
EXCLUSIVE: Comic book icon Stan Lee is mixing superheroes with William Shakespeare for his next graphic novel creation unveiling at Comic-Con NY today. 1821 Comics has made a three-book agreement made with Lee and his POW! Entertainment. The first book is Romeo and Juliet: The War, a futuristic and stylized retelling of the Shakespeare tale, with story by Lee and Terry Dougas, and artwork by Skan Srisuwan. Here’s a peek, courtesy of Deadline. It will be published next spring. The 1821 Comics start-up is being backed by entrepreneurs Paris Kasidokostas Latsis and Dougas, who will be at Comic Com today with POW! partners Lee and Gill Champion to announce the project and unveil artwork for Romeo and Juliet: The War. In it, two groups of superhuman soldiers turn the Empire of Verona into the most powerful territory on earth. The Montagues (powerful cyborgs made of artificial DNA) team with the Capulets (genetically enhanced humans with super speed and agility) to destroy all threats to Verona. When they succeed, they turn on one another in a race for total dominance. In this volatile backdrop, a young Monague boy and Capulet girl fall in love and plan to marry in secret.
Now, I realize I’m writing a rah-rah Stan Lee piece a day after my colleague Nikki Finke and a chorus of commenters took him to the woodshed for making a deal to create superheroes for each National Hockey League team, which does sound a bit cheesy. Here’s how I feel: based on the value of the $4 billion Disney paid for the publisher/producer, they couldn’t have paid Lee enough for co-creating and god-fathering all of Marvel’s most memorable comic book characters. I like that Lee is still scrapping as he turns 88. The depth that Lee and colleagues like Steve Ditko and Jack Kirby infused in those characters when nobody was looking is the reason the Marvel character catalogue is way more successful than rival DC Comics. My view: when you’ve had a guiding hand in Spider-Man, Hulk, X-Men, Fantastic Four, Iron Man, Thor, Daredevil, and Captain America that are the life blood of Hollywood, nobody can begrudge using your fame to earn a buck, fuel other projects, or look silly showing up for cameos in every Marvel superhero film. Rock on, Stan Lee.


Agreed. Rock on, Stan Lee.
Well said and right on. People may accuse Stan of being a huckster but it’s his innate sense of showmanship just as much as his creative contributions that really helped push Marvel to the top in the 60s and 70s. Back then Stan was just as much a media star as he is now – the man was booking SRO speaking engagements at universities across the nation and guested on daytime talk shows like the Mike Douglas Show. It was his outreach to the fans just as much as the comics that really made them feel connected to the characters and company. He created brand loyalty. I think it can be argued that it was his tireless boosterism that really helped make Marvel become a pop culture force in the early days.
Sorry, but gotta call “foul” on this. It just proves the long-term viability of good writing and character development (i.e. Shakespeare), not comic books or graphic novels. What’s next, Stan? “Two Spider-Men of Verona”? “The Taming of the Hulk”? “Henry and the Fantastic IV (Four)”? Stan, does this means the caharcters also have to have aliterative names (i.e. peter Parker). Romeo Robertson Montague and Juliet Jameson Capulet??
And, the Mike Douglas Show? Really? (Why not the Merv Griffin Show as well?) A syndicated show that has been off the air for 28 years is hardly testament to Mr. Lee’s popularity. Yes, he has been popular for a long time, but ComicCon is a better (and more relevant) example of his popularity.
Stan’s literary roots go back to the classics. As a boy he fed on great literature and it strikes me as both poetic and appropriate that he wants to use his imprimatur to introduce today’s post-literate generation to the works that shaped him and his sensibilities. As the Bard might have said, “With great power cometh great refponfibility.”
I love comics. I am a film producer and a hockey fan. While I am concerned about some of the heros for the nhl (stereotyping with the blackhawks for example) I say “go stan!” With this project.
Why? While a lot of his work-thor comes to mind- has roots in tales that have been around forever tackling Shakespeare like this is at least more intresting than how Luhrman attempted back in the 90′s.
I couldn’t disagree more with carthy. Mr. Lee is doing EXACTLY what made him “the man” to us fans-he is putting his own twist on a tale everyone knows. I look forward to reading this-at least it will get some people intrested in shakespeare who thought they wouldn’t like the plays.
How is this any worse than fox picking up the rights to the zombie/lincoln novel? At least this premise makes a bit more sense!
I agree with murdock’s girl for the most part, although I think that Shakespeare is boring, I might be willing to give this a shot…
Hollywood is doing quite well rehashing Stan’s legendary material. If anyone deserves the chance to tackle classic literature, it’s Stan Lee.
I have immense respect for Stan Lee’s work in comics. Most of my favorite Marvel superheroes where shaped or created by Stan Lee and Jack Kirby so Stan Lee deserves a lot of the credit. That said, this comic book is going to be horrendous to new readers and young readers alike. If you have red any of Stan Lee’s more recent work you would notice that is very outdated and kind of tacky. It may work considering Romeo and Juliet is far from a recent story but based on the image, unless he writes it in Shakepearian tongue it is going to feel really old and possibly cheesy. As a huge comic book fan, I’m just saying to not get your hopes up too high.
Y’know, I actually kind of like the idea.
I’m as quick as everyone else (hmm, okay, maybe not as quick as many of the posters here) to bash Hollywood for telling the same old stories ad nauseum, but something about this feels fun and, even, fresh, in the same way that And Zombies! did about a year ago.
If we must have remakes and reboots galore, let’s at least play while we’re doing it. . . and I don’t mind being a sucker for a little genre-bending, media-crossing, exposure-generating pop culture kool-aid.
But hey. . . I secretly had a blast watching The A-Team, too.