1 in the finals.
After a declining streak since its season premiere, NBC’s The Biggest Loser (2.6/7) seems to have found the bottom, bouncing back with .1 uptick in 18-49 from last week. Parenthood (2.0/5) slipped .1 from last week, finishing second at 10 PM. The show is a big DVR gainer, recently adding 37% to its premiere week tally. NBC finished fourth on the night in both viewers and 18-49.
Endangered CW sophomore drama Life Unexpected showed spunk for a second consecutive week. Its One Tree Hill crossover episode last night drew the show’s biggest audience this season (1.7 million) and matched its 18-34 high (1.0/3).
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Raising Hope was quite good last night. and Ms. Plimpton continues to shine. She’s the best thing on TV. Tues 9pm appointment for me.
I agree!
I predict Raising Hope will continue to retain or gain ratings as word of mouth gets around. Running Wilde should be running towards cancellation. There’s a reason why people are rejecting the latter show. You have a show with heart and comedy (Raising Hope) being followed by a glib show with nothing to connect to emotionally. Are you listening Mitch Hurwitz?
Couldn’t agree more — stumbled onto “Raising Hope” by accident and am hooked. Great writing, great characters, great performances, great TV.
I also enjoyed Raising Hope last night as the best episode so far out of three. And Martha Plimpton is indeed a delight to watch. Her comic timing is enitrely her own and she and the whole cast seem to be gelling into a real ensenble.
It’s a hat trick for RAISING HOPE…the best new sitcom on TV…stellar acting all around.
Parenthood was great last night. Something disturbing but incredibly humorous watching Craig T. Nelson dance with a flamboyant homosexual! If it wasn’t for him, I probably wouldn’t tune in. Whatever happened to him losing his house? How come the writers aren’t following through on hook story lines they created in the first season? Need more Zeek. And more Crosby. One thing sorely missing from the show is subject matter with wider relevance to the audience. Was this a network note that they not talk about the economy? Does NBC want to put a lid on anything that could be perceived as dissension with our current economic climate? TO THE WRITERS: Screw the brass! Grab your nuts like the Bob Dylan covers you tout and do shows that say something!
Running Wilde is a complete dud. One laugh per half hour. Where’s that old AD magic?
Running Wilde surprises me. It’s funny. The Fuad guy’s Alan Alda New York tough guy was pretty much a knee slapper. Never watched Arrested Development, so can’t compare it, but Running Wilde has, quite possibly, the oddest rhythm of any live action prime time sit-com I’ve ever seen. I hope it finds an audience. At least makes it through a full season.
“Oddest rhythm.” Aka, it’s not funny.
I did not like the 1st 3 episodes of Running Wilde, but last nights episode was hilarious, although very uncomfortable to watch at certain points. I think the show is way too offbeat for general audiences to appreciate. Still scratching my head why most of the new dramas this season just can’t seem to stop the bleeding of their viewers each week.
Parenthood needs to get the hell out of that timeslot. NBC needs to move it to 8pm or even 9pm even they even want the slightest chance for it to make another season.
Running Wilde doesn’t really work yet, but. I admire what they’re trying to do. My fear is that anything that aspires to be clever or witty has little shot of working on network TV.
I love Raising Hope. I haven’t laughed so much watching a show in a long time. Martha Plimpton and Garret Dillahunt are my great.
I can’t get enough of Life Unexpected. Like most shows I seem to love, the ratings haven’t been great so I’m savoring these 13 episodes of season 2 as if they will be the last. With the CW you just never know, so here’s hoping they keep the show going.
After watching the first 4 eps. of Raising Hope, I am reminded of the freshness comedic feeling that emanated from the first few eps. of Modern Family. If the writing can maintain it’s hysterical level up until now, it’s all up from here. As to Running Wilde, it isn’t as smart as Arrested Development and it’s winking jokes are missing the mark. I think that Keri Russell may be the problem here as she lacks the comedic timing to be the female lead.
Raising Hope is that rarity on broadcast TV – great writing and great casting across the board. More original and unpredictable than Modern Family. As for Ms. Plimpton, we New Yorkers will mourn her absence from our theatre scene while she earns some bigger bucks out west. She’s a truly great stage performer -and I use that adjective sparingly. She’s also done some terrific guest shots on series over the past years. She deserves a hit series. (And, no, I’m not her agent.)
NOF and Raising Hope are HACK. super boring television.
No Ordinary Family is just one more derivative PIECE OF garbage put out there to see if you will buy! Exact premise (almost scene for scene ripped from failed Christian Slater flop MY OWN WORST ENEMY) scene is a transparent rip off. Making sandwiches, going to school, introducing lame characters and trying to0 hard to humanize and make 3 dimensional characters, when writing is so contrived. Some one tell these producers to hang it up! Poorly written CRAP SHOWS LIKE THIS SHOULD NEVER EVEN MAKE IT TO BROADCAST! One more turd in the toilet. What a waste of great opportunity! SAD Ridiculous wardrobe! David Semel, apparently produced both flops.